Theatre Fanatic | Dallas, TX United States | 05/12/2005
(5 out of 5 stars)
"It is quite something when a great stage show can transfer well to a recording and still retain it's charm. But when that happens, it is magical.
Happily, this is the case with Dirty Rotten Scoundrels.
The stage show is pure, fun old-fashioned musical comedy, but with modern style, pizazz and kicks. Jack O'Brian has done some of his best work in directing this marvelous show and Jeffrey Lane did a fantastic job developing the movie into a smart, fast-paced, fun show.
But, the real acheivement, that really shines on this recording, is the uber-catchy, uber-funny and uber-witty score by David Yazbek. Yazbek, a Hollywood veteran, had a hit on Broadway in 2001 with his first stage show, a musical version of The Full Monty. The show had a healthy run and was well-recieved, if a bit over-shadowed that year by The Producers, which dominated the press, the public and the Tonys. But the score to The Full Monty was full of zaniness and wacky intelligence, and with it, luckuly for us, Yazbek caught the Broadway bug.
His score to Dirty Rotten Scoundrels is full of some of the most intelligent and down-right wittiest, and catchiest (Man, are these tunes catchy!) tunes to hit Broadway in some years.
Showstopper after showstopper. And, most important in a Broadway Cast Recording, the "re-listenable factor" is through the roof. Yazbek can be hysterically vulgar one lyric and then go into "Cole Porter mode" the next.
His lyrical genius can asily be observed in any of the songs. But the greatest asset is that his wit doesn't prevent him from being very funnily inane the next minute. ("Magic can happen anywhere/I knew this guy at camp/Who ate his t-shirt on a dare/My hotel gives away free shampoo/Nothing is too wonderful to be true").
The music itself is very "Hollywood-ish" and it works perfectly for the show.
The cast is magnificent in every sense of the word.
John Lithgow was more impressive actually seeing him onstage because he is at such ease. But his voice, though passable at best, posesses a quality that fits Yazbek's score miraculously. He's not a singer, that's for sure, but he is just fine and passes with flying colors. He is just so smooth and suave. A great performance on this recording.
Norbert Leo Butz's performance relies heavily on the physical comedy, so the sheer magnitude of his performance doesn't fully transfer, but his voice is golden and he shines.
Sherie Rene Scott has one the most crystal clear, powerful, yet sweet voices I've ever heard. I could listen to her for hours. Her first song, 'Here I Am' is funny and gorgoeusly sung. Her voice is heaven-sent.
Joanna Gleason is a legend and she shows it here, even though it is in a supporting role. She still posesses that beautiful quality to her voice that won her a Best Actress in a Musical Tony in 1988 for INTO THE WOODS. Her ability to perfectly interpret a lyric is a rare gift.
Gregory Jbara is even better on this recording than he was live. Not a stand-out, but still great. And his song 'Chimp in a Suit' is beautifully interpreted.
To sum up this score and this recording in three words:
Catchy.
Clever.
Cool.
Buy it."
Great show, score!
AJK | Chicago, IL | 06/05/2005
(5 out of 5 stars)
"The show is absolutely terrific & the songs get better and better with each listening. At first, I felt Mr. Yazbek's score for "The Full Monty" was better, but have changed my mind after listening to to this cd a few times.
There are many great tracks, but standouts include:
Give Them What They Want
What Was A Woman To Do
Great Big Stuff
All About Ruprecht [hysterical!]
Here I Am
Nothing Is Too Wonderful To Be True
Love Is My Legs
Dirty Rotten Number
Overall, I think "Spamalot" was a better show, but "Dirty Rotten Scoundrels" cast recording is a better repeat listen!
"
Amazing!
Musiclvr | USA | 05/18/2005
(5 out of 5 stars)
"I made a vow to myself that, after a less-than-shining experience not long ago, I would never again see a Broadway musical without first being familiar with the show's music. However, while recently in NYC I gave in to temptation and caught a performance of "Dirty Rotten Scoundrels". I was already a fan of the movie and absolutely couldn't resist the idea of seeing several of my Broadway idols in the flesh. So, I was hesitant but hopeful.
Yet from the first moment the overture began, I was transported. The mood of the piece is immediately set, and you are swept up in the intrigue and underhanded dealings of our loveable scoundrels. I was delighted from the start. The performances are all utterly top-notch. Lithgow is simply a marvel, and it's such a treat to see him here, I was literally awestruck at his first appearance on the stage. His "Love Sneaks In" is definitely one to pull on the old heart strings. Sherie Renee Scott has always been one of my favorite Broadway singers...her voice is simply unreal for its crystal quality and clear belt, not to mention her ability to carefully and tenderly interpret lyrics (every time I hear her exclaim "These fries are French!" I laugh). Joanna Gleason is a legend. She's got such ease and charm, it's a pleasure to watch and even more so to hear her.
Of course, he who truly runs off with the production is none other than Norbert Leo Butz. The rumors are true: He's incredible. I've always loved his gorgeous voice, from "The Last Five Years" to "Wicked" to this production. He doesn't get the opportunity to play the swooning love interest like the previous two productions, but the lushness and depth of his voice still shines through. And his miraculous range as a performer is astounding both in person and on this soundtrack. He goes from "Great Big Stuff" to "All About Ruprecht" to "Love is My Legs" (my far-and-away favorite track, it never ceases to make me smile) and manages to infuse each number with so much energy and magnetism. I can only imagine the outcry if he doesn't roll away with the Tony.
The cast as a whole has one thing which really makes the difference between an okay show and a great one: Joy. Every actor has such a good time up there, it's obvious. And infectious. There's nothing an audience responds to better than the cast that truly enjoys themselves and each other. And you need only listen to "Dirty Rotten Number" to witness the obvious admiration and affection our two main scoundrels have for each other both in and out of character.
Combine the beautiful music and this stellar cast with the amazingly witty and literate lyrics in each number. Every track must be listened to several times over before all the references and jokes and asides are deciphered. There are still moments of awe when I pick up a line I previously missed or wonder to myself, exactly how DOES a writer pull off something like that?
In all, this is a truly unique experience. No, it's not laden down with some deep message about life or love. No, it's not scathing social commentary (though there are a few lines in there, most especially the "Bushes from Tex" passage in "Ruprecht", which speak to today's audience: "The Bushes from Tex were nervous wrecks because their son was dim....But look what happened to him!" Let me assure you, the audience went wild!). It's good, (mostly) clean fun, the soundtrack to which I have played innumerable times since I was fortunate enough to receive a free copy before the performance. Of course, there is bonus material on the newly-released soundtrack which makes me wonder if I shouldn't go buy that as well! It's worth the money for the ticket AND the soundtrack. If you're fortunate enough to live in close proximity to Broadway, I urge you to see it. If not, listen to this soundtrack and enjoy thoroughly."
Good old dirty rotten fun
Phantomfreak07 | The loft apartment, Avenue B, NYC | 04/29/2006
(5 out of 5 stars)
"At first, I borrowed this from the library because I love Norbert Leo Butz. He was very good in Wicked, but the part of Freddy Benson seems made for him. I can't wait to see the show; the entire cast is amazing. Some of my favorite tracks:
-Great Big Stuff
-All About Ruprecht
-Here I Am
-Ruffhousin' mit Shuffhausen
-The More We Dance
-Love is my Legs
-Dirty Rotten Number
All three of the leads are completely at ease in their parts, even though John Lithgow and Sherie Rene Scott have since moved on. If you like good old-fashioned comedy, this is a show for you!"
"Really great big stuff!"
Bradley Friedman | San Francisco, CA United States | 12/06/2005
(5 out of 5 stars)
"I bought this CD after the Tonys came out, along with all the other nominees. After a certain amount of disappointment over SPELLING BEE and LIGHT ON THE PIAZZA, I left this CD on the counter for months. I finally opened it a few days ago....and CANNOT stop listening to it!!! Wonderful performances, (especially by Sheree Renee Scott and Joanna Gleason in terms of vocals, but the men are really funny), hilarious lyrics (the song about brother Ruprecht is a scream), and even one song that - in an added track at the very end - Scott proves could become a cabaret or jazz standard. I have heard repeatedly that the CD cannot do full justice to the live performance, and I am sure that this is true. However, as one reviewer put it, the "relistenability factor" is proof of this CD's success. How rarely one comes across that in a musical comedy CD anymore. I'm saving my pennies to get to NYC as soon as possible to see the show."