It Don't Mean a Thing (If It Ain't Got That Swing)
Azure
I Let a Song Go out of My Heart
In a Sentimental Mood
Don't Get Around Much Anymore
Prelude to a Kiss
Mood Indigo
In a Mellow Tone
Love You Madly
Lush Life
Squatty Roo
I'm Just a Lucky So-And-So
All Too Soon
Everything But You
I Got It Bad (And That Ain't Good)
Bli-Blip
Track Listings (16) - Disc #3
Chelsea Bridge
Portrait of Ella Fitzgerald
The E and D Blues (E for Ella, D for Duke)
Chelsea Bridge [Take 1, Rehearsal]
Chelsea Bridge [Take 2, Rehearsal]
Chelsea Bridge [Take 3, Rehearsal]
Chelsea Bridge [Take 4, Rehearsal]
Chelsea Bridge [Take 5, Rehearsal]
Chelsea Bridge [Take 6, Rehearsal]
Chelsea Bridge [Take 7, Rehearsal]
Chelsea Bridge [Take 8, Rehearsal]
All Heart
All Heart [Take 1, Complete Take]
All Heart [Take 2, Complete Take]
All Heart [Take 3, Complete Take]
Portrait of Ella Fitzgerald: Introduction [Various Takes]
The complete Ella Fitzgerald vocal sides from the celebrated 2-double LP set presenting her singing the music of Duke Ellington. The first CD of our edition contains the complete small group sides including Ben Webster, wh... more »ile the second has all of the big band numbers. Includes 16-page booklet« less
The complete Ella Fitzgerald vocal sides from the celebrated 2-double LP set presenting her singing the music of Duke Ellington. The first CD of our edition contains the complete small group sides including Ben Webster, while the second has all of the big band numbers. Includes 16-page booklet
"I listened to the first track, Rockin' In Rhythm five or six times before going onto the second track; and experienced the delight of discovering something truly good and remarkable from two artists, about whom I thought I knew everything good and remarkable. Back in the 1970's I collected Ella songbooks on vinyl (Gershwin, Porter, Rogers & Hart), but never got around to the Ellington collection. How fortunate that I inadvertently saved this little gem for a rainy day. Listening to it is like discovering Ellington and Ella anew. Except with the added appreciation of a fan. I would never tire of Rockin' In Rhythm, so reliable a source of joy it is...my soul smiles for the privilege to witness this collaboration."
20th Century musical gem with Ella and Duke at their best
A Tarot Student | 07/01/2001
(5 out of 5 stars)
"Here's a newsflash:1957: Ella Fitzgerald, jazz's best singer, records the songs of Duke Ellington, jazz's best composer. Duke and Ella never sound better. His orchestra is at its most elegant yet at its most swinging, her voice's is in its best form, so harmonically, rhythmically, and tonally sophisticated. Jazz's greatest event is happening. It is "Ella Fitzgerald Sings the Duke Ellington Songbook," and it is too great to let pass you by.Alright, this is all true. With Duke's big band behind her, Ella was divine. She was even classier with his suberb small groups. Most of all, it showed both of their eclecticism. Duke was still overlapping rhythms, harmonies, tones, and different musical styles to their most mesmerizing effect. Ella was at her career peak at Verve Records. And for the record: Any of the songwriters she covered in the classic Songbook Series never sounded as awesome. She's the glue that provokes the Ellington Orchestra to outdo themselves once again. Their repertoire of jungle music, unique swing songs, lesser known songs, and more experimental songs is covered, and Ella fits these songs like a lace glove. Part of her incredible genius is her ability to adapt any type of music to her ebullient voice. (On the video of PBS's American Masters special about Ella, listen to her short takes on country and soul in a London Club. Dang!)In comparison to the rest of Ella's stellar career: "Ella Fitzgerald Sings the Duke Ellington Songbook" is her peak. It is the centerpiece in her career's greatest period at Verve Records and the landmark Songbook Series. Of all of them, it's the most jazz-oriented. All of her Songbook albums are first-rate, yet this is the best.And it's also a taste of heaven, too good to let pass you by when you're alive. Get it now. And hey, Chick Webb's orchestra was one of swing's greatest bands, but what if she had spent a part of her career in Duke's orchestra? That might have been even better. And even she didn't, isn't this album more than enough?"
A gathering of geniuses
A Tarot Student | Salt Lake City, Utah, USA | 01/21/2000
(5 out of 5 stars)
"A piece of jazz heaven... The level of talent on this set is staggering. Ella is brilliant, for one. Then add in Duke Ellington and Billy Strayhorn and the band, all in great form. Then add a small ensemble that includes Oscar Peterson and Ben Webster. Yikes! Best of all, the pieces fit together beautifully.Years ago I had the big-band material on LP, which I treasured until someone borrowed it for good. Just getting that music back in excellent-sounding CD was a treat, but the addition of the small group material was a wonderful bonus.The set also includes some rehearsals and alternate takes. It's fascinating to hear Ella working out a part. She didn't do everything perfectly the first time -- it just seems that way!This is an embarrassment of riches. Highly recommended."
Perfectly Imperfect
hbubi | La Jolla, California United States | 08/07/2004
(5 out of 5 stars)
"If you can only afford one Ella songbook set, make Ellington the one. Ella and Duke are perfectly matched. Having her sing with the composer is a unique feature of this set. There is an exuberant spontaneity here which is unmatched by any other songbook album. This mean that there are some imperfections and improvisations, and that's what jazz is. The material is fabulous. The obvious reciprocal adoration and respect of these two legends permeate everything. It is one of the all time great jazz albums ever. Not to be missed."
Music of the heavens
DANIEL MC BREARTY | Berchem, Antwerp Belgium | 11/14/2003
(5 out of 5 stars)
"This set is about as good as it gets. Most of it is Ella with Duke's band, and as you'd expect everything is A1. The arrangements are stellar, the solists complement Ella to perfection. The opening reeds on "I got it bad" make my hair stand on end every time. There is also some beautiful small group stuff, notably with Ben Webster and Stuff Smith, which also swings like hell. (Squatty Roo, Cottontail ...) Finally you get a lot of outtakes of Chelsea Bridge ... OK, it's filler stuff to some, but some of us find it interesting to hear how Duke would fine tune the sound of the band as he went along ...The packaging sucks (those irritating cardboard sleeves where you can't get the bloody CD's out properly) ... but hey ... jewel cases are cheap ..."