"Does the knowledge that Sir John was to die within a few days of this public performance at the 1970 King's Lynn Festival colour our view of it? Did he conduct that day sub specie mortis, expecting this to be his final performance? It is easy to read things into these two performances with the benefit of hindsight that may not really be there.
Nevertheless, it is hard not to hear an autumnal glow, a touch of sadness and regret, even in the amazingly virile leaping lines of the Allegro in the Introduction & Allegro that were not present in his famous recording with the Sinfonia of London strings.
And the Symphony does seem to provide us with an interpretation even more profound than his commercial recordings of a work that he loved dearly throughout his life. There is an intensity to the slow movement that is second to none. This is bred from an orchestra (JB's own Halle) and conductor who knew each other and their interpretation of this work intimately, who had years of mutual experience of the work behind them. This allows for a flexibility that is necessarily rare - those little relaxations or heightening of tension in tempi, those moments when it's hard to tell if the conductor is reacting to a particularly felicitous turn of phrase from a soloist or vice versa. It is there from the very first moments of the work when, even as the audience is still settling down, the orchestra creeps in with the pp drum roll and the initial heavy tread of the motto theme. It is still there at the climax of the Finale when even Sir John can surely never have achieved quite the same passion as the orchestra positively overflows and cascades colour over the same motto theme.
Tinged with sadness over the sad events of the next few days though it may be, this remains - objectively as well as emotionally - a great performance of this landmark symphony that held a very special place in Barbirolli's heart. I don't think he would have been sorry that this was the work that turned out to be the last he would conduct - nor that his beloved Halle produced such a magnificent performance of it."
A live performance to make you an Elgar believer
Santa Fe Listener | Santa Fe, NM USA | 12/18/2005
(5 out of 5 stars)
"I find myself listening to the Elgar First once a decade, which is about as often as it is programmed in the U.S. In England one can hardly go a month without hearing it performed somewhere. Elgar creates pillows of sound and goes on ambling journeys without an obvious destination. Barbirolli overcomes this wooliness with an emotional, highly varied, involving performance. I heard this CD while walking through Tower Records and bought it on the spot, knowing I would never need another.
If you are already a believer, no doubt there are half a dozen performances to compare this one to. The usually rough-and-ready Halle Orch. sounds totally committed here, and the BBC has given them large-scale, though a bit hollow, sound. This performance doesn't succeed in the fine details anyway. Its sweep and drama carry the day, something Barbirolli injects into the score--I'm not sure they're really there. As the reviewer below points out, Barbirolli conducted this concert in July, 1970, a few weeks before he died at a comparatively young 71. This is a stirring farewell. Five stars.
The symphony is the main attraction, which is good since the opening Introduction and Allegro lurches too much and finds the Halle strings in less than stellar shape. Three stars."
"After Adrian Boult, there has not been any other conductor who glorifies with such golden splendor the music of Sir Edward Elgar. His interpretative gifts, the sense of the span, the unequaled scent of the arresting melodies, the whole exposition of the enormous lyrical richness find in Barbirolli a supreme expositor.
Do not hesitate just for a second. Those recordings are pure gold.
"
Simply the best
Ramón Meléndez-valdés Navas | spain | 07/06/2009
(5 out of 5 stars)
"I had two performances of this work on cd, but I Knew that this one is very appreciated. Let me say that deserves it fame. I think that the emotional commit will be very difficult to surpass."
Emotional Farewell
M. Zimmermann | Vienna,Austria | 08/23/2008
(5 out of 5 stars)
"This is Barbirolli's highly emotional Elgar First from a live performance at King's Lynn Festival in July 1970, just one week before his final heart attack. Although Barbirolli couldn't have known that this actually would be his last Elgar (he even conducted other concerts the following week but with different programme), he stated "Every concert now might be my last" to a friend a few weeks earlier. One has only to hear the Adagio Movement of the Symphony to understand that he KNEW this was to be the last performance of his beloved Elgar First.
No other reading in record history shows a more heartfelt and emotional interpretation of the third movement. The great bow Sir John spans over the entire opus is so logically done that one isn't surprised at all to fall into the march like theme of the first movement again in the end. The conductor's own Hallé Orchestra gives one of the greatest performances in his own recording history. The glorious flowing strings seem to caress every note as if the orchestra knew too that this was one of the last concerts they gave with their chief conductor. The grandeur Barbirolli gives this music really prove it as one of the greatest symphonies of the last century. The problem with the Elgar First to my opinion is that it can be excrutiatingly dull in the wrong hands of a conductor who wants to find an intellectual way towards Elgar's music. There isn't any, of course and that's why Barbirolli's reading will always stand out as the truly emotional but definite version of this opus on disc!
Strangely enough the opening Introduction & Allegro for string quartet and string orchestra finds the Hallé orchestra in a kind of different mood and (even stranger) form! The otherwise luscious string section sounds shrilly and completely incoherent. Maybe they just needed to "warm up" for their glorious playing in the following symphony...who knows? But the difference in playing can be heard by everyone so it should be mentioned although it cannot diminish the exceptional importance of this disc and the timeless emotional farewell reading of great Sir John Barbirolli's incredible Elgar First! Don't hesitate a second to buy this!"