Search - Ella Fitzgerald :: Pure Ella

Pure Perfection

Bruce Aguilar | Hollywood, CA | 07/26/2001

(5 out of 5 stars)

"I discovered Ella in a very round about way. From a TV commercial. I can't even remember which one it was now, but one of her recordings was featured. I was instantly amazed by her voice and HAD to find out who the singer was. As soon as I did I ran out to get a collection of her work. Luckily for me I came across this CD. The woman is incredible! Pure perfection! I'm amazed every time I listen to this collection, which is quite often. A smile spreads across my face that just won't go away until the last note fades away. Even then, songs like Mister Paganini, A Tisket, A Tasket, Mack the Knife, How High The Moon, and Take the "A" Train stay locked my mind for eternity. What a God send she is. I'm so glad to have found this sanctuary that is Ella Fitzgerald. If you're not familiar with her work, pick this up immediately. Are there more complete collections than this one? Sure. But this is a great introduction to her amazing, prolific career and even includes collaborations with Count Basie, Duke Ellington and Louis Armstrong. How could you go wrong with a line up like that? Don't miss out on this collection!"

This one AND Ken Burns' Jazz make a great into to Ella

bluemamma | San Luis Obispo, CA USA | 07/23/2001

(5 out of 5 stars)

"It's difficult to choose between this collection of Ella Fitzgerald's work and the collection Ken Burns issued along with Jazz. While there's some overlap between the two, the Burns' CD covers a wider sweep of her career - from her mid-thirties version of A-Tisket A-Tasket (the version here was recorded live in 1961) to the late sixties. Everything on here was recorded sometime between the late fifties and early sixties - prime Ella Fitzgerald, but it's a shame to miss out on the early stuff.Still, if I really HAD to limit myself to only one Ella Fitzgerald CD, it would have to be this one. Burns doesn't include her duets with Louis Armstrong on "They Can't Take That Away From Me," and "Summertime," and there isn't any music ever made that is more breathtaking than Fitzgerald and Armstrong together. Their honey and sandpaper voices play off each other in a way that defies description. And I'd nominate their version of "Summertime" as the best single recording ever made. I can't hear it too many times. If you don't own a copy of it, there's a big hole in your record collection - no, make that a big hole in your LIFE -that you must repair immediately.Also, while the Burns' CD shows off Ella's gorgeous voice and glorious scatting (Ella's scatting is a cure for anything that ails you), I think he shortchanges her ballad work. "Misty" and "My Funny Valentine" ought to be on any intro to Ella Fitzgerald.The thing to remember about any introduction to Ella Fitzgerald, though, is that it's just an appetizer - something to hold you until you save up enough money for the complete works. Until you do, this is a really fine collection."

This Fella Loves Ella

Trevor M. | Washington, D.C. | 02/21/2004

(5 out of 5 stars)

"Ella is an extraordinary and refreshing exception to most Jazz vocalists. Many Jazz singers have a very bad technique, producing their sound from their throats in an unhealthy manner. Ella, however, has the technique and stamina of a classical singer. This why her career peaked in her 40's and was able to sing until very late in her life. Her singing is pure joy. She never strains or manipulates her vocal chords to produce that gorgeous, rich voice that just melts your heart out. The ease and beauty with which she sings, frankly, makes me question her humanity.If you want the best of Ella Fitzgerald, THIS CD is it. It is the premiere comprehensive single-CD sampling of her career. The recording features some of her best collaborations with arrangers (Nelson Riddle, Billy May, etc.) and performers (Louis Armstrong, Duke Ellington, and Count Basie.) The musical selections are excellent. The Verve label has chosen a balance of 9 high-energy swing numbers and 9 romantic ballads. Some remarkable swingers are MACK THE KNIFE, a live recording in Berlin (1960) where she blanks out on a verse and has to improvise. I'm smiling thinking about it. Another is HOW HIGH THE MOON, in which she scats incredibly for about 6 minutes. Throughout the rendition she adds (and revises) brief tidbits of random American standard songs, like SMOKE GETS IN YOU EYES: "They ask me how I knew my true love was true/ I have course replied, 'Something here inside...SWEAT gets in my eyes!" Ella enjoys entertaining while she sings, and her infectious interpretations pull the listener in; especially on the 5 live recordings on this CD, where one finds himself laughing along with the audience at times.

Stunning ballads include MISTY (with her musically sensitive accompanist Paul Smith). Wow! Her lyricism, intonations, and diction are impeccable. Here she sings in a hushed soft fashion that is like she's whispering in your ear. SOMEWHERE OVER THE RAINBOW features its great, not often-heard verse, and such sincere, expressive singing. Buy this now. Ella will really impress you!"