Perhaps you can't relive your past, but for Eric Andersen escape is no option. In these 13 songs--sung in a desolate whisper, played like a seance at Parchman Farm--Andersen, who Bob Dylan has called "a great ballad writer... more »," pursues his darkest memories with one ear cocked to the Delta, the other listening for "the wisdom of Job ... old as the devil." Andersen recorded half of the album in New York and half in Mississippi: Artie Traum picks sparkling lines and Lucy Kaplansky adds sweet harmonies on the acoustic New York material, while a small combo of blues musicians--including legendary drummer Sam Carr and slide guitarist Kenny Brown--add a haunting and muscular electric groove on the Delta cuts. There are also notable writing collaborations with Lou Reed, who cowrites and sings on the title track, and four songs penned with Townes Van Zandt--brooding meditations on mortality imaged in snakelike roads and meadowlark laments. Easy listening? No, but essential for devotees of songwriting at its darkest and deepest. --Roy Kasten« less
Perhaps you can't relive your past, but for Eric Andersen escape is no option. In these 13 songs--sung in a desolate whisper, played like a seance at Parchman Farm--Andersen, who Bob Dylan has called "a great ballad writer," pursues his darkest memories with one ear cocked to the Delta, the other listening for "the wisdom of Job ... old as the devil." Andersen recorded half of the album in New York and half in Mississippi: Artie Traum picks sparkling lines and Lucy Kaplansky adds sweet harmonies on the acoustic New York material, while a small combo of blues musicians--including legendary drummer Sam Carr and slide guitarist Kenny Brown--add a haunting and muscular electric groove on the Delta cuts. There are also notable writing collaborations with Lou Reed, who cowrites and sings on the title track, and four songs penned with Townes Van Zandt--brooding meditations on mortality imaged in snakelike roads and meadowlark laments. Easy listening? No, but essential for devotees of songwriting at its darkest and deepest. --Roy Kasten
Jonathan Lyness | New York, NY United States | 06/01/2000
(5 out of 5 stars)
"I'm going to go out on a limb, and say this may be the best work Eric Andersen has ever done. Beautifully written, hauntingly performed with some of his best singing ever. The folk-oriented songs are some of the strongest & most mature he's written, while the blues songs are a bold experiment (and how many artists with a 35-year-career behind them are still experimenting?) that pay off beautifully. More people deserve to know about this one...any fan of Eric Andersen, Townes Van Zandt, Dylan, or any kind of folk/blues music will love this. Buy it...you won't regret it."
Brilliant compilation
Jonathan Lyness | 02/24/2000
(5 out of 5 stars)
"Buy this cd! It is a most interesting piece of art. The songs are like succulent ingredients combined together and served up like a gourmet feast! It is a wonderful feast for the ears and heart. It traces back to the days when music didn't have to be technologically complicated to be great. Kudos to Mr. Andersen."
Another delightful masterpiece
Jonathan Lyness | 03/21/2000
(5 out of 5 stars)
"Eric Andersen has struck gold with You Can't Relive the Past. I love the variety of song styles, and my favorite song is "Eyes of the Immigrant", both for its theme and its gorgeous lyrics and melody. Its opening reminds me of "Moonchild River Song" from years back. Every Eric Andersen fan should buy this CD immediately-it's great!"
Keeping the faith.
Jonathan Lyness | 03/09/2000
(5 out of 5 stars)
"This record maintains and sustains a certain kind of belief in a core unity of American songwriting. Stylistically varied, to be sure, but of a piece in the hands of a master. Andersen may not have had as strong of an impact on the culture as contemporaries Bob Dylan or Lou Reed, but who cares? His art has the same unflinching honesty and fearlessness. Just buy it."
Passionate blues CD
Jonathan Lyness | 02/28/2001
(4 out of 5 stars)
"This artist was previously relatively unknown to me; at about the same time as I bought this CD I realized the importance of the blues to the music of the Woodstock Era. There are an abundance of riches here, one of the least noticed of which may be the backing female vocal. The CD is evenly divided into blues and other songs; the two best blues songs, "Night Train" and "Gonna Go Crazy" are also funny while a third, "The Blue March," tries to be a major work about New Orleans and falls a little short in my opinion. But there is much more. There are the two opening songs, each of which is a song of considerable merit. There are two minor-keyed ballads, "Meadowlark" and "The Road"; there are three other songs of considerable passion: "Dear Mama", "Cold Country" "Magdalena" and also several other blues songs."