One of the greatest moments in Electronic-oriented Jazz!
08/11/1998
(5 out of 5 stars)
"From the first 50 second mix, you know this Japanese mixer of beats and scratches holds a special talent above us all. Enticing the skills of Monday Michiru on vocals for 'Keeping the Motion' on track 2; a fantastic sound that puts the DJ in the back seat holding a flowing and steady beat. Most other tracks are interesting twists of jazz and blues blended perfectly with the beat master Krush. Guitar, trumpet, piano, vocals, bass, sax, flute all collide with simplistic ingenuity that the listener often gets lost in the beat my the melodies of the cameo instrumentalists. 'Ruff-Neck Jam' exemplifies this in the album's conclusion with a mix classic enough to be on the Blue Note label. 'Into the Water' involves a classic/jazz guitarist who supports the hard-driving beat with a rhythym that seems it is actually under water. 'Edge of Blue' is another jazz-based orchestration with smooth bass lines and crashing trumpet squelches that sear the soul. 'Big City Lover' is ano! ther of the vocal elements that lose the listener in the steady beat, while immersed in Sonya Vallet's beautiful lounge-style melody.If you like your jazz hard, heavy with a slight of R & B, and hip-hop, this is a must for your collection. Combining experimental minute-long excerpts to tease the ears, Krush never strays from that pounding jazz sound that can move any audience onto their feet. Other personnel include Kim Shima on piano, Takeharu Hayakawa on wood bass, Carla and Sonya Vallet on vocals, Kazufumi Kodama and Nobutaka Kuwabara on trumpet, Osamu Marumoto on bass, Akihiro Ishiwatari on guitar, Koichiro Samukawa on alto sax and flute, DJ Hide and DJ Red on turntables, with samples from Ernie Hines and The Gil Evans Orchestra."
Quite impressed, one of the better Krush Lp
Ryan | Jupiter, FL USA | 08/22/2005
(5 out of 5 stars)
"Krush is a very consistant producer. He may not cut the most flashy stuff you will ever hear, but he is much more consistent and covers a lot of ground. His first LP is a sleeper classic. Some of the songs will sound familiar even on the first listen, like it was supposed to happen. It's a recording that makes more sense to me than "Message at the Depth" and "Zen". It is more consistent throughout. There are standout tracks, although it depends on your taste which are your favorites. I particularly like the dark jazz inspired hip hop tracks, which is most of this lp. If you feel like kicking back one night and have a few cold ones or do whatever you do when relaxing, go ahead and order this to accompany yourself, it's awesome."
Krush's best...
Jazzfudgercizer | Los Angeles, CA | 03/20/2002
(5 out of 5 stars)
"There is no doubt that this album is one of Krush's best works. With a sound unique from the rest of his stuff, "Krush" gives you a taste of DJ Krush's early vibes. Jazzy, headnodding beats perfect for chilled, late night hours. The creativity put into the production and sequencing is flawless, giving birth to a perfect combination of downtempo, dub, and hiphop mixed with just enough jazz to call it smooth. Also check out the "HipJapHop Project", "ColdKrushCuts", and "Strictly Turntablized" for more of DJ Krush's best sounds. Headphones recommended..."
The Greatest CD I have ever owned
A. Berman | Long Island, New York United States | 12/30/2001
(5 out of 5 stars)
"I don't know of any other artist who has been able to master the art of blending tranditional jazzy horns and electronic beats as well as Krush does. He has a way of doing it with an almost ethnic flavor thats hard to discribe. Anyone who has listened to this CD has fallen in love with it. DJ Krush's other stuff is great, but this is exponetially better then his, or any other Acid Jazz artist."