Midnight Shadows Crawl To Darken Counsel With Life
Darkness Incarnate
Ten Leagues Beneath Contempt
Godspeed On The Devil's Thunder
Corpseflower
After 8 menacing albums, the kings of black metal return with their most dastardly tale yet. Chronicling the story of the world's first serial killer, French nobleman and soldier of Joan of Arc, Gilles De Rais. Like they h... more »ad done with the story of Elizabeth Bathory, Cradle of Filth weave a tale of murder, the occult, and sinister deed around their trademark metal sound. Fueled by breakneck speed, crushing guitars, and haunting vocals- the band has delivered their hardest most aggressive and chilling piece yet.« less
After 8 menacing albums, the kings of black metal return with their most dastardly tale yet. Chronicling the story of the world's first serial killer, French nobleman and soldier of Joan of Arc, Gilles De Rais. Like they had done with the story of Elizabeth Bathory, Cradle of Filth weave a tale of murder, the occult, and sinister deed around their trademark metal sound. Fueled by breakneck speed, crushing guitars, and haunting vocals- the band has delivered their hardest most aggressive and chilling piece yet.
If you hated Thornography, you'll love Godspeed...
SushiWorship | Boise, ID United States | 10/29/2008
(5 out of 5 stars)
"There have been many fans who were disenfranchised with the band ever since the release of Midian. Still there were others, like myself, who have enjoyed all of their albums. Even many of us who had enjoyed all of their releases were disappointed with the release of Thornography, however. It was an album that attempted to make their sound more commercially viable, included a guest appearance by the whiny emo b*tch known as HIM, stripped away most of the keyboards, and included pathetic attempts at sounding like a dying animal, errr, uh, I mean clean singing by Dani. Godspeed on the Devil's Thunder includes none of this. It is a triumphant return to the Cradle sounds of old. It still may not please all of the fans of Dusk and Cruelty (though it might please some of them as well), but it is sure to please fans from Midian on, and fans who loved all of the albums except Thornography. Now, if you happen to actually like Thornography, you will probably enjoy it as well, but it does not sound like that album at all. The only softer song on the album is The Death of Love, though I find it more reminiscent of the title track from Nymphetamine than of anything from Thornography."
(Un)Holy Hell
Sephiroth912 | In Your Head | 10/29/2008
(4 out of 5 stars)
"What a disc. That's my first reaction to Godspeed. The thing with it that makes it so good, so interesting is that this is, in my opinion, Cradle's very first TRUE concept album, with narration from Doug Bradley on almost every song (Tragic Kingdom doesn't feature any, but as the song is a virtual continuation of Tiffauges, this makes no difference to me). Damnation may fit this bell as well, but I feel this album more fully realizes that objective.
Some of the songs themselves are by far the best since the Midian era. Think melding the more metal-oriented keyboards of Damnation and Midian (vs. the atmosphere-oriented keys of old) with the technical songwriting of Thornography. (I still feel that, while different, as a general metal album, Thornography was amazing. Cradle, though? Definitely not).
Gone are the days of the Nymphetamine era, and back in with the way Cradle was meant to be realized (for the most part). If you've heard Dimmu Borgir's latest output, In Sorte Diaboli, consider this album to be similar, but minus the repetitiveness that plagued the aforementioned.
The only true comparison to the Nymphetamine era could be "The Death of Love," which soars above every song on that album except for "Guilded." Without a doubt, as well, it's one of the best songs on the album. It has its hooks, melody, and yes, Sara really hits the spotlight on this song. It's probably one of their only songs in recent years that's really stood out to me ("The Foetus of a New Day Kicking" [prior to it getting and popularity from that. The video is horrible] and "Under Huntress Moon" really come to mind here).
So that said, how can it recover from infectious sound that many fans have recently been dubbing "pop-ish"? You'll hear "Shat Out of Hell" long before "The Death of Love" and you'll know right from there just how vicious the album is. Not only that, but Bradley's cold and remorseless narration really help add to the dark atmosphere of the disc. One notable factor of Bradley's narration is how he begins to slowly sound crueler with each song. Listen closely to his tone of voice and you will see what I mean.
While not nearly Cradle's best (by far, their first 3 albums are so heavily separated from the band's last three that I dare not even compare them) it's still a wonderful breath of fresh air. No doubt it will once more leave fans divided, but in truth, doesn't this happen with all bands? Nothing lasts forever after all. Come what may, Cradle is still alive and kicking.
All said and done, I offer one final word of consolidation for fans and, in the rare event they will, the band: Cradle will never again truly realize their potential until they jump ship with Roadrunner. Until they do, though, I'm at least satisfied that they are at the very least giving it their all with what they have available to them.
Til next time, boys (and girl)."
Way better than Thornography!
CRAZOTOLOGY | Joplin, MO. (USA) | 11/11/2008
(5 out of 5 stars)
"I liked Thornagraphy as I like All Cradle Of Filth records. However, this album really made me happy....I think this may be one of the top three best COF albums yet. Super fast, ultra gothic, and hard hitting black metal that is 100% adrenaline. Buy this!!!"
Don't call it a comeback
Antonio Borrego | Del Rio, TX | 01/01/2009
(4 out of 5 stars)
"Let me say that Cradle Of Filth do not make BAD albums. Some are good and some are great, but their last release, "Thornography", left a bad taste in a lot of fans' mouths. As with a lot of great bands, they all experience an album that sounds like they're just going through the motions, and "Thornography" sounded like that. But with "Godspeed", COF doesn't leave it in cruise control, they keep the foot on the gas throughout. I hadn't heard brutally fast tracks like this since "Midian". It seems Dani Filth is in his element when he focuses on one subject matter like my favorite COF release, "Cruelty and the Beast" or the underrated "Damnation and a Day". "Godspeed" is a solid chapter in the Book of Cradle."