"This 11 CD set is absolutely fabulous. Artur Rubinstein was a great pianist, and he was at his best with Chopin. You simply will not hear better performances of Chopin than these. That is not just *my* opinion; he is widely regarded as one of the greatest interpreters of Chopin of all time. Just do a quick online search if you doubt this, and look at reviews of his other CD releases of Chopin pieces here at Amazon.com.
This is all of the pieces of Chopin that Rubinstein recorded, though it is not all of the recordings he did of Chopin (he recorded some pieces more than once; many of his earlier mono recordings are not included), and it is not all of the pieces that Chopin wrote (because Rubinstein never recorded all of what Chopin wrote). If one wants all of the works of Chopin, one should still buy this set, but one would need to buy a few other CDs of other people performing the few pieces of Chopin that Rubinstein never recorded.
10 of the 11 discs were recorded in the late 1950's & 1960's in good quality stereo sound (though obviously not as high fidelity as is possible now). The last disc was recorded in the 1940's, so the sound is not great, and is mono. Nevertheless, it is still listenable, and the performances are still superb.
It comes with a nice, informative, multi-lingual booklet. English is one of the included languages.
You should buy this set before they raise the price; it is great. This set would be worth buying even if they charged normal retail prices for the CDs (which would be somewhere around $200 for this many discs). I bought an earlier release of this set for around $100 some years ago, and was very happy with the deal. (My brother bought a set of this release, so I know about this particular release, too, and that it includes a multi-lingual booklet, etc.) At the price Amazon is currently selling it, buy before they change their minds and charge what it is really worth!
If you like Chopin, the only way you could possibly be disappointed with this is if you must have current state of the art sound quality, or you have deviant taste in how Chopin should be performed. There simply is no other way you could be dissatisfied."
Gorgeous, UNBEATABLE VALUE, but NOT THE BEST Out There
G. Engler | The Frigid Northeast | 01/31/2009
(3 out of 5 stars)
"It's somewhat dismaying to read reviews that begin with something like "Obviously, Rubinstein was a great famous pianist, and this is one of the greatest Chopin recordings EVER!" Clearly, there's no argument with the opening - Rubinstein was one of the titans of the keyboard during the 20th century, and many of his recordings still provide tremendous enjoyment. But for this listener, these justly famous recordings of Chopin - far from complete - are neither the finest examples of this pianist's legacy nor the finest recordings of the works themselves.
I highly recommend this set for the casual listener, who wants to have some Chopin in his or her collection. You can pick it up on amazon currently for about $21 (for 11 discs!!) For that price, this set will sate your appetite, and provide hours - if not a lifetime - of listening pleasure.
For the student of music, or piano, or simply the more discerning listener/collector, this set should be - and needs to be - heard in context. Rubinstein was in his "early" senior years when the recordings were made. Gone is the flamboyance, and risk taking of his youth. In its place was a golden, burnished piano tone, and careful - oh so careful - playing. Careful is good. Careful is meticulous. Careful is boring.
There are those who will jump all over me for suggesting this (particularly those who end the first sentence of their review with the word "EVER!") but there is a monotony associated with this set of recordings - a beautiful monotony to be sure, but a monotony none the less. The playing works for the beautiful Nocturnes and Waltzes, but is far less successful for, say, the Mazurkas which sound like cocktail hour at a senior center.
After two or three discs all the playing begins to sound the same. By five discs it sounds like an interminable concert of notes written by Chopin. Halfway through, you may fall asleep. Beauty without drama has a tendency to become deadly. For fans of Rubinstein - and I count myself as one of his bigger ones out there, I strongly suggest you explore the recently re-issued remasters from the Rubinstein Collection. While sound quality of the earliest recordings in the series varies - the 1930s recordings of the Mazurkas for example - most of the discs sound very, very good. It's the playing, the musicianship, that is in a different league. You can practically see the townsfolk dance to these Mazurkas as you listen to Rubinstein's gleeful, swinging playing from his youth.
These justly famous recordings from the 1960s - Rubinstein's only stereo recordings of Chopin - do not represent this great artist in his prime - this is the playing of an elder stateman. For pop fans, it would be like gaining your inital exposure to Paul McCartney through a listen of Chaos and Confusion In The Backyard and wondering what all the fuss over Beatlemania was about. It's pretty, yet bland - and hardly memorable. Unfortunately, this is true of Rubinstein's final recordings of Chopin as well.
(Although Rubinstein was capable of stupendous playing in his later years, he seldom attained such heights in the controlled legacy atmosphere of the studio. Check out his famous Carnegie Hall concert Rubinstein Collection, Vol. 42or the rarer, and God-like playing of his 1960s Moscow concert Rubinstein Collection, Vol. 62: Recital in Moscow. Better yet, WATCH Rubinstein in Moscow on this recently issued DVD of the performance Classic Archive: Artur Rubinstein - The Legendary Moscow Recital
In conclusion - this is a fine introductory purchase, or second set for the bookshelf. For lovers of the piano however, I strongly urge readers to heed the advice of another reviewer for this listing C. Pontis Tholin (as I did) and explore Garrick Ohlsson's magnificent traversal of Chopin music - all of it. Ohllson's recordings dust off this music and take it out of the salon. His performances sparkle, and provide each and every work with a distinquishing sparkle and personality, bringing Chopin to life as never before. Complete Works Truly revelatory. If you're interested, make sure you check out the pricing at amazon.com/uk. (NOTE - 6/10 - The Ohlsson set is routinely listed on Amazon for about $62 from an overseasl vendor who is reliable - I know because I purchased a set from this vendor as gift for a friend! - At this price, the Hyperion set is a steal)
For Rubinstein lovers, let me also recommend Harvey Sachs' great biography of the master, which you can currently pick up on amazon for a little over a dollar. A great read, Sachs' biography will further your appreciation of this great artist and his music."
Can't Afford Not to Own This Set
J. Grant | North Carolina, USA | 01/07/2008
(5 out of 5 stars)
"There may be better (according to your taste) individual recordings of Chopin's works contained in this set, but not that much better, and certainly not at this price. Artists such as Arrau (Etudes, which aren't in this set & his darker Nocturnes), Moravec's Ballades, Michelangeli's Sonata No.2, Kapell's Mazurkas & Pollini's Preludes come to mind. That being said, Rubinstein's interpretations of all of these works are also outstanding, and nobody can touch him on the Waltzes (well, maybe Lipatti). The only minor disappointment of this set is the subpar recording quality of the Preludes, but the playing of them is still very nice and quite listenable. If you don't already own these works, this is definately the place to start (especially at less than $3 a CD), and if you don't know Rubinstein's sophisticated and aristrocratic readings of Chopin, you must see what you're missing. Highly recommended.
**At the time I printed this review the price was $27.99**"
(+) Unbeatable Bargain, but Not the Claimed Reference Standa
C. Pontus T. | SE/Asia | 11/04/2008
(3 out of 5 stars)
"At less than $30, this has to be one of the greatest bargains currently out there. For many lovers of Chopin and piano playing, Rubinstein's late 1950s/early 1960s RCA survey is the Bible. Undoubtedly, it contains some godly Chopin playing. However, there is too much unevenness and lack of drama for this cycle to live up to its reference status.
Indeed, this is a Chopin Collection and not a complete survey, missing the Etudes, Rondos, Variations, early Polonaises, First Sonata, concert fantasies, chamber music as well as some miscellaneous pieces--most notably the Op post Nocturnes, Mazurkas, Waltzes and Prelude, plus the Op 45 Prelude and Allegro de concert. In contrast to the Ashkenazy set, this collection includes the two Concertos.
Particularly Rubinstein's Waltzes, Mazurkas and Nocturnes are often claimed to be of reference standard (persistently so both by Jed Distler and the Penguin Guide). Indeed, some of them are excellent (the Opp 59 and 68 Mazurkas as well as the Opp 27/2 and 48/1 Nocturnes), whereas too many suffer from what I would call a general lack of drama--that is underplayed contrasts in tempo, dynamics and above articulation (the Waltzes annoyingly much so). Rubinstein tends to play everything in a similarly smooth manner with an unfailing beauty of tone; hence, the results are never less than comfortable. However, the individual imagination--and thus memorableness--of the likes of Ohlsson, Moravec, Pogorelich, and even to some extent Ashkenazy, seldom surfaces. At times, the adjectives tired and feeble may even be used (if truth be told, Mr Rubinstein was no less than between 71 and 80 years old when recording this collection). A striking example emerges when comparing the revolutionary Second and maturely bel canto Third Sonatas: Rubinstein is truly at home in the luxurious sonorities of the Third, whereas the Second is plain bland. Even more interesting is to compare the 1946 mono version with the 1961 stereo version (both of which are included in the collection), where the former completely outshines the latter in terms of dynamism and liveliness. This actually seems to be true in general for Rubinstein's mono Chopin renditions, even though I admittedly have severe problems with the very mono sound.
Notwithstanding the above said, Rubinstein gives us truly spiritual accounts of the Barcarolle, Berceuse, Op 53 Polonaise as well as the Andante spianato & Grand Polonaise. Luckily, the recorded sound is surprisingly good considering its age and the label--in fact, if somewhat dynamically constricted, largely preferable both to the metallic Decca sound given to Ashkenazy's cycle (Chopin: The Piano Works) and above all to the boxy and clunky Naxos sound in the Biret survey (Chopin: Complete Piano Music). Again acknowledging the unbeatable value of this Chopin Collection, it still cannot compare with Ohlsson's reference series for Arabesque, recorded in the most glorious sound on an impeccable Bösendorfer instrument--due to be issued as a boxed set by Hyperion on 11 November (Complete Works, actually already released in the UK at a real bargain price!)."
One for the ages
Mark Hennicke | A stone's throw from Carnegie Hall | 02/08/2008
(5 out of 5 stars)
"Perhaps no other pianist is so indelibly linked to one composer's music than Artur Rubinstein is to the works of Chopin. One might think of Glenn Gould & Bach, but even the renowned Canadian virtuoso's recordings of JSB are not held in such high esteem as Rubinstein's Chopin catalog. Rubinstein has such an affinity for this music,and performs the works with such a master's touch, that the listener immediately developes an especially affectionate bond with this marvellous 11-cd set from RCA Victor.These performances are some of the absolutely great treasures in the history of recorded music. They have such a wide appeal that they instantly become a must have for your cd library, made all the more tempting by the super-bargain price offered on this re-mastered box set.
Highly recommended & definitely not to be missed!"