Die Walkure: Act One : Scene One - Wes Herd dies auch sei (Seigmund)
Die Walkure: Act One : Scene One - Kuhle Labung gab mir der Quell (Siegmund)
Die Walkure: Act One : Scene Two - Mud am Herd fand ich den Mann (Sieglinde)
Die Walkure: Act One : Scene Two - Friedmund darf ich nicht heissen (Siegmund)
Die Walkure: Act One : Scene Two - Aus dem Wald trieb es mich fort (Siegmund)
Die Walkure: Act One : Scene Two - Ich weiss ein wildes Geschlect (Hunding)
Die Walkure: Act One : Scene Three - Ein Schwert verhiess mir der Vater (Siegmund)
Die Walkure: Act One : Scene Three - Schlafst du Gast? (Sieglinde)
Die Walkure: Act One : Scene Three - Wintersturme wichen dem Wonnemond (Siegmund)
Die Walkure: Act One : Scene Three - Du bist der Lenz, nach dem ich verlangte (Sieglinde)
Die Walkure: Act One : Scene Three - Wehwalt heisst du furwahr? - Seigmund heiss ich Sieglinde (Siegmund)
Track Listings (12) - Disc #2
Die Walkure: Act Two : Vorspiel
Die Walkure: Act Two : Scene One - Nun zaume dein Ross, reisige Maid (Wotan)
Die Walkure: Act Two : Scene One - Der alte Sturm, die alte Muh'! (Wotan)
Die Walkure: Act Two : Scene One - So ist es denn aus mit den ewigen Gottern (Frika)
Die Walkure: Act Two : Scene One - Nichts lerntest du (Wotan)
Die Walkure: Act Two : Scene One - Was verlangst du? (Wotan)
Die Walkure: Act Two : Scene Two - Schlimm, furcht ich, schloss der Streit (Brunnhilde)
Die Walkure: Act Two : Scene Two - was keinem in Worten ich kunde (Wotan)
Die Walkure: Act Two : Scene Two - Ein andres ist's : achte es wohl (Wotan)
Die Walkure: Act Two : Scene Two - O sag, kunde, was soll nun dein Kind? (Brunnhilde)
Die Walkure: Act Two : Scene Three - Raste nun hier; gonne dir Ruh! (Siegmund)
Die Walkure: Act Two : Scene Three - Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde)
Track Listings (5) - Disc #3
Die Walkure: Act Two : Scene Four - Siegmund! Sieh auf mich! (Brunnhilde)
Die Walkure: Act Two : Scene Four - Herh bist du, und heilig (Siegmund)
Die Walkure: Act Two : Scene Four - So wenig achtest du ewige Wonne? (Brunnhilde)
Die Walkure: Act Two : Scene Five - Zauberfest bezahmt ein Schlaf der Holden Schmerz und Harm (Siegmund)
Die Walkure: Act Two : Scene Five - Kerhte der Vater nun heim (Sieglinde)
Track Listings (14) - Disc #4
Die Walkure: Act Three : Scene One - Vorispiel - Hojotoho! Hojotoho! Heiaha! Heiaha! (Gerhilde)
Die Walkure: Act Three : Scene One - Schurzt mich und helft in hochster Not! (Brunnhilde)
Die Walkure: Act Three : Scene One - Nicht sehre dich Sorge um mich (Sieglinde)
Die Walkure: Act Three : Scene One - Steh, Brunnhild'! (Wotan)
Die Walkure: Act Three : Scene Two - wo ist Brunnhild', wo die Verbrecherin? (Wotan)
Die Walkure: Act Three : Scene Two - Hier bin ich Vater: gebiete die Strafe! (Brunnhilde)
Die Walkure: Act Three : Scene Two - Wehe! Weh! Schwester! (Walkuren)
Die Walkure: Act Three : Scene Three - War es so schmahlich, was ich verbrach (Brunnhilde)
Die Walkure: Act Three : Scene Three - Nicht weise bin ich, doch wusst' ich das eine (Brunnhilde)
Die Walkure: Act Three : Scene Three - So tatest du, was so gern zu tun ich begehrt (Wotan)
Die Walkure: Act Three : Scene Three - Du zeugtest ein edles Geschlect (Brunnhilde)
Die Walkure: Act Three : Scene Three - Leb wohl, du kuhnes, herrliches Kind! (Wotan)
Die Walkure: Act Three : Scene Three - Denn Heiner nur frie die Braut (Wotan)
Die Walkure: Act Three : Scene Three - Loge, hor! Lausche hierer! (Wotan)
Taking Wagner's careful tempo, dynamic and expressive indications on faith, Ernst Dohnányi emphasizes Walküre's luminous, chamber-like textures, yet never downplays its drama as Karajan sometimes did in his simil... more »arly scaled DG recording. The singers are strategically positioned across the stereo spectrum for optimum dramatic effect, though they deliver uneven goods. Gabrielle Schnaut's intelligent yet strident, wobbly Brunnhilde can't compete with Behrens or Marton, let alone Nilsson or Flagstad. Poul Elming and Alessandra Marc, on the other hand, make a strong, passionate pair of Walsung twins, and Alfred Muff is a craftier, less belligerent Hunding than the norm. Veteran Wagnerite Anja Silja's maternal Fricka is mismatched to Robert Hale's youthful, impetuous Wotan. The Valkyries, though, are among the finest on disc. --Dan Davis« less
Taking Wagner's careful tempo, dynamic and expressive indications on faith, Ernst Dohnányi emphasizes Walküre's luminous, chamber-like textures, yet never downplays its drama as Karajan sometimes did in his similarly scaled DG recording. The singers are strategically positioned across the stereo spectrum for optimum dramatic effect, though they deliver uneven goods. Gabrielle Schnaut's intelligent yet strident, wobbly Brunnhilde can't compete with Behrens or Marton, let alone Nilsson or Flagstad. Poul Elming and Alessandra Marc, on the other hand, make a strong, passionate pair of Walsung twins, and Alfred Muff is a craftier, less belligerent Hunding than the norm. Veteran Wagnerite Anja Silja's maternal Fricka is mismatched to Robert Hale's youthful, impetuous Wotan. The Valkyries, though, are among the finest on disc. --Dan Davis
"Christoph von Dohnanyi's superlative Cleveland Orchestra had embarked on a magnificent showcase -- Wagner's Ring Cycle -- when indifferent reviews lead to poor sales and then to Decca/London's cancelling the cycle halfway through. It's a tragic mistake, because in this Wagner you can hear Schubert and Mendelssohn and Weber as much as Bruckner and Strauss and Berg; the clarity and nuance are welcome, the pace forward looking without being headstrong. Orchestrally, this version is special, but vocally it's not to be dismissed, either. Gabriele Schnaut disciplines her ample though often unruly instrument, and it does the soul good to hear a LOUD Brunnhilde again (after Behrens and Evans, etc.). Both Hale as Wotan and Elming as Siegmund show great promise, though the former may be a mite callow for this dramatically demanding role. Marc delivers a voluptuous Sieglinde, a role that suits her better than, say, her overparted Elektra, and Silja (the conductor's wife), a resourceful vocal actress, is Fricka. (There were complaints that she wasn't youthful enough; I don't remember hearing them when Flagstad tackled the role at the end of her life.) All in all, it's at least a good a cast as has been assembled since Solti's ring from the 1960s. It's to be regretted that Dohnanyi's Siegfried and Gotterdammerung will not be committed to disc."
A mistakenly dismissed, sonically opulent Walkure.
billmacv | 10/14/1999
(4 out of 5 stars)
"Christoph von Dohnanyi's Cleveland Orchestra has never gleamed more luminously than in this showpiece recording (sadly, Die Walkure will be the final segment of the Cleveland Ring; bad sales caused Decca to scuttle it halfway through). Throughout, the conductor -- a "come scritto" stickler -- coaxes transparent textures and magically balanced orchestral strands from his players. It's a refreshing change from the big, bean-soup Wagner so long in favor, and a valid interpretation. True, there have been better casts, but this one is not half bad (and at least as good as any that has been assembled since the mid-1960s): Gabriele Schnaut at least delivers some vocal heft for her Brunnhilde, a quality that's been sadly lacking since Nilsson left the stage. Silja (Dohnanyi's wife) is a great singing actress; her Frica is memorable. Hale, Emling and Marc aquit themselves well. Snap up Dohnanyi's Rheingold and Walkure: their true value will be recognized someday soon, and its decision to cancel this Ring will redound as one of Decca/London's most grotesque goofs."
This is a major recording.
Helen Mitford | 03/10/2000
(5 out of 5 stars)
"I agree with those who think Decca have been so foolish as to cancel this Ring half way through. What do they want? This is a major recording of the piece, with a strong cast of individual singers who appear to be singing at their best with a conductor who is giving us his well thought out, well schooled interpretation of the piece. A large scale, overall view of the work, of the type I never thought to hear in these days.I ask again: What did Decca expect? Christoph von Dohnanyi is not some operatic flash in the pan whizz kid, [I certainly wouldn't buy his recordings if he were] but a mature musician with a larger following than Decca realises. This Ring would have been a best seller given time. I think maybe OPERA is getting TOO popular and that recording companies have unrealistic expectations."
Great conducting and orchestra
Helen Mitford | 02/12/1999
(5 out of 5 stars)
"Considering that Ernst von Dohnányi is not the conductor that Mr. Dan Davis refers to in his review which amazon has put on the internet as its officail review - the review is quite good. The conductor's name is CHRISTOPH VON DOHNANYI whose approch from theater's side and dramatic qualities and a profound understanding for clear language (he is German) is absolutely delightful on this recording."
A very good Walk�re
Helen Mitford | 04/29/2008
(4 out of 5 stars)
"It must be counted as one of the really great scandals that DECCA did not fulfill their project with this Ring. It is diffferent from other Rings and it depends on the conductor and orchestra. Transparent as Karajan, dramatic as Böhm, and - with first class orchestra and singers. Gabriele Schnaut is a convincing Brünnhilde with a true Wagner authority and the casting of Anja Silja as Fricka a triumph. Try to buy this set when you can! It can soon be out of stock forever."