If You Can't Hold the Man You Love (Don't Cry When He's Gone)
Washington Wabble - Take 1
Washington Wabble - Take 2
Black and Tan Fantasy
Washington Wabble
Creole Love Call
Blues I Love to Sing - Take 1
Blues I Love to Sing - Take 2
Harlem River Quiver - Take 1
Harlem River Quiver - Take 2
Harlem River Quiver - Take 3
East St. Louis Toodle-o
Blue Bubbles - Take 1
Blue Bubbles - Take 2
Black Beauty
Solitude - Take 1
Got Everything But You
Santa Claus, Bring My Man Back to Me
I Done Caught You Blues
The Mooche
Track Listings (18) - Disc #2
I Can't Give You Anything But Love
No Papa No
No Papa No
I Can't Give You Anything But Love
Bandanna Babies
Diga Diga Do
I Must Have That Man
St. Louis Blues - Take 1
St. Louis Blues - Take 2
St. Louis Blues - Take 3 (previously unreleased)
Flaming Youth - Take 1
Flaming Youth - Take 2
Saturday Night Function
High Life
Doin' the Voom Voom - Take 1 (previously unreleased)
Doin' the Voom Voom - Take 2
Japanese Dream
Harlemania
Track Listings (19) - Disc #3
The Dicty Glide - Take 1
The Dicty Glide - Take 2
Hot Feet
Sloppy Joe - Take 1
Sloppy Joe - Take 2
Stevedore Stomp
A Night at the Cotton Club, Part 1/Cotton Club Stomp/Misty Mornin'
A Night at the Cotton Club, Part 2/Goin' to Town/Untitled Interlude/Freeze and Melt
Cotton Club Stomp
Misty Mornin'
Arabian Lover
Saratoga Swing
Mississippi
The Duke Steps Out
Haunted Nights
Swanee Shuffle
Breakfast Dance
Jazz Lips
March of the Hoodlums
Track Listings (22) - Disc #4
Double Check Stomp
My Gal Is Good for Nothing But Love
I Was Made to Love You
Sweet Dreams Of Love - Take 1
Sweet Dreams of Love - Take 2
Jungle Nights in Harlem
Sweet Jazz o' Mine - Take 1
Sweet Jazz o' Mine - Take 2
Shout 'Em Aunt Tillie
Ring Dem Bells - Take 2
Ring Dem Bells - Take 3
Old Man Blues - Take 1
Old Man Blues - Take 2
Old Man Blues - Take 3
Three Little Words (previously unreleased)
Three Little Words
Ring Dem Bells
Old Man Blues - Take 4
Old Man Blues - Take 6
Hittin' the Bottle - Take 1
Hittin' the Bottle - Take 2
That Lindy Hop
Track Listings (20) - Disc #5
You're Lucky to Me
Memories of You
Nine Little Miles from Ten-Ten-Tennessee - Take 1
Nine Little Miles from Ten-Ten-Tennessee - Take 2
I'm So in Love with You - Take 1 (previously unreleased)
I'm So in Love with You - Take 2
What Good Am I Without You?
Blue Again
When a Black Man's Blue
Mood Indigo
What Good Am I Without You?
When a Black Man's Blue
The River and Me
Keep a Song in Your Soul
Sam and Delilah
Rockin' in Rhythm - Take 1
Rockin' in Rhythm - Take 2
Creole Rhapsody, Part 1
Creole Rhapsody, Part 2
Creole Rhapsody, Part 2 - Take 2 (previously unreleased)
Track Listings (15) - Disc #6
Limehouse Blues
Echoes of the Jungle
It's Glory
The Mystery Song
The Mystery Song
Mood Indigo/Hot and Bothered/Creole Love Call
Mood Indigo/Hot and Bothered/Creole Love Call (Stereo Version)
East St. Louis Toodle-O/Lots O' Fingers/Black and Tan Fantasy
Dinah
Bugle Call Rag
Maori
Rude Interlude - Take 1
Rude Interlude - Take 2
Dallas Doings - Take 1
Dallas Doings - Take 2
Track Listings (17) - Disc #7
Dear Old Southland - Take 1
Dear Old Southland - Take 2
Daybreak Express - Take 1
Daybreak Express - Take 2
Delta Serenade - Take 1
Delta Serenade - Take 2
Stompy Jones
Solitude
Blue Feeling
Ebony Rhapsody
Cocktails for Two - Take 1
Cocktails for Two - Take 2
Live and Love Tonight
I Met My Waterloo
Troubled Waters - Take 1 (previously unreleased)
Troubled Waters - Take 2
My Old Flame
Track Listings (23) - Disc #8
You, You Darlin'
Jack the Bear
Ko-Ko - Take 1
Ko-Ko - Take 2
Morning Glory
So Far, So Good
Conga Brava
Concerto for Cootie
Me and You
Bojangles
Cotton Tail
Never No Lament
Blue Goose
Dusk - Take 1
Dusk - Take 2
Bojangles
A Portrait of Bert Williams
Blue Goose
Harlem Air-Shaft
At a Dixie Roadside Diner
All Too Soon
Rumpus in Richmond
My Greatest Mistake
Track Listings (23) - Disc #9
Sepia Panorama - Take 1
Sepia Panorama - Take 2
There Shall Be No Night
In a Mellotone
Five O'Clock Whistle
Warm Valley
Pitter Panther Patter - Take 1
Pitter Panther Patter - Take 2
Body and Soul - Take 1
Body and Soul - Take 2
Body and Soul - Take 3
Sophisticated Lady
Sophisticated Lady
Mr. J. B. Blues - Take 1
Mr. J. B. Blues - Take 2
The Flaming Sword - Take 1
The Flaming Sword - Take 2
The Flaming Sword - Take 3
Warm Valley - Take 2
Warm Valley - Take 3
Across the Track Blues
Across the Track Blues
Chloe (Song of the Swamp)
Track Listings (24) - Disc #10
I Never Felt This Way Before - Take 1
I Never Felt This Way Before - Take 2
Day Dream
Good Queen Bess
Good Queen Bess
That's the Blues, Old Man
Junior Hop - Take 1
Junior Hop - Take 2
Without a Song - Take 1
Without a Song - Take 2
My Sunday Gal
Mobile Bay - Take 1
Mobile Bay - Take 2
Linger Awhile - Take 1
Linger Awhile - Take 2
Charlie the Chulo - Take 2
Charlie the Chulo
Charlie the Chulo - Take 1
Lament for Javanette
Lament for Javanette - Take 1a
A Lull at Dawn
A Lull at Dawn
A Lull at Dawn - Take 1a
Ready Eddy - Take 1
Track Listings (23) - Disc #11
Ready Eddy
Ready Eddy
Ready Eddy - Take 2
The Sidewalks of New York
Flamingo
The Girl in My Dreams Tries to Look Like You - Take 1
The Girl in My Dreams Tries to Look Like You - Take 2
Take the "A" Train
Jumpin' Punkins - Take 1
Jumpin' Punkins - Take 2
John Hardy's Wife
Blue Serge
After All
Dear Old Southland - Take 1
Dear Old Southland - Take 2
Solitude - Take 1
Solitude - Take 2
Bakiff
Are You Sticking? - Take 1
Are You Sticking? - Take 2
Just A-Sittin' and A-Rockin'
The Giddybug Gallop
Chocolate Shake
Track Listings (24) - Disc #12
I Got It Bad (And That Ain't Good) - Take 1
I Got It Bad (And That Ain't Good) - Take 2
Clementine
The Brown-skin Gal (in the Calico Gown)
Jump for Joy - Take 1
Jump for Joy - Take 2
Moon Over Cuba
Some Saturday
Subtle Slough
Menelik - The Lion of Judah - Take 1
Menelik - The Lion of Judah - Take 2 (previously unreleased)
Poor Bubber
Squaty Roo
Passion Flower
Things Ain't What They Used to Be
Goin' Out the Back Way
Five O'Clock Drag
Rocks in My Bed
Bli-Blip
Chelsea Bridge
Brown Suede
Noir Bleu
"C" Blues
June
Track Listings (23) - Disc #13
Raincheck
What Good Would It Do?
I Don't Know What Kind of Blues I Got - Take 1
I Don't Know What Kind of Blues I Got - Take 2 (previously unreleased)
Chelsea Bridge
Perdido - Take 1
Perdido - Take 2
The "C" Jam Blues
Moon Mist - Take 1
Moon Mist - Take 2
What Am I Here For?
I Don't Mind - Take 1 (previously unreleased)
I Don't Mind - Take 2
Someone
My Little Brown Book
Main Stem
Johnny Come Lately
Hayfoot, Strawfoot - Take 1
Hayfoot, Strawfoot - Take 2
Sentimental Lady - Take 1
Sentimental Lady - Take 2
A Slip of the Lip
Sherman Shuffle
Track Listings (22) - Disc #14
I Ain't Got Nothin' But the Blues
I'm Beginning to See the Light - Take 1
I'm Beginning to See the Light - Take 2
Don't You Know I Care - Take 1
Don't You Know I Care - Take 2
I Didn't Know About You
Work Song
Come Sunday
The Blues
Three Dances
Carnegie Blues
Blue Cellophane
Mood to Be Wooed
(All of a Sudden) My Heart Sings
Kissing Bug
Everything But You
(Otto Make That) Riff Staccato
Prelude to a Kiss
Caravan
Black and Tan Fantasy
Mood Indigo
In a Sentimental Mood
Track Listings (24) - Disc #15
It Don't Mean a Thing (If It Ain't Got that Swing)
Sophisticated Lady
Tonight I Shall Sleep (With a Smile on My Face)
The Minor Goes Muggin'
I Let a Song Go Out of My Heart - Take 1
I Let a Song Go Out of My Heart - Take 2
Solitude
Frankie and Johnny
Jumpin' Room Only
Black Beauty
Every Hour on the Hour
Balcony Serenade
Strange Feeling
Dancers in Love
Coloratura - Take 2
Coloratura - Take 1
Things Ain't What They Used to Be
Tell Ya What I'm Gonna Do
Come to Baby, Do!
I'm Just a Lucky So-and-So
Long, Strong and Consecutive
The Wonder of You
Tonk
Drawing Room Blues
Track Listings (22) - Disc #16
Rockabye River
Suddenly It Jumped
Transblucency
Just Squeeze Me
Gathering in a Clearing
You Don't Love Me No More
Pretty Woman
Hey, Baby
(Back Home Again in) Indiana
Blue Is the Night
Lover Man - Take 1
Lover Man - Take 2
Just You, Just Me
Beale Street Blues
Memphis Blues
St. Louis Blues
My Honey's Lovin' Arms
(I Don't Stand) A Ghost of a Chance (with You)
Swamp Fire
Royal Garden Blues
Esquire Swank
Midriff
Track Listings (13) - Disc #17
Long, Long Journey
The One That Got Away
Gone with the Wind
Metronome All-Out
Skin Deep
How Could You Do a Thing Like That to Me? (Sultry Serenade)
Sophisticated Lady
Perdido
Caravan
Harlem Suite
The Hawk Talks
Ellington Medley: Don't Get Around Much Any More/In a Sentimental Mood/Mood Indigo/I'mBeginning to See the Light/Prelude to a Kiss/It Don't Mean a Thing (IfIt Ain't Got that Swing)/Solitude/I Let a Song Go Out of My Heart
Jam with Sam
Track Listings (13) - Disc #18
In the Beginning God
Tell Me It's the Truth
Come Sunday
The Lord's Prayer
Come Sunday
Will You Be There?/Ain't But the One
New World A-Comin'
David Danced (Before the Lord with All His Might)
Ninety Nine Percent (previously unreleased)
My Mother, My Father and Love (previously unreleased)
New World A-Comin' (previously unreleased)
A Christmas Surprise (previously unreleased)
A Christmas Surprise (previously unreleased)
Track Listings (11) - Disc #19
Praise God
Supreme Being
Heaven
Something 'Bout Believing
Almighty God
The Shepherd
It's Freedom
Meditation
The Biggest and Busiest Intersection
T. G. T. T.
Don't Get Down on Your Knees to Pray Until You Have Forgiven Everyone
Track Listings (12) - Disc #20
Father Forgive
Praise God and Dance
Introduction by Sir Colin Crowe
Introduction by Duke Ellington
The Lord's Prayer/My Love
Is God a Three-Letter Word for Love? (Part I)
Is God a Three-Letter Word for Love? (Part II)
The Brotherhood
Hallelujah
Every Man Prays in His Own Language
Ain't Nobody Nowhere Nothin' Without God
The Majesty of God
Track Listings (13) - Disc #21
Tourist Point of View - Take 7
Bluebird of Delhi (Mynah) - Take 12
Isfahan - Take 1
Depk
Mount Harissa
Blue Pepper (Far East of the Blues)
Agra
Amad - Take 3
Ad Lib on Nippon
Tourist Point of View - Take 5
Bluebird of Delhi (Mynah) - Take 8
Isfahan - Take 2
Amad - Take 5
Track Listings (20) - Disc #22
Take the "A" Train
I Got It Bad (And That Ain't Good)
Perdido
Mood Indigo
Black and Tan Fantasy
The Twitch
Solitude
Do Nothin' Till You Hear from Me
The Mooche
Sophisticated Lady
Creole Love Call
Caravan (previously unreleased)
Wings & Things (previously unreleased)
Do Nothin' Till You Hear from Me (previously unreleased)
House of Lords
The Second Portrait of the Lion
Take the "A" Train
Caravan
Mood Indigo
Love Scene (previously unreleased)
Track Listings (21) - Disc #23
The Mooche
I Let a Song Go Out of My Heart
I'm Beginning to See the Light
Do Nothin' Till You Hear From Me
Sophisticated Lady
Timon of Athens March
Solitude
I Got It Bad (And That Ain't Good)
Satin Doll
Single Petal of a Rose (previously unreleased)
Snibor
Boo-Dah
Blood Count
U. M. M. G.
Charpoy
After All
The Intimacy of the Blues
Raincheck - Take 6
Raincheck - Take 4 (previously unreleased)
Day Dream
Rock Skippin' at the Blue Note
Track Listings (20) - Disc #24
All Day Long
Lotus Blossom - Take 1
Lotus Blossom
Smada - Take 3 (previously unreleased)
Smada - Take 4
Midriff
My Little Brown Book
Acht O'Clock Rock
The Piano Player
Creole Love Call
Don't You Know I Care
I Can't Get Started with You
New York, New York
Pitter Panther Patter
How High the Moon
Basin Street Blues
Tiger Rag
Soso
Meditation
Mecuria, the Lion (previously unreleased)
Close your eyes, dip your hand into this treasure chest, and play any of the 462 tracks contained within: you are guaranteed to hear something magnificent. It may be a stunning composition, an innovative arrangement, or an... more » astonishing improvisational passage, but the brilliance is there. It is only fitting that the greatest figure in 20th-century popular music is the subject of this most wondrous box set. Across 24 discs, the majesty and unparalleled genius of Duke Ellington is on vivid display. Listening to the box from start to finish in chronological order, you discover a composer, bandleader, and pianist who consistently and daringly pushed his music ever forward. As fascinating as it is to hear his artistic progression as it unfolds, it is even more remarkable to digest these CDs out of order. During the course of 50 years, Ellington's creative wellspring gushed an amazing variety of music delivered in a multitude of different styles and settings; yet somehow, someway, it all sounds like Ellington. Whereas some artists find the blues idiom constricting, Duke saw it as a highly malleable and versatile foundation. The first seven CDs chronicle the maestro's Cotton Club days and his theatrical, visceral "jungle music," which was created as part of the club's African-themed stage shows and "tribal" dances. Even at this early stage, Ellington showed a tremendous ability to create expressive moods and keen imagery through his compositions as well as an uncanny understanding of his players' strengths. Six discs are dedicated to the early 1940s, when tenor sax player Ben Webster and bassist Jimmy Blanton elevated the band to new heights. The next three CDs cover the mid-1940s, when the Duke began experimenting with longer pieces. Another combines mid-1940s all-star jams with a full 1952 Seattle concert. All three of Ellington's Sacred Concerts follow, a bold, pioneering fusion of jazz and church, complete with choir and dance, that used the language of music to eloquently sermonize on the subjects of personal freedom, spirituality, and communication with God. The collection wraps up with four discs' worth of late-period magic, including the exotic and dramatic Far East Suite and an homage to recently departed Billy Strayhorn. This stunning package also serves as a tribute to all of the superior musicians that found a home in the Ellington Orchestra. Special mention must be made of altoist Johnny Hodges, who first recorded with Ellington in 1928 and stayed with him (except for a brief respite in the 1950s) until his death in 1970. Throughout, his sublime tone and fertile imagination epitomize the beauty, inventiveness, and dignity that is the essence of jazz. Also of note are the many superb compositions and arrangements from Strayhorn, who managed to carve a vital niche for himself while remaining true to the sound of Ellingtonia. The accompanying 128-page full-color book overflows with wonderful photos and insightful essays that explore Ellington from every possible angle. The discographical information is delivered with excruciating detail and the package as a whole exudes love, devotion, and respect. Somewhere deep inside the book, producer Orrin Keepnews writes, "When dealing with the music of Edward Kennedy Ellington, there is no excuse for stopping anywhere short of perfection." Mission accomplished. --Marc Greilsamer (Casual listeners might prefer the single-CD sampler.)« less
Close your eyes, dip your hand into this treasure chest, and play any of the 462 tracks contained within: you are guaranteed to hear something magnificent. It may be a stunning composition, an innovative arrangement, or an astonishing improvisational passage, but the brilliance is there. It is only fitting that the greatest figure in 20th-century popular music is the subject of this most wondrous box set. Across 24 discs, the majesty and unparalleled genius of Duke Ellington is on vivid display. Listening to the box from start to finish in chronological order, you discover a composer, bandleader, and pianist who consistently and daringly pushed his music ever forward. As fascinating as it is to hear his artistic progression as it unfolds, it is even more remarkable to digest these CDs out of order. During the course of 50 years, Ellington's creative wellspring gushed an amazing variety of music delivered in a multitude of different styles and settings; yet somehow, someway, it all sounds like Ellington. Whereas some artists find the blues idiom constricting, Duke saw it as a highly malleable and versatile foundation. The first seven CDs chronicle the maestro's Cotton Club days and his theatrical, visceral "jungle music," which was created as part of the club's African-themed stage shows and "tribal" dances. Even at this early stage, Ellington showed a tremendous ability to create expressive moods and keen imagery through his compositions as well as an uncanny understanding of his players' strengths. Six discs are dedicated to the early 1940s, when tenor sax player Ben Webster and bassist Jimmy Blanton elevated the band to new heights. The next three CDs cover the mid-1940s, when the Duke began experimenting with longer pieces. Another combines mid-1940s all-star jams with a full 1952 Seattle concert. All three of Ellington's Sacred Concerts follow, a bold, pioneering fusion of jazz and church, complete with choir and dance, that used the language of music to eloquently sermonize on the subjects of personal freedom, spirituality, and communication with God. The collection wraps up with four discs' worth of late-period magic, including the exotic and dramatic Far East Suite and an homage to recently departed Billy Strayhorn. This stunning package also serves as a tribute to all of the superior musicians that found a home in the Ellington Orchestra. Special mention must be made of altoist Johnny Hodges, who first recorded with Ellington in 1928 and stayed with him (except for a brief respite in the 1950s) until his death in 1970. Throughout, his sublime tone and fertile imagination epitomize the beauty, inventiveness, and dignity that is the essence of jazz. Also of note are the many superb compositions and arrangements from Strayhorn, who managed to carve a vital niche for himself while remaining true to the sound of Ellingtonia. The accompanying 128-page full-color book overflows with wonderful photos and insightful essays that explore Ellington from every possible angle. The discographical information is delivered with excruciating detail and the package as a whole exudes love, devotion, and respect. Somewhere deep inside the book, producer Orrin Keepnews writes, "When dealing with the music of Edward Kennedy Ellington, there is no excuse for stopping anywhere short of perfection." Mission accomplished. --Marc Greilsamer (Casual listeners might prefer the single-CD sampler.)
CD Reviews
Unparalleled music - cheap packaging
Ed Brickell | 02/16/2000
(4 out of 5 stars)
"You can't go wrong with the man who was truly 'Beyond Category' - the greatest musician in American history, and, very likely, the greatest artist in American history -period - the great Duke Ellington.RCA got a lot right with this set: the music - all 24 cds worth - is amazing, the remastering of the recordings from the 30s and40s is astonishing, and the lavishly illustrated booklet provides a comprehensive overview of the Duke's career.The one thing that RCA got wrong, however, was the packaging of the individual cds. Each disc is enclosed in a cheap, flimsy, cardboard sleeve instead of in a jewel box. You can't get a disc out of its cardboard prison without reaching in and getting your fingerprints all over it . You can't store your new Ellington cds with the rest of your collection, because the sleeves won't fit in your cd shelf, nor will they stand up straight like a jewel box will. Even if you do stack them at the end of your row of normal cds, you still have to sort through them to find the disc you want, because you can't read the spine like you can on a normal jewel box. If you are spending this kind of money to buy a box set, I suspect that your interest in the Duke will last for a lifetime. I guarantee that the cheap cardboard sleeves in this set won't. If you are spending this kind of money to buy a box set, you shouldn't have to buy 24 empty jewel boxes to preserve your investment. That's what I plan to do, however. I suspect that many others will do the same."
An outstanding set!
05/29/1999
(5 out of 5 stars)
"Congratulations are in order for producers Keepnews and Lasker, and for BMG. If only Sony would issue it's Ellington holdings (Columbia, Brunswick, Okeh, etc.) in such a comprehensive and intelligent fashion! The remastering is fantastic. The digital transfers are wonderfully clear and full-bodied (for a sample of other work by Steven Lasker check out reissues of Ellington's 1920s Brunswick recordings on the GRP/Decca Jazz label), and easily superior to any previous issues of these recordings. The music, whether from the 1920s, 30s, 40s or 60s is some of the best in the Ellington catalog. The annotations are meticulous and the 124 page book is beautifully illustrated.
REVISED - 2006 - O.K., I was a little excited when I wrote my earlier review. I still stand by everything I wrote, though with a few qualifications. First, the other reviewers here are correct about the packaging. I replaced the cardboard sleeves with jewel cases. Second, the content of the book is excellent. However, it is not bound well. I've been extremely careful with mine, but a few pages are coming loose. Third, I think the remastering on the first thirteen discs is excellent. I've been listening to 78-era recordings for many years. The background hiss is inevitable. To remove all of the hiss would leave a boxy and compressed sound, and that's as grating to me as the hiss seems to be for others. Unfortunately, I don't think discs 14 through 16 in this set meet the same high standards of the first thirteen. To my ears, they have some of that dreadful compressed quality. They are much better than previous issues, but not as good as the first thirteen discs (a different engineer performed the CEDAR noise reduction on discs 14-16). Finally, discs 17 through 24 are a mixed bag. Some of the music is not as essential as the earlier material (e.g. the Tanglewood concert). Also, the remastering on the last four discs is a little thin and abrasive (compare to the excellent work on the "Far East Suite" portion of the set - again, a different engineer is at work here).
That said, I do not regret buying this set. I bought it mainly for the first sixteen discs (though the Far East Suite and Strayhorn tribute are highlights of Ellington's late period). The music is always more important to me than the packaging, and for the most part the sound is stunning."
No excuse for the crummy packaging
Ed Brickell | 08/06/2001
(4 out of 5 stars)
"I agree with the person who complained about the cheap packaging. Yes the music is great. But cardboard sleeves? In addition to the problems that person cited, sliding discs in and out of the sleeve is going to scratch them. Next, the little ribbons used for lifting the CDs out of their wells in the plastic box insert are glued in place. Guess what? They come unglued! Unless you reglue them, you have to turn the box upside down and shake out all the CDs to get the one you want.Finally, the lovely book that comes with the set is cheaply bound. I haven't even read it once and there are pages coming loose. Come on, RCA! This is meant to be your highest tribute to America's greatest composer, and you aren't exactly giving it away. You could have used better binding and real jewel cases, sold it at the same price, and still profited handsomely. Shame on you!"
A stunning tribute to the man and his music.
Ed Brickell | 05/03/1999
(5 out of 5 stars)
"Very few mammoth box sets are worth the money, simply because very few artists are worth the attention. Duke Ellington's music is dirt-cheap even at these prices. These recordings are, of course, part of our everyday musical language -- but in RCA's remastered sound, it's like meeting old friends for the first time. Ellington's practical knowledge of recording technology and techniques was ahead of its time, and RCA-Victor always had the best recording engineers and equipment. Even the earliest recordings are amazing for the brightness of their treble and the heft in their bass register. No longer do you feel as though you're listening to the Blanton-Webster band through a wall of mud -- this music comes across as fresh and newly-minted as the day it was played. BMG's oversized accompanying book is a virtual Ellington encyclopedia, with complete track-by-track information down to the approximate times of day the sides were recorded and lists of soloists. An essential document which one hopes will be eventually reprinted in a more "user friendly" size for those who like to flip for information while they listen.Of course, no one need talk much about the music itself. Suffice to say it is among the best the 20th century had to offer, and will still have a lot to say to us in the 21st. Few bands played such divine compositions with as much sophistication, creativity, emotion, and sheer unbridled energy as Ellington's band. All in all, a stunning tribute to a man whose Pulitzer Prize came over a quarter of a century too late. Fortunately the music, thanks to BMG's labor of love (and, admittedly, commerce), is the only prize that really matters. Thank you, BMG, and thank you, Mr. Ellington!"
Love it so far...
Ed Brickell | 05/07/1999
(5 out of 5 stars)
"This 24 CD collection is so rich I've made it only to CD #10 (Early 40's).With the exception of several of his most popular numbers,I was unfamiliar with much of Ellington's music. Now I understand the importance of this American master. The sound quality of the 1927-1934 recordings is stupendous and the inclusion of alternate takes for most of the selections will fascinate the connoisseur and please the casual listener. The collection really demonstrates the versatility and evolution of the great Duke Ellington Orchestra. Forget Glenn Miller and the other "white big bands"...this is the real thing. With the exception of the period from 1933-1940 and the 50's, this collection has EVERYTHING!!! Who cares if this month's rent is late, if you love music, GET IT!!!!"