I Knew the Bride (When She Used to Rock & Roll) - Dave Edmunds, Lowe, Nick
I Hear You Knockin' - Dave Edmunds, Bartholomew, Dave
Born to Be With You - Dave Edmunds, Robertson, D.
Let It Be Me - Dave Edmunds, Becaud, Gilbert
Crawling from the Wreckage - Dave Edmunds, Parker, Graham
Almost Saturday Night - Dave Edmunds, Fogerty, John
Warmed Over Kisses (Left Over Love) - Dave Edmunds, Geld, Gary
From Small Things (Big Things One Day Come) - Dave Edmunds, Springsteen, Bruce
Girls Talk [Live] - Dave Edmunds, Costello, Elvis
Information - Dave Edmunds, Edmunds, Dave
Slipping Away - Dave Edmunds, Lynne, Jeff
Something About You - Dave Edmunds, Dozier, Lamont
Stay With Me Tonight - Dave Edmunds, David, John
Ju Ju Man [Live] - Dave Edmunds, Ford, James [Trumpe
Do You Wanna Dance - Dave Edmunds, Freeman, Bobby
Run Rudolph Run - Dave Edmunds, Brodie, Marvin
It's one of pop music's most enduring ironies: The caretakers of America's original rock and blues legacy have as often as not hailed from closer to London than to Louisiana. This 16-track collection of recordings by Welsh... more »-born roots-rock acolyte Dave Edmunds deftly underscores the point with ever-upbeat aplomb, spanning four decades and seven record labels (the first such comprehensive anthology of his work) in the bargain. There's a remarkable 32-year gap between this album's opening cover of Rockpile cohort Nick Lowe's "I Knew the Bride (When She Used to Rock and Roll)" and Edmunds's breakthrough 1970 American hit, "I Hear You Knockin'," but his vibrant performances suggest that not only does the circle remain unbroken, it's scarcely been dented. Crucially, the rockabilly-besotted singer seldom let slavish devotion get in the way of his own considerable creative drive (the exceptions here are a Beach Boys-fetishized cover of "Do You Wanna Dance" and a precious take of the Everlys' "Let It Be Me" from the soundtracks of Porky's Revenge and Stardust, respectively). But his versions of Graham Parker's "Crawling From the Wreckage," John Fogerty's "Almost Saturday Night," and Elvis Costello's "Girls Talk" amply display Edmunds's innate ability to make a song his own. He even rises above the patent, synth-driven production of Jeff Lynne on "Information" and "Slippin' Away," turning them into unlikely rockabilly-meets-new-wave successes. --Jerry McCulley« less
It's one of pop music's most enduring ironies: The caretakers of America's original rock and blues legacy have as often as not hailed from closer to London than to Louisiana. This 16-track collection of recordings by Welsh-born roots-rock acolyte Dave Edmunds deftly underscores the point with ever-upbeat aplomb, spanning four decades and seven record labels (the first such comprehensive anthology of his work) in the bargain. There's a remarkable 32-year gap between this album's opening cover of Rockpile cohort Nick Lowe's "I Knew the Bride (When She Used to Rock and Roll)" and Edmunds's breakthrough 1970 American hit, "I Hear You Knockin'," but his vibrant performances suggest that not only does the circle remain unbroken, it's scarcely been dented. Crucially, the rockabilly-besotted singer seldom let slavish devotion get in the way of his own considerable creative drive (the exceptions here are a Beach Boys-fetishized cover of "Do You Wanna Dance" and a precious take of the Everlys' "Let It Be Me" from the soundtracks of Porky's Revenge and Stardust, respectively). But his versions of Graham Parker's "Crawling From the Wreckage," John Fogerty's "Almost Saturday Night," and Elvis Costello's "Girls Talk" amply display Edmunds's innate ability to make a song his own. He even rises above the patent, synth-driven production of Jeff Lynne on "Information" and "Slippin' Away," turning them into unlikely rockabilly-meets-new-wave successes. --Jerry McCulley
Tim Brough | Springfield, PA United States | 08/16/2004
(4 out of 5 stars)
"Forget all you have heard about other rock gods, they constantly leave out one of the greats. And by that, I mean Dave Edmunds. Maybe he didn't have the flair of Hendrix or the breeze of Clapton, but this Welshman understood basic riff rocking better than anyone this side of Carl Perkins. He could sling Chuck Berry energy and 60's psychedelia (sadly, his hit with Love Sculpture is not here) in the same song and not miss the honesty of either. That his style barely changed over near 30 years, nor ever lost its purity speaks volumes (and volume!) about Edmunds' work.
And finally, a single disc that covers the majority of it. The criminal deletion policies of record companies have moved almost the entirety of Edmunds' solo output to out of print status. "From Small Things" collects work from the Columbia and Swan Song tenure plus a few other oddities for almost an hour of great rocking. It also shows that, when it came to picking songs and writers, Edmunds was a genius. Be it Graham Parker's "Crawling From the Wreckage" or Elvis Costello's "Girls Talk" (performed live here), he made them sound perfect next to John Fogerty's "Almost Saturday Night" and the Everly Brothers' "Let It Be Me." He was such an admired player and artist that Robert Plant hand picked Edmunds to his fledgling Swan Song label (right after Bad Company, no less) and Bruce Springsteen tailored one of his unreleased songs ("From Small Things (Big Things One Day Come)") for his Columbia debut "DE7th." And if you listen closely, you'll hear Jeff Lynne formulating the Traveling Wilburys concept around the "Information" and "Riff Raff" album selections.
If there are any minuses here, it's that a couple great cuts could have easily fit onto this CD without bouncing any songs. I would have liked to have seen "Sabre Dance," "Close To The Flame," "Queen Of Hearts" and "High School Nights (From Porky's Revenge)" here to sweeten the deal. But that's just a quibble. This is, next to Rockpile's "Seconds Of Pleasure," as good as Brit pub rock ever got."
Gems from one of the greats
Nicolas S. Martin | Indianapolis, IN United States | 12/27/2004
(5 out of 5 stars)
"Looking back, the rock era produced few artists of originality and excellence. Edmunds didn't invent the twangy guitar or rockabilly, but he honed them to perfection. For the most part, he had a knack for choosing quirky and interesting songs. His production was second to none, as was his guitar work. Since he often played all of the instruments, it must be said that he was skilled on all of them. Dave also possessed one of the best rock voices. Despite being Welsh, he sounded quintessentially American while singing quintessentially American music. I recommend this set in addition to the Anthology because the latter doesn't contain Dave's version of Chuck Berry's Run Rudolph Run, my favorite Christmas song, and one that captures the essence of Dave Edmunds as well as any other song he recorded. How unfortunate that Dave has stopped recording; he was one of the best."
Edmunds is very underrated.
Thomas Puckett | Royal Oak, MI United States | 02/18/2006
(4 out of 5 stars)
"This CD is a great single disc overview of Dave's career. I would have liked to have seen more stuff from his Swan Song days, but beggars can't be choosey. It's a great repesentation of the different types of music Dave has done over the 30+ years he's been doing it. And be sure to pick up Nick Lowe's best of as well as the one Roickpile CD if you lke this one. Both of those collections get 4 stars as well."
I like it very much
musicfanatic | 03/10/2005
(5 out of 5 stars)
"Dave Edmunds has his own, distinct style and it's nice to listen to. My favorite song by him had always been "I hear you knocking", but I found that there is so much more to him, than that one song. His songs are like a hybrid of the 50's and 70's, very unique and very good. I loved his cover of The Everly Brother's "Let it be me". All of the songs on this disc are very well done, Dave Edmunds has a real talent for taking older-sounding songs and giving them a fresh, updated sound. I think he's quite underrated as an artist. I would very much recommened this disc to anyone who loves music, in general."