"It is a very special album because of the unique mix of instrumentation. I had been looking for something involving piano and cello, and when you throw Jan Garbarek into the mix, it's usually a good thing. From the opening the 'cycles' of the changes are hypnotic without being repetitive, and I was transfixed. Side 1 of my record ends with 'Fly'; listen to the saxophone for the first half and it makes sense. 'Ode' is a reprise from the Paul Winter Consort; very close to an ECM jazz standard. The friend who'd opened my ears to this suggested listening to it in a dark room in December with only the Christmas lights on; it's astonishing the rest of the year too."
Mystical, and dream-like
07/31/1999
(5 out of 5 stars)
"This album portrays beauty, anguish, calm, and many other states of being. It has some of the qualities of New-Age yet has the emotion impact of classical. As well, it has a large jazz component. It isn't an all out "chill-out" disc, by any means. It contains some very foreboding moments, thanks to Jan Garbarek's wild playing on some tracks! It all shimmers with a vagueness though that is characteristic of a dream! I love this release for its range of emotion and emotional impact especially on the melancholy "Cycle Song"!!"
Helps to fill your life with meaning
Jan Bäcklin | Motala, Östergötland Sweden | 08/22/2000
(5 out of 5 stars)
"I have often used this record in theatre-work, for concentration as well as relaxation, but most of all: inspiration. Some of the intensive, lyrical musical lines presented in Cycles make me want to cry every time I listen to them, they help opening my mind and also reassure me of a higher conception of life - a state safely beyond boring limits of "understanding"."
Excellent and unique work
Heliopolis | 02/09/2008
(5 out of 5 stars)
"It's difficult for me to classify this album in any style, and if you're familiar with David Darling's more current work, this album may not even seem to come from the same person. Regardless, this is a beautiful, transcendent album of powerfully expressive music. The instruments are surprisingly few for the effect they achieve, and completely traditional - bass, cello, sax, etc - but I've honestly never heard them used like this before.
Unlike many of the styles it draws from, the music on this album doesn't attempt to stay within the listeners comfort zone. Instead it is unrestrained - ranging from emotional, deeply contemplative, to ultimately transcendent pieces. You could classify it avant garde, but the album has no vibe of intellectual distance about it. The pieces feel innocent, fresh, and sincere, holding enough traditional structure to make them accessible, while the use of real instruments keeps it grounded as the music reaches as far as it can to break the bounds of a normal musical experience.
Although the album isn't easy to come by anymore, I highly recommend tracking it down to those interested in styles as varied as jazz, ambient/space, modern classical, or avant garde/eclectic."