Search - Deborah Coleman :: Soul Be It

Soul Be It
Deborah Coleman
Soul Be It
Genres: Blues, Pop
 
  •  Track Listings (8) - Disc #1

The first live album from up-and-coming blues guitarist and singer Deborah Coleman is a sheer delight, chock-full of evidence that someday she'll be considered one of the brightest stars in blues. Soul Be It! starts off ni...  more »

     
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CD Details

All Artists: Deborah Coleman
Title: Soul Be It
Members Wishing: 1
Total Copies: 0
Label: Blind Pig
Release Date: 10/15/2002
Genres: Blues, Pop
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 019148507920

Synopsis

Amazon.com
The first live album from up-and-coming blues guitarist and singer Deborah Coleman is a sheer delight, chock-full of evidence that someday she'll be considered one of the brightest stars in blues. Soul Be It! starts off nice and easy, with the uptempo-yet-relaxed "Brick." That's just to warm you up, however. By the time "I'm a Woman" rolls around, Coleman's guitar playing catches fire. As for her voice, it's more like Turkish coffee than hot chocolate; there's a richness to her singing that a connoisseur will appreciate. The 12-minute final track, "Goodbye Misery," is a revelation: in a mere eight tracks, Coleman takes her listeners from the opening bars (the bars' opening?) at 9 p.m. all the way to 2 in the morning, with relentless energy. Coleman has to be one of the hardest-working women in the business; she mentions being home perhaps two weeks out of the year. All her work pays off in this live recording, which is as refined as a studio performance, but has that extra kick only a live show can deliver. --Genevieve Williams

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CD Reviews

Extended Jams on an "Enhanced" CD
Sir Charles Panther | Alexandria, Virginny, USandA | 01/23/2004
(4 out of 5 stars)

"This is a great live blues CD. The recording and engineering are hit and miss, at time capturing the music with texture and depth, but also at times losing the vocals (maybe intentionally?). The venue is a microbrewery, and you can feel the attentive and enthusiastic crowd close to the stage. But, the band's backing vocals are weak present, and not mixed that well into the recording. More than a few times Coleman's vocals are not as in front of the music as they should be. You can really here this on "You're With Me."There are eight tracks, coming in at 55:35. The longest is "Goodbye Misery" at 12:05, and the shortest is "You're With Me" at 3:33. That makes average track length about 6:50, showing that this album really is not about showcasing various songs or range or capturing various previous-release gems live. The album does not seem to be conceived as a cynical, profit-driven live version of previously released material. This album is about getting up on stage and getting down, jamming with your mates and reacting to the crowd. This is the essence of this album, a celebration of get-down blues jam, led by Coleman and her guitar solos. The second guitarist, Billy Crawford, does get to work out on his own, getting three solos, one on "Don't Lie to Me" and two on the long "Goodbye Misery." Since there are only four members in the band, it's disappointing that neither the drummer nor the bass player get their own solos.Coleman's voice at times is a bit, uh, unrefined and flat. Her natural register is low-end, and she can't hit the highs nor does she have a ringing or pulsing tremolo. But she's getting the job done, singing from the heart and with flair. I think of the singing of Tom Petty, Elvis Costello, Joe Strummer, even Clarence Carter and other blues legends, who also aren't necessarily powerful singers, yet their souls are into it, as is Coleman's here. She's no Anita Baker, but she's making it work.She opens with "Brick," that she's "gonna chunk upside yo' head." Great stuff, and a very well-chosen opener. It's upbeat and is clearly gets the crowd up and moving right away.Next is "My Heart Bleeds Blue," This is my favorite track, and the reason I purchased the CD. I like the tone and especially the texture and feel of the rhythm guitar. The song is highly evocative of B. B. King's classic "The Thrill is Gone." Coleman's got a 4-odd-minute guitar solo taking the song out, not to mention her short solo in the middle. Great jamming blues, at its absolute best. You'll notice on this track Coleman's solo style of launching a nice riff, building on it, and then returning to it after a number of bars to start the process once again.She then tells the crowd "It's boogie time again," and launches into "Don't Lie To Me." There are a number of licks highly reminiscent of Steve Ray Vaughan here, plus more extended guitar jams inside and on the way out, going 7+ minutes.Next is the blues anthem, "I'm a Woman." The lyrics don't make a whole lot of sense, but the music makes up for it. More extended guitar jamming throughout the song. Me, I hear a bit of Buddy Guy in the jam here.Coleman introduces "You're With Me" as being about life on the road, being away from home, etc. Its sound is very reminiscent of "My Heart Bleeds Blue" with the changes and pace. There's also a good increased-tempo solo in the middle with some nice driving cymbal in the back. She follows with a lively "I Believe," a jump blues tune. Both this one and "You're With Me" are surprisingly short, given the extended jams on the rest of the album."The Dream" is a nice slower jam, opening with a distinct Texas sound. The closer, "Goodbye Misery" is the perfect way to take the show out. Yeah, there's some Allman Bros. sound in here, in some of the solo riff harmonies.The disc is an "enhanced CD," with "extras." If you just pop this into your DVD or a PC player, its own software will run its own application. You can play or stop the music, and that's about it for music controls, other than being allowed to select specific songs. Your only other options are to run a video, link to the Blind Pig web site, or quit the application. I dropped the CD into my PC (with a media application running) and just wanted to hear the music. The playback was horribly skippy and choppy, with all kinds of pop-ups and messages about video fees and playback options.The only real additional feature is a video-ette of Coleman's solo in the middle of "Goodbye Misery." The camera stays on her, and we see just about nothing else of the rest of the band, unless they're also in the shot. The video fades in after she's begun her solo, and fades out before she completes it. Why didn't Blind Pig provide the entire song, or at least the full solo? I also note that there are no still photos to enjoy, which would have been a nice and simple addition to the enhanced CD.All in all, this is a good recording of a talented guitarist and her band jamming hard and long at a club. This is not guitar virtuoso work or a blues master spilling his/her guts after 65 years or singing the blues. This is a rockin' four-piece combo that knows how to work together and work it out, and that's exactly what they do. If you're looking for masterful lightning guitar work or crystal-clear engineering, this isn't the recording for you. But if you're looking for a rocking CD to play during your own house party, then this is the one to use."
Smokin'!
derekd1970 | Madison, WI | 01/18/2003
(5 out of 5 stars)

"This CD flat out smokes! If you are interested at all in great guitar work that will melt the fret board, give this disc a listen. Don't Lie To Me, I'm A Woman, and Goodbye Misery are some of the best songs/ extended jams I have ever heard. This woman can really play.
Sure it would be fair to say, that Deborah is not true to straight forward blues format, but so what?! This disc leans towards the blues/rock side, and you will not be disappointed. Pick this up!"
Smokin' blues player!
David Moore Boden | Singapore & America | 10/11/2007
(5 out of 5 stars)

"The reviews on Amazon were right. This gal can play. Cast off your "women can't play the blues" attitude and take a listen. Deborah is a somkin', grindin', soul-ful player. Highly recommended."