Piano Concerto No.1 In E Minor, Op.11: I: Allegro Maestoso
Piano Concerto No.1 In E Minor, Op.11: II: Romanze. Larghetto
Piano Concerto No.1 In E Minor, Op.11: III: Rondo. Vivace
Piano Concerto No.2 In F Minor, Op.21: I: Maestoso
Piano Concerto No.2 In F Minor, Op.21: II: Larghetto
Piano Concerto No.2 In F Minor, Op.21: III: Allegro Vivace
Martha Argerich is one of our supreme pianists, and this disc shows her almost at her best. Every phrase is beautifully considered and executed, but there is still plenty of spontaneity in her playing. Alas for the flowers... more » of youth. A couple of decades ago, Argerich played this music (on two separate Deutsche Grammophon recordings) with even more fervor and spontaneity, and the accompaniments were more incisive and more clearly recorded than these. As Chopin wrote these concertos so early in his career, one can't help thinking that Argerich's earlier performances are more appropriate to the music. Still, with playing of this caliber, one can't merely set it aside. As a mature reconsideration of these concertos, this disc is well worth hearing--after you already know the earlier versions. --Leslie Gerber« less
Martha Argerich is one of our supreme pianists, and this disc shows her almost at her best. Every phrase is beautifully considered and executed, but there is still plenty of spontaneity in her playing. Alas for the flowers of youth. A couple of decades ago, Argerich played this music (on two separate Deutsche Grammophon recordings) with even more fervor and spontaneity, and the accompaniments were more incisive and more clearly recorded than these. As Chopin wrote these concertos so early in his career, one can't help thinking that Argerich's earlier performances are more appropriate to the music. Still, with playing of this caliber, one can't merely set it aside. As a mature reconsideration of these concertos, this disc is well worth hearing--after you already know the earlier versions. --Leslie Gerber
"I usually like both Argerich and Dutoit, but EMI has not done either of them justice, and to me, Argerich sounds less involved than in other recordings. The real drawback, though, is the sound. Decca provided Dutoit and the Montreal Symphony with clear, open sound that made their recordings enjoyable. To me, EMI's sound here is indistinct, bordering on muddy at times. Orchestral detail is lost, and on a couple of occasions the piano just disappears behind the orchestra. I bought this recording expecting something special, but was quite disappointed."
One of the top recordings - Argerich at her best
kreisleriana16 | Minneapolis, MN USA | 11/21/1999
(5 out of 5 stars)
"What a surprise to see Argerich on EMI! Hopefully this will only be the beginning. The Chopin displays not only her technique which is beyond belief but the musicianship which she also has in abundance. Her phrasing and dynamics are spectacular. Argerich knows exactly where to change the pace without being overly romantic. She also knows that when it is time to turn on the technical pyroworks she does so with ease.After hearing her live performances on Philips of the Rachmoninoff 3rd and Tschikowsky's 1st there is little doubt in my mind that she is one of the outstanding pianists of our time. Her live performance a few years back of the Strauss Berlesque with the Berlin Philharmonic was stunning and left no doubt in my mind to that claim.It is a rare combination to see one who is not only a great pianist but a great musician as well. It is almost like she has an uncanny feeling for this music. Dutoit does a good job with the Orchestre du Montreal as always. Can we hope that Dutoit and Argerich will re-unite and make more recordings like this? (Interestingly enough both recorded for Polygram - DG and British Decca. Now they seem to have moved to EMI). With so many excellent recordings now available of these two works this recording remains my first choice at the present time for recent releases."
Great Performances
D. A Wend | Buffalo Grove, IL USA | 09/04/2002
(5 out of 5 stars)
"The two piano concerti by Chopin have been staples of the concert hall for many years. However, this is only the second recordings of these concerti by Martha Argerich. Ms. Argerich summons up all of the poetry and pathos that has made Chopin's concertos so popular over the years. She is ably supported by Charles Dutoit and the Orchestre symphonique de Montreal, who fulfil their role as accompaniment well and even manage a bit of acceleration in the Second concerto (first movement) almost as if to catch Ms. Argerich by surprise. Having had the pleasure of hearing Ms. Argerich play the Beethoven Second concerto in person, I know she can drive the concerto along. So here the orchestra gets a turn. When this disc was reviewed by Gramophone the comment was made that it seemed less a studio recording than a relaxed concert performance. I would agree. The concertos come of as the luxuriously tuneful works that they are with brilliant keyboard work by Martha Argerich. This recording is among the best of Chopin's concertos and I highly recommend it."
Argerich Excels in Classic Chopin Performances
Harold J. Sauer, M.D. | East Lansing, Michigan, U.S.A. | 07/26/1999
(5 out of 5 stars)
"Martha Argerich, winner of the 1965 Chopin Competition, has re-recorded the Chopin Piano Concerti from a mature and masterful perspective. She has lived with the concerti for 35-plus years, and every phrase is turned with jewel-like precision. These are Chopin performances to make virtuosi, indeed all Chopin interpreters, take notice and weep with joy. Compared to her fiery earlier recordings of these works, the new interpretations strike much closer to the composer's intentions and scores. After these recordings, others pale by comparison."
As dynamic as ever, but even more expressive now
kreisleriana16 | 07/24/1999
(5 out of 5 stars)
"Martha Argerich has been known for an uncanny technique that is married to an unusually expressive style. Chopin, known for his improvisations, is best served by someone whose pianism and imagination match the spontaneity and singing of his music. Add the extreme beauty of the playing in the slow movements and in the ornamentated passages of these concertos and you have a very rare treat with these performances."