Drums 4 Better Daze - Dave Seaman, Lovesky, Michael
Southside - Dave Seaman,
Janeiro - Dave Seaman, Helwig, C.
Breathe - Dave Seaman, Howells, Danny
Void - Dave Seaman, Gilbey, Barry
Deliver Me - Dave Seaman, Rollo [1]
Stylus Trouble - Dave Seaman,
Ruhe - Dave Seaman, Schlieffen, Mirkko
Bringing the club floor yet closer to the living room sofa, this is another double-disc set bringing the Renaissance nights to your home. Your host for this set is trance-house Brit David Seaman, and with his deft sense of... more » mood and tempo the driving force here, Desire starts off slowly yet has absorbed you wholly by the time Solid Sessions' high-energy, uptempo classic "Janiero" slides into your ears. Never obvious, never cheesy yet always populist enough to attract clubbing novices, Desire builds slowly to a cruise-control 90 miles per hour, Seaman more interested in weaving trance-house dreamscapes than showering the room with beats per minute. Some of 2000's classic names resurface ("Pete Heller Presents Sputnik," Way Out West's "Mindcircus"), but so too does Seaman's creative use of Placebo's "Passive Aggressive," Junkie XL's "B Y Whop Too Be Y," and Finlay Quaye's "Spiritualized." A fine set, and one that is rich and decadent in the finer elements of trance-house without ever being ostentatious or overbearing. Indeed, if the more sophisticated hedonistic Romans enjoyed a bit of electronica, this might well have been their mix. --Steffan Chirazi« less
Bringing the club floor yet closer to the living room sofa, this is another double-disc set bringing the Renaissance nights to your home. Your host for this set is trance-house Brit David Seaman, and with his deft sense of mood and tempo the driving force here, Desire starts off slowly yet has absorbed you wholly by the time Solid Sessions' high-energy, uptempo classic "Janiero" slides into your ears. Never obvious, never cheesy yet always populist enough to attract clubbing novices, Desire builds slowly to a cruise-control 90 miles per hour, Seaman more interested in weaving trance-house dreamscapes than showering the room with beats per minute. Some of 2000's classic names resurface ("Pete Heller Presents Sputnik," Way Out West's "Mindcircus"), but so too does Seaman's creative use of Placebo's "Passive Aggressive," Junkie XL's "B Y Whop Too Be Y," and Finlay Quaye's "Spiritualized." A fine set, and one that is rich and decadent in the finer elements of trance-house without ever being ostentatious or overbearing. Indeed, if the more sophisticated hedonistic Romans enjoyed a bit of electronica, this might well have been their mix. --Steffan Chirazi
Douglas A. Greenberg | Berkeley, CA USA | 05/29/2001
(4 out of 5 stars)
"Over the past couple of years, Dave Seaman has established himself as one of the very finest dj's spinning progressive trance and progressive house. His two southern hemispheric Global Underground sets (Buenos Aires and Cape Town) were both first-rate, and "Awakening," his Renaissance effort that preceded "Desire," remains one of the most breathtaking two-disc progressive sets ever released. Given this record of accomplishment, many of us had exceedingly high expectations for "Renaissance: Desire."Overall, Seaman has not disappointed the faithful. Once again he has unearthed a stack of high-quality, fresh tunes and has weaved them together into sets that can be listened to repeatedly without their growing tiresome. This, combined with the gorgeous packaging artwork that has accompanied the recent Renaissance sets, make "Desire" an irresistable release for fans of progressive.As is typical of two-cd dance releases in recent years, the first set comprises relatively slower tracks, the kind that would likely be played during the earlier portion of a long night of clubbing. The choice of material is exemplary, including such instant anthems as Janiero's "Solid Sessions," Sister Bliss' "Deliver Me," and Pete Heller/Sputnik's monster disc, "Stylus Trouble." Similarly to the first disc of John Digweed's otherwise fabulous Hong Kong GU set, however, the set leaves an overall impression of eclectism, i.e., it's made up of terrific tunes, but somehow it doesn't flow and hang together quite as well as one might hope. The second, more uptempo/deep/experimental cd is where Seaman really shows his stuff. Highlighted by tracks as haunting as Roland Klinkenberg's "Inner Laugh" as hard-pounding as Praha presents Xian's "Pachinko," and as soulfully melodic as Way Out West's bringing-the-set-down-to-a-close "Mindcircus," this disc is crafted beautifully from start to finish, revealing Seaman's skills at their very best. A number of reviewers have expressed frustration with the confusing presentation of the tracklisting. This is especially problematic in the U.S.-released version of the set, where there erroneously are 12 tracks listed for disc one and 13 tracks listed for cd 2, instead of the actual 11 and 11, respectively. What has happened here is that for three tracks (one on disc one and two on disc two), there are "acappella" tracks overlain onto other tracks. So owners of the U.S. version should either mentally or physically eliminate the track numbers for Marcel, "The Path" on disc one, and for Ben Shaw feat. Adele Holmes, "So Strong" AND Placebo, "Passive Aggressive" on disc two. Once these acappellas are combined with the previous tracks, the track listings should correspond with the track markings on the actual discs. Overall, this is a fine release, recommended for all fans of electronic progressive, including other dj's such as John Digweed, Nick Warren, Chris Fortier, Max Graham, Hardy Heller, John Debo, Jerry Bonham, Sister Bliss, and Sander Kleinenberg. The first cd earns 3.5 stars; the second gets 5 stars."
Definitive Deep House Album of 2001
N. Boyd | San Francisco, CA USA | 08/27/2001
(5 out of 5 stars)
"Dave Seaman has been bearing the standard for deep, sexy house for some time, and with 'Desire' Seaman establishes himself as the vanguard of this genre. Perhaps the ultimate testament to this was a recent Paul Oakenfold set I heard at Moby's Area|One tour: Oakie's set was a tribute to Desire, opening up with Blackwatcher's mind-numbing "Foreshadow" and ultimately covering perhaps a quarter of the tracks on Desire. From start to finish, this album envelops the listener with the refined yet emotive rhythms that typify Seaman's Renaissance releases. On the first album, Seaman opens with tribal beats and aching vocals by way of A Guy Called Gerald's "Humanity" and stays deep until he opens up with Moby's "Southside" and the incredible "Janeiro" by Solid Sessions. The second album takes off more quickly after the foreboding "Travelogue" with the incredible crescendoes of "Waiting" (Nat Monday) and "Foreshadow", driving it home with the concentrated assault of "Passive Aggressive" (Placebo). Way Out West's melodious "Mindcircus" initially purports to be a chillout/takedown track, but assuredly maintains the tension smouldering beneath the surface of the entire set. Sexy, strained, aggressive, this is Seaman at his best. And I assure you, not only is the track selection outstanding, but the caliber of mixing is superb; I own many of these tracks on LP and can only hope to bring them to life as he does. In short, this double disc merits your attention. Whether you seek a soulful companion to your long commute, an invigorating dancefloor motionmaker, or sexy grooves to share with an intimate friend, Seaman delivers."
We desire, Dave delivers
hannibalsmith | Van Nuys, CA United States | 05/03/2001
(5 out of 5 stars)
"It started with Renaissance Awakening - Dave Seaman's aptly named masterpiece that signified the (re)awakening of the sleeping Renaissance UK club giant. Now, Dave Seaman (the man who has also brought us other masterful works such as Global Underground: Buenos Ares) and Renaissance are back to continue what they started on Awakening with their new album, Renaissance Desire, and continue they do, in every sense of the word. Back is Seaman's uncanny knack for selecting great tracks on the lighter side of trance in a time when almost every other big name DJ is sucumbing to the trend of deeper and darker sets. Back is Seaman's brilliant mixing and set construction, and back (and even better) is Renaissance's timeless packaging. In fact, while I honestly don't beleive anyone should by this or any CD for its packaging (or a book for its cover), the packaging does deserve special mention as Renaissance has truly gone above and beyond the call of duty on this release - giving us a quite substantial, fold-open cardboard box featuring Renaissance's gorgeous painting reproductions on both the outside and the inner surface. Mounted on the inner surface are two transparent plastic CD 'mounting plates', allowing us to view, unhindered, the paintings below. The booklet too features several more paintings in keeping with the theme. Disc 1 is a terrific set. Seaman truly shows off his skills for not only mixing tracks but truly building a set into a cohesive unit. The result is part dance floor mix, part mellow soundscape, and all class. Standout tracks include Francois K's remix of Finley Quaye's Spiritualized and Sister Bliss's Deliver Me. Disc 2 is slightly more melodic and upbeat than disc 1, again with spectacular results. The use of acapellas on this disc (and for that matter, disc 1) is inspired, as Seaman seemlessly overlays several against perfect background tracks. Disc 2 also sees Seaman indulging his passion for tracks with female vocals, using no fewer than three on this disc, including the brilliant "Love Like Sleep" by Jimmy Van M featuring the sublime Terra Diva on vocals, and Way Out West's Mind Circus - a track that combines breakbeats, pianos, and vocals that flow flawlessly. Mind Circus, in fact, is used to perfect advantage, beginning with its soft, isolated pianos after the release of energy of Praha's Pachinko, then, as soon as the listener is lulled into a sense of calm, in comes a beautiful high energy breakbeat and then, echoing the thoughts we're fealing out of shear euphoric exhaustion, the vocalist asks "can't I please have some silence?" Desire, then, like Awakening, has also turned out to be quite correctly named, because after hearing this 2 CD set, all I can say is that I truly desire more."
This set is actually less than the sum of its parts
Christopher Culver | 06/20/2001
(3 out of 5 stars)
"As dance music cognoscenti know, Dave Seaman is one of the scene's most interesting DJs. He has continued to spin melodic sets after the death of trance, but with a progressive twist that doesn't bring him as far as the dark atmospheres of Anthony Pappa or the dull drum-and-bass of present-day John Digweed. RENAISSANCE: DESIRE continues this tradition.This two disc set features some abosolutely fantastic tracks that are among the finest out now, and they're almost all white-label so they won't be played out for a while. Pappa and Gilbey's "Void," Slacker's "Musifon," Schiller's "Ruhe," it's all so good.Unfortunately, Seaman has constructed his set in a rather lackluster way. Although the mixing between each track is fine, there's not enough *consistent* build on either disc. As a result, RENAISSANCE: DESIRE is not among the best sets out.However, the last four tracks of disc two form a spectacular combination. Jimmy van M feat. Terra Deva "Love Like Sleep" is a simply beautiful track that is almost tear-inducingly wonderful. Seaman mixes it into Junkie XL's "Be Whop Too Be Y" with some mindblowing ProTools wizardry. Praha's "Pachinko" lowers the energy. Finally, the disc closes with the moving "Mindcircus" by the inimatable Way Out West.All in all, RENAISSANCE: DESIRE is nothing special among good progressive house music. However, you might want to check it out for its cutting-edge tracks."
Beige
Christopher Culver | 07/16/2001
(1 out of 5 stars)
"If I had to describe the music on this album with a color, it would be beige, as nothing on this CD will make you want to shut off the stereo, but nothing will really make you want to crank it up either. Regardless of the tracklisting (which, by the way, does NOT match the tracks on the album) this album has a HUGE problem in that whoever mastered the first disc seems to have the balance set all the way to the left. Listening to the first disc with headphones is not an option. If you are thinking about buying this album go listen to first and then buy it used because it's not worth paying full price for a first disc that was mastered by some high-school intern."