Harlemania: Drop Me Off In Harlem/Harlem Nocture/Take The 'A' Train
New York City Blues (aka Doc's Blues)
Letter To Betty Carter
Blues Five Spot
Puttin' On The Ritz
Englishman In New York
Theme From New York, New York
NYC Medley: Autumn In New York/Skating In Central Park/Central Park West
Since taking over the piano bench previously occupied by Marcus Roberts in the Wynton Marsalis band, Eric Reed has quietly established himself as a force to be reckoned with in contemporary jazz. On Manhattan Melodies he r... more »eturns with his regular trio of Reginald Veal (bass) and Gregory Hutchinson (drums) for an album of songs that pay tribute to the city so nice they named it twice, New York, New York. While not as splashy or idiosyncratic as some of his piano contemporaries, Reed is an outstanding player privileged with a band that swings with effortless grace and understated muscularity. To his credit, Reed is both captain of the squad and a team player, often allowing his sidemen to shine while he lays low. While many tunes here seem obligatory (his "Harlemania" suite contains "Drop Me Off in Harlem," "Harlem Nocturne," and "Take the 'A' Train,") to the album's theme, Reed also interprets Paul Simon's "59th Street Bridge Song (Feelin' Groovy)" and Sting's "Englishman in New York" to add contemporary flavor. The album's centerpiece is a smoky-cool Dianne Reeves appearance on "Letter to Betty Carter." Just one of many classy moments on a very classy album. --S. Duda« less
Since taking over the piano bench previously occupied by Marcus Roberts in the Wynton Marsalis band, Eric Reed has quietly established himself as a force to be reckoned with in contemporary jazz. On Manhattan Melodies he returns with his regular trio of Reginald Veal (bass) and Gregory Hutchinson (drums) for an album of songs that pay tribute to the city so nice they named it twice, New York, New York. While not as splashy or idiosyncratic as some of his piano contemporaries, Reed is an outstanding player privileged with a band that swings with effortless grace and understated muscularity. To his credit, Reed is both captain of the squad and a team player, often allowing his sidemen to shine while he lays low. While many tunes here seem obligatory (his "Harlemania" suite contains "Drop Me Off in Harlem," "Harlem Nocturne," and "Take the 'A' Train,") to the album's theme, Reed also interprets Paul Simon's "59th Street Bridge Song (Feelin' Groovy)" and Sting's "Englishman in New York" to add contemporary flavor. The album's centerpiece is a smoky-cool Dianne Reeves appearance on "Letter to Betty Carter." Just one of many classy moments on a very classy album. --S. Duda
rary, it's Eric Reed's take on some great well known melodies.
It's happy music, it grooves and rocks, every last tune is
a gem, my personal favorite being his fresh version of The
59th Street Bridge Song (Feelin' Groovy), Blues Five Spot,
and the NYC Medley which kicks off with a beautiful version
of Autumn in New York. He is a great soloist, and his improv
on this album is free and fluid. He takes standard tunes
in a fresh direction, breathing new and contemporary life
into each interpretation. It is a rare and pleasant surprise
when an album far exceeds your expectations making you feel
like you got more than your money's worth. This album is
just that, get it and hear for yourself!"
Fantastic
P. Masuda | 01/08/2003
(5 out of 5 stars)
"To call Eric Reed gifted would be a vast understatement. His piano playing is superb, incorporating many different styles while creating his own at the same time. The record's opening song, a rockin' swingin' rendition of Simon and Garfunkel's "Feelin' Groovy" is absolutely fabulous. Reed's version of Monk's "Blues Five Spot" proves that he can play anything with ease. Reed, although an energic and exciting player, also excells at playing ballads, especially Sting's "Englishman in New York." But to call attention to any one song off of this album would be an injustice. The album is wonderful from start to finish, you won't be displeased."
Best of the Best!
Mark Diamond | Sydney, NSW Australia | 09/21/2000
(5 out of 5 stars)
"Well I think most people have assumed that Brad Mehldau is the Man as far as modern jazz piano is concerned. But wait! Have a listen to this guy! Quite simply Manhattan Melodies is one of the best jazz albums I have heard in years. Unlike so many American jazz albums that get released it sounds fresh, alive, melodic and it swings. Not a bad track on it and the whole production is first class. I hope it's not lost on the domestic audience over there who seem to be force-fed a diet of either burnt out artists who may once have been good, or so-called modernists who can't bloody play! Eric Reed though is one for the ages."
Superb jazz pianist
Stephen M. Charme | Cranford, NJ United States | 02/16/2009
(5 out of 5 stars)
"I only recently discovered Eric Reed in expanding my horizon of contemporary jazz pianists beyond such well known names as Brad Mehldau and Mulgrew Miller. Eric Reed has a style all his own. I love the way that he caresses the keys with a subtle and loving touch, and other times explodes with raw and passionate energy. Having studied jazz piano myself, I marvel at the virtuosity, originality and playfulness that he displays. This album is sheer delight if you like contemporary jazz piano"