Tellin' My Troubles to My Old Guitar - Chet Atkins, Weston, Don
Dance of the Golden Rod - Chet Atkins, Travis, Merle
Galloping on the Guitar - Chet Atkins, Atkins, Chet
Centipede Boogie - Chet Atkins, Atkins, Chet
Main Street Breakdown - Chet Atkins, Atkins, Chet
Indian Love Call - Chet Atkins, Friml, Rudolf
Mountain Melody - Chet Atkins, Atkins, Chet
Jitterbug Waltz - Chet Atkins, Maltby, Richard Jr.
Rainbow - Chet Atkins, Bryan, Alfred
Nobody's Sweetheart - Chet Atkins, Erdman, Ernie
Chinatown, My Chinatown - Chet Atkins, Jerome, William
Fiddle Patch - Chet Atkins, Potter, Dale
(When It's) Darkness on the Delta - Chet Atkins, Levinson, Jerry
High Rockin' Swing - Chet Atkins, Avants, Joe
Guitars on Parade - Chet Atkins, Atkins, Chet
Oh! By Jingo - Chet Atkins, Brown, Lew
The Bells of St. Mary's - Chet Atkins, Adams, Emmett
Country Gentleman - Chet Atkins, Atkins, Chet
Memphis Blues - Chet Atkins, Handy, W.C.
Downhill Drag - Chet Atkins, Atkins, Chet
Ballin' the Jack - Chet Atkins, Burris, James Henry
Silver Bell - Chet Atkins, Madden, Edward
Track Listings (25) - Disc #2
Mr. Sandman - Chet Atkins, Ballard, Pat
New Spanish Two-Step - Chet Atkins, Duncan, Tommy
The Poor People of Paris (Jean's Song) - Chet Atkins, Monnot, Marguerite
Tweedlee Dee - Chet Atkins, Scott, Winfield
Wallflower (Dance With Me Henry) - Chet Atkins, Ballard, Hank
Blue Ocean Echo - Chet Atkins, Atkins, Chet
Trambone - Chet Atkins, Atkins, Chet
Dig These Blues - Chet Atkins, Chatman, Brothers
Yesterdays - Chet Atkins, Harbach, Otto
Walk, Don't Run - Chet Atkins, Smith, Johnny [1]
Hot Toddy - Chet Atkins, Flanagan, Ralph
Slinkey - Chet Atkins, Atkins, Chet
Frankie and Johnny - Chet Atkins, Traditional
Windy and Warm - Chet Atkins, Loudermilk, John D.
Early Times - Chet Atkins, Reed, Jerry
Satan's Doll - Chet Atkins, Smith, Johnny [1]
So Rare - Chet Atkins, Sharpe, Jack
Yakety Axe - Chet Atkins, Randolph, Boots
Blue Angel - Chet Atkins, Lima, Natalicio Mor
Steeplechase Lane - Chet Atkins, Hubbard, Jerry Reed
Black Mountain Rag - Chet Atkins, Traditional
Take Five - Chet Atkins, Desmond, Paul
Blue Finger - Chet Atkins, Hubbard, Jerry Reed
Cascade - Chet Atkins, Slone, Gene
Carolina Shout - Chet Atkins, Johnson, James [01]
Chet Atkins recorded way too often, in way too many dubious contexts; wanting to showcase the depth and breadth of his playing, he instead buried himself. So what's a fan to do? This two-disc set is beautifully programmed,... more » keeping all emphasis on Chet himself, from the delicate drive of 1947's "Canned Heat" to the four-guitar interplay of 1978's "Carolina Shout." Though he recorded frequently over the years with A-list country sidemen under various names, his most enduring work remains the scintillating sides with guitarist Homer Haynes and mandolinist Jethro Burns (and you thought they were just a novelty act). There's also a rare rollicking reading of "Dig These Blues." And any set that follows the sweet timing of "Guitars on Parade" with the high-stepping "Bells of Saint Mary's" and the piercing "Country Gentleman" is indeed irrefutable testimonial to a guitarist who often hid his own virtues. This is the one Atkins album you really need to own. --John Morthland« less
Chet Atkins recorded way too often, in way too many dubious contexts; wanting to showcase the depth and breadth of his playing, he instead buried himself. So what's a fan to do? This two-disc set is beautifully programmed, keeping all emphasis on Chet himself, from the delicate drive of 1947's "Canned Heat" to the four-guitar interplay of 1978's "Carolina Shout." Though he recorded frequently over the years with A-list country sidemen under various names, his most enduring work remains the scintillating sides with guitarist Homer Haynes and mandolinist Jethro Burns (and you thought they were just a novelty act). There's also a rare rollicking reading of "Dig These Blues." And any set that follows the sweet timing of "Guitars on Parade" with the high-stepping "Bells of Saint Mary's" and the piercing "Country Gentleman" is indeed irrefutable testimonial to a guitarist who often hid his own virtues. This is the one Atkins album you really need to own. --John Morthland
"This is a fine collection which includes many of Chet's early 78 RPM & 45 RPM sides. The overall sound quality is quite good. The selection of tracks is impressive and the CD insert booklet is very informative. Of interest is a couple of tracks from Chet's early RCA EP: PICKIN' THE HITS which includes DANCE WITH ME HENRY and TWEEDLEE DEE. There are early versions of TRAMBONE and BLUE (OCEAN) ECHO. Plus there's Chet with the then short-lived ensemble "The Rhythm Rockers" on DIG THESE BLUES - These all being reissued on CD for the first time! The material on GUITAR LEGEND concentrates on Chet's early sides, then jumps to cuts from selected '50's and '60's LP's - up through some great tunes he recorded in the '70's - ending with a piece from Chet's FIRST NASHVILLE GUITAR QUARTET LP, titled CAROLINA SHOUT which is totally out of place on this set. Regarding the "4 previously unreleased tracks" as advertised on GUITAR LEGENDS. These already appeared on the 1993 Bear Family Records 4-CD box set of Chet titled GALLOPING GUITAR. No "new unissued" material here. Chet's version of BLACK MOUNTAIN RAG is incorrectly listed in the liner notes as "taken from GALLOPIN' GUITAR" (10-inch LP)... Actually the CD includes Chet's much later version from the LP: PICKIN' MY WAY. It would have been nice if they had used the original 45-RPM single recording of WINDY & WARM rather than Chet's later version from the already reissued LP: DOWN HOME (CD two-fer). Don't get us wrong! This is a super set and highly recommended. GUITAR LEGEND could almost be called a "condensed version" of the earlier 4-CD Bear Family box. If you're in the market for Chet's early cuts, but don't want to pay the bucks for the Bear Family box, then this 2-CD set is the one to get!"
Excellent sampler of the first 30 years of Chet's career...
William E. Adams | Midland, Texas USA | 02/25/2004
(5 out of 5 stars)
"I first became a fan of Chet Atkins in 1957, when I was 13. My new brother-in-law played an early LP for me in which Chet picked (and sang) a song about the Titanic. That tune's not included in these two hours, but one early Chet vocal is on here, just to show us why we don't need more of his voice. His artistic genius was in the picking, and this collection shows his versatility quite well. One criticism of Chet is that he recorded too much, and perhaps that is true, but after all, that was his job. Not every LP was ground-breaking, and a lot of Chet's work falls into the "easy listening" or "good background music" category, including some tracks on this set. But there was so much more to the man than those quiet recordings. He did jazz, pop, country/pop, traditional country, rock and roll, semi-classical---alone and with small groups, in duets and with orchestras. I was lucky enough to see Chet in person twice. Once was a concert, which included Boots Randolph on sax and Floyd Cramer on piano, but Chet was clearly the centerpiece. The other occasion was really special. In Nashville in 1968 I was in the audience for a recording session Chet produced, featuring country comedians (and superb instrumentalists) Homer and Jethro. One of the session musicians was Jerry Reed, later to become a star himself. Chet did not play, as I recall--- he supervised, and teased, and conducted, and solved problems. He was RCA's top man in Nashville at the time, and it was fascinating to watch him work. The result was released on LP as "Homer and Jethro Live at Vanderbilt University" but sadly has not been issued on CD. My applause is probably on it, and I'd like to own a copy. I knew who Homer and Jethro were because my parents had owned an earlier album of theirs, but I did not know at the time how respected they were as artists, or that their friendship with Chet went back 20 years. Since becoming a Chet fan in '57, I bought a handful of his own records over the years, but he made far too many for any one guy to own them all. This double CD set is welcome in my home as a tribute to a great guitarist and recording executive. If you are already a fan, it is a worthy addition. If you are new to Chet, I'd say this is essential. He helped make the guitar more prominent in both country and rock in his heyday during the '50's, and he helped make Nashville famous and country music more mainstream in the '60's. Many think the latter transformation was a mixed blessing, but overall Chet Atkins is a towering figure in American popular music, and this collection proves it."
Nashville Cat
William E. Adams | 02/17/2003
(4 out of 5 stars)
"This is a great album. As point of departure I am a guitarist with eclectic tastes, and more interested in Chet for his technical and arrangeing abilitites than for the selections of tunes. That being said, this is my fifth or sixth Chester CD and it is interesting, and there are always great tunes on every album. As with so many guitarists, such as Clapton and Page, the RCA collection showcases Chet's evolution from frantic virtuoso (with flaming L7 in tow) into a rounded, melodic interpretative artist. The CD disc 1 is early stuff, with a more jazzy hillbilly feel-very cool, but a bit lacking in the fidelity department as befits the era. The disc 2 is some later stuff and it is extraordinary and worth the entire set price-there are some jazz tunes which are Chet at this best. This is a more sophisticated look into Chet and for the neophite not a bad first choice (although the best Chet sampler, IMHO, is Master and his Music). For those who really enjoy Chester and wish to visit his roots this is a good CD and bears the price."
Great stuff from a great guitar player
COMPUTERJAZZMAN | Cliffside Park, New Jersey United States | 10/14/2005
(4 out of 5 stars)
"Chet Atkins was truly a great musician, although he recorded a lot of crap over the years. This CD showcases his guitar talent, ranging from 1947-1978. Not every song is a classic, but there are some truly good ones here, it will open up your eyes a lot."
Stellar collection from the greatest guitarist ever
Scott Hedegard | Fayetteville, AR USA | 02/20/2006
(5 out of 5 stars)
"No self respecting guitar player should be without Chet Atkins in his or her collection. Atkins' virtuosity, taste and almost incomprehensible range of playing are simply unparalled.
"The RCA Years" is a superb compilation of his work starting in 1947 with "Canned Heat" and follows through to the late '70's before Chet jumped ship to Columbia to pursue a more jazzy path than RCA was willing to allow.
Every track in this 50 song double CD is indispensible. We hear shred guitar before the term and the hot shots of the 80's, including Vai and Satriani were even born. Never hokey, Atkins was a living breathing slice of American music history. Rock and roll, bluegrass, country, blues and jazz are blended together in a musical soup that astonishes the listener, usually in the space of a single song.
The accompanying booklet is interesting, along with early photos of the great man. It's the best place to start for the serious Atkins fan and beginner alike, and damn hard to beat, although his "Essential" CD's are good company. Guitarists, pay your dues today."