Track Listings (1) - Disc #1| All Artists: Charlemagne Palestine Title: Schlingen-Blängen Members Wishing: 3 Total Copies: 0 Label: New World Records Release Date: 9/21/1999 Genre: Classical Styles: Chamber Music, Historical Periods, Classical (c.1770-1830) Number of Discs: 1 SwapaCD Credits: 1 UPC: 093228057826 |
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Search - Charlemagne Palestine :: Schlingen-Blängen
 | Charlemagne Palestine Schlingen-Blängen Genre: Classical
Charlemagne Palestine was a constant presence on the downtown New York City scene in the '70s and was best known for his punishing feats of endurance on the Bösendofer piano. Lately, many of his early recordings have ... more » |
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Amazon.com Charlemagne Palestine was a constant presence on the downtown New York City scene in the '70s and was best known for his punishing feats of endurance on the Bösendofer piano. Lately, many of his early recordings have been reissued. A few years back, a 1975 piano marathon, Strumming Music, was reissued, which is Palestine going nuts on the keyboard, banging out a repetitious minimalist pattern for 45 minutes, never missing a beat (Palestine is rumored to have pounded the strings so hard that he would often snap them). Soon thereafter, some of his minimal electronic works were rereleased, which earned him a following in the electronica community. Thankfully, New World Records added this CD, which dates from 1979, to Palestine's growing discography. On it, Palestine simply holds down a single note on a church organ for an hour. So little happens that the monotony makes Steve Reich's Four Organs sound like a Mahler symphony. But it's the extreme act of minimalism that makes for an intriguing exercise in just how much can be squeezed out of a single gesture. It takes extremely concentrated listening to even notice the dozens of small events such as overtones and harmonics slowly and quietly unfold across this seemingly static--yet oddly sensuous--field. --Kenneth Goldsmith Similar CDs
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CD ReviewsSublime undeletablearchive | Hove, East Sussex United Kingdom | 03/19/2001 (5 out of 5 stars) "This is a continuous 72 minute church organ piece made of a single chord activited by inserting cardboard wedges between selected keys. Stops are then progressively opened and closed to accentuate points in the harmonic structure. That's all.Except that's NOT all, by any means. Palestine is a master in the art of listening. His music is dedicated to an intense act of concentrating on the moiré of overtones in a simple structure and manipulating this in real time. It has transcendental results. Rhythms emerge; soft, Reich-like, out of the play of different wavelengths. Shifts across different tonal metrics cause hallucinatory effects. Now, the music appears to be going backward - or, now, to have been processed through electronic effects. But it hasn't. All there is is the chord, the stops moving, and the listening.Palestine's music tries to induce the sacred through minimum means. This makes it sound forbiddingly esoteric, but it isn't. There is an almost commercial ear for resolution. Thus, 21 minutes in, Palestine makes manifest the basstone that's been constantly implied - the one that's playing in your head; and the effect is revelatory.Palestine is a kind of punk minimalist with no pretensions and no interest in selling records. His music, which appears to have been won at the expense of some suffering and poverty, has enormous purity and rigour. At the same time his spirituality, which totally informs his work, is completely grounded, honest, and rooted in the everyday search, found in some religions and spiritual practices (the sensible ones), for a simple, renewing, but elusive transcendental experience; the sort that brings you to a still, transformative point where peace and absolute raptness co-exist. Sure enough, when this music hits its mark (which is often) your heart beats faster, hairs stand up, things make sense - and the white rush of the new passes across you." Real Minimalism svf | 02/23/2001 (5 out of 5 stars) "Are you ready for over an hour of pipe organ drone?Lost in the increasingly watered-down world of the Glass/Reich/Adams holy trinity of minimalism is the pure, visceral, stripped-down music of Charlemagne Palestine. The few recordings of his works are almost impossible to track down. Luckily, there is this CD release from the realatively well-distributed New World label. Get it before it also ends up on the "out of print" roster.Listening to the simple eloquence and uncanny spiritual depth of this music is a somewhat sad reminder of what minimalism really was meant to be before becoming the bloated, excessive, sentimental stuff that is is today. Palestine is a true American original whose music needs wider recognition and representation. Hear him." Sublime Joshua Sellers | US | 11/30/2004 (5 out of 5 stars) "This piece is about as minimalist as one can get: A single chord on a pipe organ sustained over 70 minutes. But a lot happens in those 70 minutes as Palestine slowly alters the stops-- certain frequencies are highlighted, the "beats" generated by the chord create rhythms & melodies. It's a study in tonal color & it is absolutely sublime - like placing a microscope up to a sound. Imagine one of Rothko's huge color field paintings... except it's 10 MILES HIGH!! It's especially emotionally overwhelming when listened to at a loud volume! I would rank this CD as one of my top 10 "desert island" picks for sure. I hope that more of Palestine's work is recorded & that it remains in print!
If you like early Steve Reich (like the tape pieces, the phase pieces or Drumming) then you will probably love this! " |
