Symphony No. 7 In D Minor, Op. 70: 1. Allegro maestoso
Symphony No. 7 In D Minor, Op. 70: 2. Poco adagio
Symphony No. 7 In D Minor, Op. 70: 3. Scherzo Vivace
Symphony No. 7 In D Minor, Op. 70: 4. Finale. Allegro
Symphony No. 9 In E Minor, Op. 95 'From The New World': 1. Adagio - Allegro molto
Symphony No. 9 In E Minor, Op. 95 'From The New World': 2. Largo
Symphony No. 9 In E Minor, Op. 95 'From The New World': 3. Scherzo. Molto vivace
Symphony No. 9 In E Minor, Op. 95 'From The New World': 4. Allegro con fuoco
Track Listings (14) - Disc #2
The Late Symphonies - Legends: 1. Allegro con brio
The Late Symphonies - Legends: 2. Adagio
The Late Symphonies - Legends: 3. Allegretto grazioso
The Late Symphonies - Legends: 4. Allegro ma non troppo
The Late Symphonies - Legends: 1. Allegretto
The Late Symphonies - Legends: 2. Molto moderato
The Late Symphonies - Legends: 3. Allegro giusto
The Late Symphonies - Legends: 4. Molto maestoso
The Late Symphonies - Legends: 5. Allegro giusto
The Late Symphonies - Legends: 6. Allegro con moto
The Late Symphonies - Legends: 7. Allegretto grazioso
The Late Symphonies - Legends: 8. Un poco allegretto e grazioso
The Late Symphonies - Legends: 9. Andante con moto
The Late Symphonies - Legends: 10. Andante
Witold Rowicki's complete set of Dvorák symphonies on Philips has now been rereleased in three twofer packages, making it a very attractive proposition. These fleet, dramatic performances are better played and recorde... more »d than István Kertész's competing recordings for London Records with the same orchestra. There isn't a single dud in the batch, and if you enjoy this set of the last three symphonies, you'll want the others too. --David Hurwitz« less
Witold Rowicki's complete set of Dvorák symphonies on Philips has now been rereleased in three twofer packages, making it a very attractive proposition. These fleet, dramatic performances are better played and recorded than István Kertész's competing recordings for London Records with the same orchestra. There isn't a single dud in the batch, and if you enjoy this set of the last three symphonies, you'll want the others too. --David Hurwitz
CD Reviews
Rowicki Is Best In The Early Works
Jeffrey Lipscomb | Sacramento, CA United States | 05/18/2004
(3 out of 5 stars)
"I concur with critic Hurwitz that the complete Rowicki set is "better played and recorded than Istvan Kertesz's." I think the same holds true versus Kubelik's set. However, Rowicki's fast, literal performances of Dvorak's three late symphonies are bettered by others. Here are my suggestions for putting together a satisfying collection of all nine symphonies:
#1. The early "Bells of Zlonice," rather in the same way as Bruckner's 1st, offers few suggestions of the masterworks that would come later. Rowicki's strikes me as a clear winner here.
#2. This was probably the best thing in the Kertesz set - but Rowicki for me is distinctly preferable.
#3. Rowicki is here, too, the clear choice in stereo. I still have a slight preference for the old mono Smetacek on Parliament LP.
#4. Again, Rowicki is the one to have in modern sound. The old Neumann on mono Parliament LP was perhaps a little more Czech in feeling.
#5. It is when we get to Symphonies 5-9 that Rowicki runs into stiff competition. He is my first choice in stereo, but a far more idiomatic performance by Karel Sejna and the Czech Phil. (with the greatest-ever readings of the lovely Slavonic Rhapsodies) was on Supraphon 1917. A fine, if rather Germanic, interpretation by Johannes Schuler and the Leipzig Radio was once on Urania LP.
#6. Here, I'm afraid Rowicki is out of his league. The finest ever in stereo was Ancerl's 1966 Czech Phil. account (with superb traversals of the overtures My Home, Husitska, and Carnival) on Supraphon. Even better was the 1938 Vaclav Talich on a Koch-Legacy CD. But my all-time favorite remains the wonderful 1951 Sejna/Czech Phil. (coupled with a glorious 7th) on Supraphon. The Scherzo (Furiant) under Sejna has a rustic swing that remains unmatched.
#7. Rowicki is excellent, but there are even better alternatives. In addition to Sejna, there was a magnificent 1938 first recording by Talich & the Czech Phil. (on Tahra, with Talich's 8 & 9). My favorite in stereo: Constantin Silvestri with the Vienna Phil. (in a 10-disc EMI CD set devoted to that superb conductor).
#8. Rowicki is rather faceless here. A better "straight" reading from George Szell/Cleveland was on EMI (his 1951 Amsterdam Concertgebouw account was also remarkable). I love the Silvestri/Royal Phil. on EMI - but some may find it over-romantic. The finest readings for me are all with the Czech Phil. The 1935 Talich (Tahra) was more expansive (slower) than his 1951 reading on Supraphon (coupled with benchmark accounts of In Nature's Realm, Carnival, and Othello). I adore both. An affectionate live version by Frantisek Stupka (1951) was on Arlecchino. Karel Ancerl's exciting live 1960 account (Praga) is preferable to his live 1970 reading with the Concertgebouw (in his volume of EMI's "Great Conductors" series).
#9. Rowicki disappears in a huge thicket of competing versions of the "New World." There is a reading for every taste - among those I would suggest auditioning are Erich Kleiber (Naxos), Oswald Kabasta (live 1941 on M&A, once mistaken for a Furtwangler performance), the 1940 Stokowski (M&A), the 1941 Mengelberg (Teldec, with a GREAT Franck D Minor), a 1948 Malko (Danacord; preferable to his later one on EMI), and the Fritz Reiner (RCA - that's how I learned the work). Silvestri's dramatic account (Angel LP) is not yet on CD. I would avoid the ponderous Bernstein (Sony), the neutral Jarvi (Chandos), the unidiomatic Karajan (EMI), the faceless Previn (Telarc), and the over-analyzed Giulini (Sony).
Unfortunately, the great Czech conductor Karel Sejna left no recording of 9 or 8. A very romantic version (c.1961) by Russian conductor Nicholai Anosov was once on a Melodiya LP - it took the first mvt. repeat (unusual back then). A nice live performance (1975) by Jaroslav Krombholc & the Prague Radio is on Multisonic. I have not run down a copy of Stupka's - he was Talich's second in command and was a flavorful Dvorak conductor. My two favorite conductors in this work are Talich and Ancerl, both with the Czech Phil. There are several Ancerls kicking around - I think his 1961 studio version (Supraphon) is best. Talich made three recordings - for me, the last one from 1954 (Supraphon) is THE New World to have, if you are having only one."
Delightful Dvorak
Michael B. Richman | Portland, Maine USA | 07/20/2003
(5 out of 5 stars)
"Witold Rowicki's Complete Dvorak Symphony Cycle with the London Symphony Orchestra is truly something special. This Philips Duo CD is Volume 3 in a series, and this title collects his last three Symphonies. (Make sure you don't confuse this title with a similar Philips Duo CD featuring Symphonies 7-9 with Colin Davis -- see my review.) Rowicki's Dvorak Cycle has to be ranked with those by Kubelik and Kertesz as the three best performances available on disc. I started with the Kubelik, then got the Kertesz, but I may have saved the best for last. By the way, you should be prepared to get Volumes 1 & 2 after buying this one."
A Fine Set
Robert T. Martin | 12/02/2007
(4 out of 5 stars)
"I first encountered Maestro Rowicki's (1914-1989) Dvorak on a wonderful radio show called "First Hearing" hosted by Lloyd Moss. The show featured excerpts of newly issued classical recordings that were reviewed by a panel of three (I think) critics. Irving Kolodin was a frequent panelist. Anyhow one evening the last movement of Rowicki's Seventh was played to good reviews and I acquired the LP a few days later. It's been a favorite of mine ever since for what I can only describe as the "sweep and cragginess" of the performance and the wonderful sound.
Despite my fondness for the performances of all three symphonies in this set they face serious competition from the likes of Szell, Kubelik, Ancerl, Talich, etc. Nevertheless the interpretation, playing, sound and the bonus of Raymond Leppard's performances of the lovely Legends, Op. 59 make this "Twofer" a reasonable alternative.
"
And in Dvorak's last three symphonies, the loser is...
Sam | 10/29/2007
(3 out of 5 stars)
"I would like first to point out the muddy, lacklustre sound that once more seems to characterize the releases on the Philips Duo series - it makes for really uncomfortable listening, all the more as most of these recordings have already been released on separate CDs in much better sound (for a striking example, just compare the Berlioz Davis anthology with separate issues of Symphonie fantastique, Harold in Italy and Symphony funebre et triomphale!). Nobody else seems to bother though...
Unlike the first two, the last volume of Rowicki's complete Dvorak symphonies is unfortunately far from being a primary recommendation. These are efficient, well-played accounts of symphonies 7 and 8, with a direct, rustic lyricism which reminds one of Czech orchestras. Any sense of mystery is totally missing though, as well as necessary touches of melancholy, especially in the Adagio of symphony no. 8. These symphonies sound too 'obvious' under Rowicki's baton, bringing to light all their details without any shadows.
Leppard's conducting in the ten Legends is very satisfying, if not making one forget Kubelik's and Sejna's recordings. Listening to it just after symphony no. 8 you immediately notice the contrast between the two London orchestras, the LSO sounding more 'fragile'. It brings me to a point that has always struck me - Dvorak's first six symphonies, with their frequent dance rhythms, sound more provincial than the last three (orchestrated in a much more symphonic, 'Brahmsian' way), which makes a smaller orchestra more appropriate. It may explain why Rowicki is excellent in these earlier works while appearing relatively 'low key' in the final trilogy. On the contrary, Kubelik is a reference in symphonies 7 and 8, while the BPO sounds like an elephant in a china shop in the earlier ones : if only he had chosen to record the first 6 with the Bavarian Symphony Orchestra, I am sure he would have done wonders...
But what irremediably condemns this 2 CD set is the performance of the New World symphony. I was really pleased to hear the first movement's exposition repeat for the first time... but it was the only asset of this recording. This is a rushed, indifferent reading, which lacks any sense of nostalgy or adventure and left me totally unmoved. I feel actually very honored to nominate it as... THE MOST DREADFUL RECORDING OF THE NEW WORLD SYMPHONY THAT I HAVE EVER HEARD!
So to conclude, this set is hardly competitive as it is the obvious weak link in Rowicki's complete recording, and most of all there are already many other much better separate issues of Dvorak's last three symphonies: Kubelik, Kertesz, Giulini... not to mention separate recordings of these three masterpieces."
Gran Final...
felipe | Chile | 01/05/2005
(5 out of 5 stars)
"Rowicki completa en este CD la entrega formidable de las 9 sinfonias del genio checo, es verdaderamente impresionante una coleccion generosa, pulcra, espontanea y sencillamente genial.
La septima es una obra grandiosa, esta version es espectacular, un sonido perfecto una presentacion soberbia, la octava es de las mejores, una version explosiva, espontanea, fiel y luminosa, realmente incomparable.
La novena, la reina de las sinfonias de Dvorak es espectacular, los sonidos grandiosos, en una interpretacion increible.
La orquesta sinfonica de Londres es y sera una de las mejores orquestas del mundo y se nota, cada instrumento a plenitud, cada nota en el momento preciso, grandioso.
Raymond Leppard nos entrega en un gran añadido las Leyendas una seleccion de momentos musicales geniales, no son obras dificiles de escuchar o de contenido intenso, pero es una obra que se agradece por su originalidad y porque ciertamente no es de las que aparecen disponibles facilmente.
Un CD grandioso que cierra el ciclo, Rowicki sencillamente genial y la London Symphony Orchestra perfecta."