Chris Thomas King Dirty South Hip-Hop Blues Genres:Blues, Pop This ambitious, impressive album erases the lines between blues and hip-hop, creating a fusion that's packed with seductive beats, sweetly singing guitars, and lyrics that probe the racial divide and affairs of the heart w... more »ith equal zeal. For Chris Thomas King--and maybe the genre--it's a major artistic breakthrough. He's stepped from the shadows of tradition to wed Dobros, backwards six-strings, and programmed rhythms, playing and arranging every instrument himself. By the time it's all over, he's sampled Son House, name-checked the likes of Robert Lockwood and the Jim Crow combat anthem "Strange Fruit," and exchanged gunfire with a dirty sheriff in his update of the Robert Johnson legend "Mississippi KKKrossroads." King matches his fellow New Orleanian, the rap emperor Master P, for hard beats and raw violence. Yet he also sculpts funky numbers like "Yo Kiss" to equal the dripping-wet romance of Prince. From the opener "Welcome to Da Jungle," which tells the story of African American culture from the motherland to today, to the end 22 songs later, King pursues any route he dares (including pure acoustic blues) with virtuosity and intelligence. Highly recommended. --Ted Drozdowski« less
This ambitious, impressive album erases the lines between blues and hip-hop, creating a fusion that's packed with seductive beats, sweetly singing guitars, and lyrics that probe the racial divide and affairs of the heart with equal zeal. For Chris Thomas King--and maybe the genre--it's a major artistic breakthrough. He's stepped from the shadows of tradition to wed Dobros, backwards six-strings, and programmed rhythms, playing and arranging every instrument himself. By the time it's all over, he's sampled Son House, name-checked the likes of Robert Lockwood and the Jim Crow combat anthem "Strange Fruit," and exchanged gunfire with a dirty sheriff in his update of the Robert Johnson legend "Mississippi KKKrossroads." King matches his fellow New Orleanian, the rap emperor Master P, for hard beats and raw violence. Yet he also sculpts funky numbers like "Yo Kiss" to equal the dripping-wet romance of Prince. From the opener "Welcome to Da Jungle," which tells the story of African American culture from the motherland to today, to the end 22 songs later, King pursues any route he dares (including pure acoustic blues) with virtuosity and intelligence. Highly recommended. --Ted Drozdowski
"Many of the negative reviews on here are by a reviewer who admits that he liked the music, but didn't like what King supposedly said in an interview. Do I have to like everything that somebody says to appreciate their art. Hell no! I don't like everything that the members of Public Enemy have said. Some of it has been absolute crap. I still enjoy much of their music. It's OK for me not agree with everything that somebody says. I haven't read every Chris Thomas King interview, but I've read a great many of them. The man is insightful at times, but I don't agree with everything he says. I don't agree with everything that anybody says. So what? He probably wouldn't agree with everything I say. Do we all have to agree on everything? No. Should CD reviews be reviews of CDs? I think they should. That's why they are CD reviews. It doesn't mean you agree with every possible view that an artist might have. Do I truly think that Dirty South Hip Hop Blues is a phenomenal CD? YES! Dirty South Hip Hop Blues is a five star CD."
So much potential, but fails to deliver
Sweet Lys | Plainfield, NJ | 02/01/2003
(1 out of 5 stars)
"I must agree with the Seth Mulliken's review below. I also purchased the CD thinking that the combination of blues and hip-hop beats held so much potential that there was no way this album could fail. Unfortunately, I was proved wrong. The only plus on the disc is Chris' guitar work, which is quite impressive. However, the tired rhymes and less-than innovative beats more than make up for it, truly deeming much of the CD unlistenable. Frankly, I am thinking of a way to exchange it and get something a bit more easy on the ears."
POWERFUL
Darnell | USA | 05/21/2004
(5 out of 5 stars)
"CTK HOLDS NO PUNCHES! HE TELLS IT LIKE IT IS. THIS ISN'T A 'SAFE' CD. IT'S POWERFUL! THE GUY WHO SAID THAT CTK SHOULD TOUR WITH GANGSTAS AND CRACK DEALERS MUST NOT HAVE LISTENED TO THE CD. CTK IS CRITICAL OF THE CRACK AND GANGSTA SCENE. JUST GOES TO SHOW THAT THE NAYSAYERS DON'T HAVE A CLUE. DIRTY SOUTH HIP HOP BLUES IS POWERFUL. I GIVE IT FIVE STARS."
Great
Sweet Lys | 05/19/2004
(5 out of 5 stars)
"Dirty South Hip-Hop Blues is an amazing CD from star to finish. Don't let the negative critics fool you. This IS a Blues recording. There are other forms of music on this disc too, as the title makes clear, but there's also great Blues on this disc. King sings with passion and heart. I've enjoyed all of his albums, but this is the best."