Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Selig sind, die da Leid tragen
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Denn alles Fleisch es ist wie Gras
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Herr, lehre doch mich
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Wie lieblich sind deine Wohnungen
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Ihr habt nun Trauerigkeit
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Denn wir haben hie keine bleibende Statt
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Selig sind die Toten
Brahms increased the popularity of the Requiem by reducing the orchestral part to two pianos. This already highly attractive version for voices and pianos was made even more effective by adding the drum section of the orch... more »estral version; everything about this "modern sounding" version is in fact "original Brahms."« less
Brahms increased the popularity of the Requiem by reducing the orchestral part to two pianos. This already highly attractive version for voices and pianos was made even more effective by adding the drum section of the orchestral version; everything about this "modern sounding" version is in fact "original Brahms."