"Bernhard Crusell's clarinet concertos are very much in the Weber vein, bright and frisky outer movements framing slow movements with a pre-Romantic sensibility. You won't find the Wolf Glen here, as you will in Weber's First Concerto, but instead gently beguiling songs without words that also have a patrician dignity about them. Crusell, a largely self-taught musician, injected his own personality while following his celebrated models to produce three justly popular works.While I wish I could compare the performances of Per Billman with those of his strongest competition, Emma Thompson, I can't. Or rather, I can't fully, having heard only one of Ms. Thompson's performances on the radio quite a while ago. But I can say that Billman produces a liquid tone in those slow movements and has just the right sensibility for them, mixing classical poise with Romantic yearning. And his athletic turns in the outer movements are marked by an easy virtuosity that is masterful.Twenty or thirty years ago, this music might have been recorded by a large orchestra, the big string body swamping winds and brass. Here, that is not the case. The Uppsala Chamber Orchestra is recorded with a nice presence--luckily, the soloist not spotlighted--so that the playful woodwind and pungent brass-and-drum interjections are caught with all requisite punch. Conductor Korsten shapes the accompaniment sensitively throughout. At Naxos' price, strongly recommended."
Wonderful Music. Seldom Heard
April Vawter | Denver, CO | 07/15/2008
(5 out of 5 stars)
"There are so many wonderful, but seldom heard composers from this period. They were so overshadowed by the consumate masters of the period. Nonetheless, Crussell produced some of the finest clarinet concertos ever written and this album is a gem."
A good get to know Crusell C.D.
Laszlo Straka | 10/29/2001
(4 out of 5 stars)
"This recording is a good one if you are just getting acquainted with Crusell. It is inexpensive and good quality. These are not very well known concertos, they are neat, but not the best. Give them a chance though. This is a fairly decent recording with an average player."
MOZART'S SWEDISH HEIR
Laszlo Straka | Alta Loma, CA | 08/02/2008
(5 out of 5 stars)
"Bernhard Henrik Crusell is not exactly a household name, even among serious
aficionados of classical music. Twenty years younger than Mozart, and outliving him by 35 years, Crusell obviously admired the Austrian genius -- in fact, being one of the foremost clarinet players of his time, he introduced Mozart's famous and beloved Clarinet Concerto to Swedish audiences. Crusell also wrote three Clariner Concertos himself -- and this glorious recording of all three is a real eye-opener. As one would expect,
the clarinet part is fiendishly difficult, but that is only the lesser half of the story. Each of the three concerti must rank among the best of its genre ever composed: they may remind one of Mozart at his best (and that is high praise in and by itself), but they have an individual flavor
nonetheless. They are replete with gorgeous melodies, the allegro movements are sprightly and ingratiating, and the adagio/andante ones
haunting and beautifully introspective. It is a mystery why this great
artist is so unknown, even considering that clarinets are not the most
popular of instruments -- this CD is simply a gem to be treasured and
played over and over again, and deserves 5+ stars.