Loud Speakin' Papa (You'd Better Speak Easy to Me) - Ethel Waters, Pollack, Channing
You Can't Do What My Last Man Did - Ethel Waters, Johnson, J.C. [Comp
Pickininny Blues - Ethel Waters, McKierman
Sweet Man - Ethel Waters, Pinkard, Maceo
Dinah - Ethel Waters, Akst, Harry
No Man's Mamma - Ethel Waters, Pollack, Channing
Tell 'Em About Me (When You Reach Tennessee) - Ethel Waters, Easton, Sidney
Maybe Not at All - Ethel Waters, Easton, Sidney
Shake That Thing - Ethel Waters, Jackson, Papa Charl
I've Found a New Baby - Ethel Waters, Palmer, Jack [1]
Make Me a Pallet on the Floor - Ethel Waters, Brooks, Shelton
Bring Your Greenbacks - Ethel Waters, Brooks, Shelton
After All These Years - Ethel Waters, Brooks, Shelton
Throw Dirt in Your Face - Ethel Waters, Brooks, Shelton
I'm Saving It All for You - Ethel Waters, Davis
Refrigeratin' Papa (Mama's Gonna Warm You Up) - Ethel Waters, Wasserman
If You Can't Hold the Man You Love (Don't Cry When He's Gone) - Ethel Waters, Fain, Sammy
Satisfyin' Papa - Ethel Waters, Reed, Nathaniel
Sugar - Ethel Waters, Alexander, Edna
I Wonder What's Become of Joe? - Ethel Waters, Pinkard, Maceo
You'll Want Me Back - Ethel Waters, Reed, Nathaniel
Heebie Jeebies - Ethel Waters, Atkins, Boyd
Ev'rybody Mess Aroun' - Ethel Waters, Bradford
While Ethel Waters's years of fame as a singer coincided with those of Bessie Smith and the other classic blues singers, Waters's style and delivery were utterly different, even when she was singing similar material. Her v... more »oice was significantly lighter and more flexible, and there's an early grasp of jazz phrasing that often appears in these recordings from August 1925 to July 1926. It's particularly marked on "Dinah" and "Bring Your Greenbacks." Although Waters was an immensely popular and influential singer, she's better remembered today for the stage and film career of her later years. That theatrical gift is often apparent here. Along with her sophisticated jazz phrasing, Waters sings with superb diction, and she's far better at delivering narrative lyrics and the requisite comic banter than her contemporaries. Waters is accompanied here by a variety of pianists, including Pearl Wright, Fletcher Henderson, and Maceo Pinkard. Louis Hooper is particularly good on the blues of "Refrigeratin' Papa." Waters is sometimes joined by larger bands. Cornetist Joe Smith adds fine obbligatos and a solo to "I've Found a New Baby," joining with Henderson for the best jazz backing in the collection. A young Coleman Hawkins appears briefly as well, supplying bass lines on an unwieldy bass saxophone. --Stuart Broomer« less
While Ethel Waters's years of fame as a singer coincided with those of Bessie Smith and the other classic blues singers, Waters's style and delivery were utterly different, even when she was singing similar material. Her voice was significantly lighter and more flexible, and there's an early grasp of jazz phrasing that often appears in these recordings from August 1925 to July 1926. It's particularly marked on "Dinah" and "Bring Your Greenbacks." Although Waters was an immensely popular and influential singer, she's better remembered today for the stage and film career of her later years. That theatrical gift is often apparent here. Along with her sophisticated jazz phrasing, Waters sings with superb diction, and she's far better at delivering narrative lyrics and the requisite comic banter than her contemporaries. Waters is accompanied here by a variety of pianists, including Pearl Wright, Fletcher Henderson, and Maceo Pinkard. Louis Hooper is particularly good on the blues of "Refrigeratin' Papa." Waters is sometimes joined by larger bands. Cornetist Joe Smith adds fine obbligatos and a solo to "I've Found a New Baby," joining with Henderson for the best jazz backing in the collection. A young Coleman Hawkins appears briefly as well, supplying bass lines on an unwieldy bass saxophone. --Stuart Broomer
CD Reviews
Absolutly wonderful...
ab | ca | 01/18/2000
(5 out of 5 stars)
"The best jazz/blues singer of the 20's, is highly influenced by Louis Armstrong, yet she has one of the sweetest, most appealing and swinging voices of the era. Of all the volumes in the classics labels reissue this is the one to start with, though all of theem are recommended highly."
Heavenly singing by a real jazzed angel!!!
roarin20sGuy | 09/25/2000
(5 out of 5 stars)
"Ethel Waters had the most beautiful voice ever, when she sang the angels danced in heaven. I mean this woman's phrasing was completely jazzy, yet her voice was pure and sweet. Always a dicty singer, at times very white sounding, and theb the next minute she's be scattin' away, but always in high browl sophistocated style. This CD has her mostly singing the blues of the "20's blues craze", with just James P. Johnson, King of the stride piano(the CD would be worth picking up alone for James P. Johnson's piano playing). There are also a few soon to be jazz standards here "Heebie Jeebies" and the classic "Sugar" as well as the classic blues "Loud Speakin' Papa." This is the difinitive 20's Ethel Waters CD."