Search - Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra :: Elgar: Enigma Variations; In the South; Pomp and Circumstance No. 4

Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra
Elgar: Enigma Variations; In the South; Pomp and Circumstance No. 4
Genres: Special Interest, Classical

Track Listings (17) - Disc #1
1. Enigma Variations, for orchestra, Op. 36: Enigma Theme
2. Enigma Variations, for orchestra, Op. 36: Andante (C.A.E.)
3. Enigma Variations, for orchestra, Op. 36: Allegro (H.D.S-P.)
4. Enigma Variations, for orchestra, Op. 36: Allegretto (R.B.T.)
5. Enigma Variations, for orchestra, Op. 36: Allegro di molto (W.M.B.)
6. Enigma Variations, for orchestra, Op. 36: Moderato (R.P.A.)
7. Enigma Variations, for orchestra, Op. 36: Andantino (Ysobel)
8. Enigma Variations, for orchestra, Op. 36: Presto (Troyte)
9. Enigma Variations, for orchestra, Op. 36: Allegretto (W.N.)
10. Enigma Variations, for orchestra, Op. 36: Adagio (Nimrod)
11. Enigma Variations, for orchestra, Op. 36: Allegretto (Dorabella) Intermezzo
12. Enigma Variations, for orchestra, Op. 36: Allegro di molto (G.R.S.)
13. Enigma Variations, for orchestra, Op. 36: Andante (B.G.N.)
14. Enigma Variations, for orchestra, Op. 36: Moderato (***) Romanza
15. Enigma Variations, for orchestra, Op. 36: Allegro (E.D.U.) Finale
16. In the South ('Alassio'), concert overture for orchestra, Op. 50
17. Pomp and Circumstance March No.4, for orchestra in G major, Op. 39/4

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CD Details

All Artists: Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra
Title: Elgar: Enigma Variations; In the South; Pomp and Circumstance No. 4
Members Wishing: 0
Total Copies: 1
Label: Royal Phil Masterwrk
Original Release Date: 1/1/2009
Re-Release Date: 10/13/2009
Genres: Special Interest, Classical
Styles: Marches, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 723721442354

Synopsis

Album Description

"Menuhin's account of the Variations [represents] the interpretation of a musician who has lived long with this music and loves it. He and the engineers have taken immense care with the timbre of the upper strings in the statement of the theme and there are several passages--the prominence given to the lower strings in the middle section of `Dorabella,' for example--where Menuhin directs the listener's attention to yet another facet of this inexhaustibly fascinating score. Nothing `routine' here, nor in the RPO's playing." -- Gramophone

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