Gatemouth Brown has come full circle. The Texan launched his recording career back in 1947 with a big band behind him; more recently, first with 1997's Gate Swings album and now this follow-up effort, he's again achieving ... more »transcendence alongside a large ensemble. Brown remains a marvelous guitar picker, adding poignant commentary to the broken love plaint "Guitar in My Hand" (his update of a tune from 1947). He reacts to the horn and rhythm sections with taut, witty, jazz-inflected responses on swinging treatments of Duke Ellington's "I'm Beginning to See the Light" and the Kansas City blues-jazz anthem "Jumpin' the Blues." Oh yes, Brown has tremendous command of guitar textures--declarative, subdued, greasy, sensual, prickly, and more. He's an expert fiddler too--note "Rock My Blues Away." And he shows considerable individuality and wisdom as a singer, waxing plaintive on Percy Mayfield's "Strange Things Happen" and assuming a devilishly matter-of-fact attitude for his Lone Star State shuffle "Without Me Baby," where singer Kaye Doran adds to the fun. In all, "American Music, Texas Style" (also Brown's favorite description of the music he plays; don't ever call it "blues"!) is yet another triumph for the cantankerous bandleader. --Frank-John Hadley« less
Gatemouth Brown has come full circle. The Texan launched his recording career back in 1947 with a big band behind him; more recently, first with 1997's Gate Swings album and now this follow-up effort, he's again achieving transcendence alongside a large ensemble. Brown remains a marvelous guitar picker, adding poignant commentary to the broken love plaint "Guitar in My Hand" (his update of a tune from 1947). He reacts to the horn and rhythm sections with taut, witty, jazz-inflected responses on swinging treatments of Duke Ellington's "I'm Beginning to See the Light" and the Kansas City blues-jazz anthem "Jumpin' the Blues." Oh yes, Brown has tremendous command of guitar textures--declarative, subdued, greasy, sensual, prickly, and more. He's an expert fiddler too--note "Rock My Blues Away." And he shows considerable individuality and wisdom as a singer, waxing plaintive on Percy Mayfield's "Strange Things Happen" and assuming a devilishly matter-of-fact attitude for his Lone Star State shuffle "Without Me Baby," where singer Kaye Doran adds to the fun. In all, "American Music, Texas Style" (also Brown's favorite description of the music he plays; don't ever call it "blues"!) is yet another triumph for the cantankerous bandleader. --Frank-John Hadley
"Yes a good album, but a bit overproduced. Many tracks sound more like big band rather than the talented guitar blues that Mr. Clarence Brown is renowned for."
A must have
mskarmar | ocean view, de United States | 12/28/2001
(5 out of 5 stars)
"Wow. Clarence 'Gatemouth' Brown should be an american treasure. Blues guitarist, fiddle player, jazz musician, big band leader, delta vocalist; he does it all. And this is a great place to start exploring an american icon (or should be). He fuses big band swing with jazz and blues with a hint of Texan country music. I don't know how to categorize it other that great. If you can find his previous cd 'Gate swings' get it as well. And I am now waiting on my recently ordered 'Back to Bogalusa' to arrive to continue the journey of muscial appreciation of a great american musician."
Saw him live, had to get the CD!
Down loads | 09/15/2000
(5 out of 5 stars)
"I first heard of "Gatemouth" Brown when I saw him live at the Kansas City Jazz & Blues Festival in August 2000. He was playing on the 'heritage' (read older folks) stage, along with other luminaries such as Myra Taylor and Claude "Fiddler" Williams. Even into his seventies, he is a great live performer, and a lifetime of practising 'working the crowd' showed through strongly. He did one of the best jazz violin solos I have heard too, as well as great guitar work.This album covers a range of his work and shows his command of a variety of instruments. For those who like to 'spice up' their jazz, it is strongly recommended."
The Blues meet Swing
khmahoney | Phila., PA - USA | 04/18/2000
(5 out of 5 stars)
"Bought it on a whim, and am happy I did. This collection ranges from rootsy blues to swing and jazz. It works on all levels, bringing the three styles together in a tight package that sets you smiling. It's different, and it's good."