Eugene Onegin, opera, Op. 24: Act I, Scene 1: Introduction
Eugene Onegin, opera, Op. 24: Act I, Scene 1: Duet and Quartet; 'Have you heard beyond the grove the nocturnal voice'
Eugene Onegin, opera, Op. 24: Act I, Scene 1: Chorus; 'My fast feet hurt'
Eugene Onegin, opera, Op. 24: Act I, Scene 1: 'How I love to listen to the sounds of these songs' - Aria; 'Oh, Tanya, Tanya!'
Eugene Onegin, opera, Op. 24: Act I, Scene 1: 'Well, my lively one'
Eugene Onegin, opera, Op. 24: Act I, Scene 1: Quartet; 'Mesdames! I ventured'
Eugene Onegin, opera, Op. 24: Act I, Scene 1: 'How happy, how happy I am' - Arioso; 'I love you'
Eugene Onegin, opera, Op. 24: Act I, Scene 1: Finale scene; 'Ah, here you are! Where's Tanya?'
Eugene Onegin, opera, Op. 24: Act I, Scene 2: Introduction; 'Well, I've talked too much! Time for bed, Tanya'
Eugene Onegin, opera, Op. 24: Act I, Scene 2: 'Let me die, but first...'
Eugene Onegin, opera, Op. 24: Act I, Scene 2: Duet; 'Oh, the night has passed'
Eugene Onegin, opera, Op. 24: Act I, Scene 3: Chorus; 'Maidens, beauties'
Eugene Onegin, opera, Op. 24: Act I, Scene 3: 'He's here... Eugene's here!' - Aria; 'If I should ever wish to limit'
Track Listings (10) - Disc #2
Eugene Onegin, opera, Op. 24: Act II, Scene 1: 'What a surprise!'
Eugene Onegin, opera, Op. 24: Act II, Scene 1: 'Have I really deserved this ridicule on your part?' - 'At this festive gathering'
Eugene Onegin, opera, Op. 24: Act II, Scene 1: 'Messieurs, Mesdames, please take your places!'
Eugene Onegin, opera, Op. 24: Act II, Scene 1: Final Scene; 'In your house!... In your house!...'
Eugene Onegin, opera, Op. 24: Act II, Scene 2: Introduction; 'Well, it seems as if our foe...' - Aria; 'Whither, whither'
Eugene Onegin, opera, Op. 24: Act II, Scene 2: 'Ah, here they are!'
Eugene Onegin, opera, Op. 24: Act III, Scene 1: Polonaise
Eugene Onegin, opera, Op. 24: Act III, Scene 1: 'And here too I am bored!' - Aria; 'To love all ages must submit'
Eugene Onegin, opera, Op. 24: Act III, Scene 1: 'So let's go, I'll introduce you to her!' - Arioso; 'Can it really be that same T
Eugene Onegin, opera, Op. 24: Act III, Scene 2: Final Scene; 'Oh, how miserable I am!'
Anna Tomowa-Sintow's voice is small, which is not a problem in a recording, and superbly controlled, which is a great asset. Yuri Mazorok, in his third recording of Onegin, knows exactly what to do with the role. Nicolai G... more »edda, one of the century's great tenors, sings with exemplary style though his voice has lost some of its youth and freshness. A good bet, but the Philips set, under Bychkov, is better. --Joe McLellan« less
Anna Tomowa-Sintow's voice is small, which is not a problem in a recording, and superbly controlled, which is a great asset. Yuri Mazorok, in his third recording of Onegin, knows exactly what to do with the role. Nicolai Gedda, one of the century's great tenors, sings with exemplary style though his voice has lost some of its youth and freshness. A good bet, but the Philips set, under Bychkov, is better. --Joe McLellan