Act I: Shake the cloud from off your brow (Belinda, Chorus)
Act I: Ah! Belinda (Dido)
Act I: Grief increases by concealing (Belinda, Dido, Second Woman)
Act I: When monarchs unite (Chorus)
Act I: Whence could so much virtue spring? (Dido, Belinda, Second Woman)
Act I: Fear no danger to ensue (Belinda, Second Woman, Chorus)
Act I: See, your royal guest appears (Belinda, Aeneas, Dido)
Act I: Cupid only throws the dart (Chorus)
Act I: If not for mine, for empire's sake (Aeneas)
Act I: Pursue thy conquest, Love (Belinda)
Act I: Guitar's Chacony / To the hills and the vales (Chorus)
Act I: The Triumphing Dance
Act II: Prelude for the Witches / Wayward sisters (Sorceress, First Witch)
Act II: Harm's our delight (Chorus)
Act II: The Queen of Carthage, whom we hate (Sorceress)
Act II: Ho ho ho, Ho ho ho! (Chorus)
Act II: Ruin'd ere the set of sun? (Witches, Sorceress)
Act II: Ho ho ho, Ho ho ho! (Chorus)
Act II: But ere we this perform (Witches)
Act II: In our deep vaulted cell (Echo Chorus)
Act II: Echo Dance of Furies
Act II: Ritornelle
Act II: Thanks to these lovesome vales (Belinda, Chorus)
Act II: Oft she visits this lone mountain (Second Woman)
Act II: Behold, upon my bending spear (Aeneas, Dido)
Act II: Haste, haste to town (Belinda, Chorus)
Act II: Stay, Prince (Spirit, Aeneas)
Act III (Scene the Ships): Prelude / Come away, fellow sailors (First Sailor, Chorus)
Act III: The Sailors' Dance
Act III: See the flags and streamers curling (Sorceress, Witches)
Act III: Our next motion (Sorceress, Witches)
Act III: Destruction's our delight (Chorus)
Act III: The Witches' Dance
Act III: Your counsel all is urged in vain (Dido, Belinda, Aeneas)
Act III: Great minds against themselves conspire (Chorus)
Act III: Thy hand, Belinda (Dido)
Act III: When I am laid in earth (Dido)
Act III: With drooping wings (Chorus)
Evelyn Tubb's involvement with Purcell's stage music, and Dido & Aeneas in particular, has run like a thread through her illustrious career. She was part of the historic collection of Early Music luminaries who took pa... more »rt in the seminal 1981 Chandos recording by Andrew Parrott, and later sang one of the witches' parts with Nigel Rogers' Chiaroscuro Ensemble. In 1989, in partnership with Michael Fields, she founded the Mayfield Chamber Opera Company, and Dido & Aeneas was their first production, with Evelyn singing Dido. The production was hailed as "a thought-provoking and innovative masterpiece" and Evelyn's interpretation of the tragic heroine "sung with stunning beauty". But, being a Gemini, Evelyn always had a yearning to explore both sides of the tragedy. While several singers have sung both Dido and the Sorceress, in this present recording Evelyn is the first to do so with a characterization of the Sorceress that is true to Restoration ideas...« less
Evelyn Tubb's involvement with Purcell's stage music, and Dido & Aeneas in particular, has run like a thread through her illustrious career. She was part of the historic collection of Early Music luminaries who took part in the seminal 1981 Chandos recording by Andrew Parrott, and later sang one of the witches' parts with Nigel Rogers' Chiaroscuro Ensemble. In 1989, in partnership with Michael Fields, she founded the Mayfield Chamber Opera Company, and Dido & Aeneas was their first production, with Evelyn singing Dido. The production was hailed as "a thought-provoking and innovative masterpiece" and Evelyn's interpretation of the tragic heroine "sung with stunning beauty". But, being a Gemini, Evelyn always had a yearning to explore both sides of the tragedy. While several singers have sung both Dido and the Sorceress, in this present recording Evelyn is the first to do so with a characterization of the Sorceress that is true to Restoration ideas...