"Be warned, proceed with caution, and take aspirin accordingly if you're a virgin to the vitriol grail of deafening Death-Metal zeal. Literally roaring with blood flinging in every possible direction, Darkest Hour's "Mark of the Judas" is not intended or to be stomached by those bobbing their heads to the numbers of early vintage Rock. Hosting an in-your-non-threatening-face screamfest, comes an unceasing hemorrhage of parent-forbidding invigoration. Forcefully oversupplying an extraordinary void of brutal, ballistic aura, your muscles will tightened and the atrocious side of humanity sets free -- our demonic angle! Unleashing our authenticated untamed beast, the head-slamming, responsive atmosphere is enmeshed perfectly. As if crawling into a jungle of electrical barb wires, "Mark of The Judas" electrifies the soul. With its heavy-duty distortion, drunken banshee screeching, and echoing double-bass, Darkest Hour has been promoted as among the prominent generals of the Metal army. Fanatics of the burly genre needn't worry about the life support for striking Metal bands such as these. With a pulpit of first-class aggression, other bands should undoubtedly be inclined by the height of the gears Darkest Hour have lashed out. Bravura!"
Quality Darkest Hour album
Total Scumbag | Hell | 05/09/2005
(5 out of 5 stars)
"It is true that all Darkest Hour albums sound similar, but it cannot be denied that all of their albums are flawless. All the riffs, vocals and overall sound structures on this album are excellent, even if they aren't the most original. I'm a huge At the Gates fan, and I must say that what Darkest Hour is doing is simply carrying on the torch. With At the Gates being defunct, a simple metal band like Darkest Hour is what the world of metal and hardcore needs. Darkest Hour absolutely blows away bands like Atreyu, Killswitch Engage, and Bleeding Through, sure those bands may have heavier breakdowns, but the emo parts in some of the songs absolutely ruin it. Darkest Hour is one of the first bands to use swedish death metal riffs in metalcore, and quite frankly they do it the best. Darkest Hour does this style better than all the rest."
The best Darkest Hour album so far...
Roberta Schiz | Stamford, CT | 03/09/2005
(5 out of 5 stars)
"This is Darkest Hour's first full length and the band's best effort. The riffs are emotional and make the songs upbeat as well as thrashy. The drummer, Ryan shines so much on this album, it feels like he played and then passed out after every song. John is also a kick ass vocalist which actually makes the band sound darker. The bass is also good, although the guitars overtake it. These tracks are really "fun", thrashy, and kick ass and it never gets boring. This album is DH's best because the songs are unforgetfull and behold catchy ass hell choruses. Buy this now!!! Keep Shreaddin'."
Swedish death metal from the east coast
Roberta Schiz | 07/27/2000
(3 out of 5 stars)
"Even though there are about 4000 miles separating the northeast coast of America and the town of Gothenburg, Sweden, you'd never know it when listening to many of today's new school hardcore bands. New England's Shadows Fall, Boston's Sevenday Curse and Vermont's Non Compos all bear the Swedish scene's trademark up tempo rhythms, punchy, barked vocals and dual melodic guitar harmonies that wouldn't sound out of place on any Iron Maiden record. So it's bands like In Flames, Entombed, Dark Tranquillity and the late, great At the Gates who practically constructed the scene that Virginia's Darkest Hour, who've been kicking around for nearly five years now, wish so dearly to be part of. So much so, in fact, that the quintet's second LP, The Mark of the Judas, could have just as easily been produced at Sunlight Studios with Swedish überproducer Thomas Skogsburg at the helm, though it was actually engineered with Brian McTernan (Cave In, Drowningman) at Salad Days studios in D.C. While their recording venue may give them some hardcore credibility, The Mark of the Judas is 100% metal through and through. Tight, polished, if somewhat samey, apart from the beautiful acoustic interlude of instrumental "Part II," Judas won't break down any creative genre constraints. Although it goes some way in demonstrating that big pants can be just as mighty as the old spiked armlet."