Tale in a Hard Time - Fairport Convention, Thompson, Richard [
She Moves Through the Fair - Fairport Convention, Denny, Sandy
Meet on the Ledge - Fairport Convention, Thompson, Richard [
End of a Holiday - Fairport Convention, Nicol, Simon
Remastered reissue of classic second album, originally released in 1969, includes three bonus tracks, 'Throwaway Street Puzzle', 'You're Gonna Need My Help' (BBC), 'Some Sweet Day', & a slipcase with the first press... more »ing. Includes sleevenotes by co-founder Ashley Hutchings. 15 tracks. Universal Island. 2003.« less
Remastered reissue of classic second album, originally released in 1969, includes three bonus tracks, 'Throwaway Street Puzzle', 'You're Gonna Need My Help' (BBC), 'Some Sweet Day', & a slipcase with the first pressing. Includes sleevenotes by co-founder Ashley Hutchings. 15 tracks. Universal Island. 2003.
CD Reviews
TIMELESS !
P. D. Laffey | Hitchin | 02/22/2001
(5 out of 5 stars)
"Forget the Beatles , the best band in Britain in 1969 was Fairport Convention. The group had already released its debut album prior to this release , but the legend starts here . This was the first Fairport album that the wonderful singer Sandy Denny appeared on , and, even at this early stage the astounding chemistry between the band members is clearly evident. Sandy was the catalyst that propelled the band into recording a trilogy of classic albums that should have made them superstars , but , alas , it was not to be. The LP is a folk/rock mixture of self composed songs, covers, and old traditional folk tunes that gel together beautifully .The biggest compliment I can give about the self composed songs is that they are as good as the magnificent covers of the Bob Dylan and Joni Mitchell songs that the band excel at on this album. "Fotheringay " and " Book song " are classics in any language but the most prescient and poignant song is Richard Thompson's " Meet on the ledge ", it's almost as if he could see the tragedies that lay ahead for some of the band members.Richard Thompson's virtuoso guitar performance matches Sandy Denny's stunning vocals, and to add icing to the cake, the rest of the band are on top form . The extended improvisational tracks that would be the highlight of their next two albums are missing here , these vibrant tracks are short but sweet . Fairport Convention are still performing and have become something of an English institution , but for me , the magic that is in this LP and the other two seminal albums that they recorded in 1969 will never be surpassed . These albums are the equal to anything that was recorded in the sixties ! Oops, I nearly forgot ! The other two albums are " Unhalfbricking " and " Liege & Lief " . If you're tired of the music industry's bland rubbish that it dishes out to the public , these albums will be a revelation !"
The grand, shining peak of this band's career
woburnmusicfan | Woburn, MA United States | 03/26/2002
(5 out of 5 stars)
"Fairport Convention celebrates its 35 anniversary this year, it has released dozens of albums...and this, the band's second album, is the best of them all, spilling over with perfect moments and climaxing with Richard Thompson's ultimate Fairport anthem "Meet on the Ledge". The songs are not as innocent as on the first album: Thompson's "Tale in Hard Time" starts with the line "Take the sun from my heart, let me learn to despise", while Sandy Denny's medieval-sounding "Fotheringay", which sounds at first like the story of a princess running away to escape the smothering palace life, turns out to be about Mary Queen of Scots awaiting her execution. Denny shares lead vocals with Iain Matthews, who left after this album, and both are in fine voice. Denny's singing on Bob Dylan's "I'll Keep It with Mine" will leave your jaw hanging open. The band begins its journey into British traditional music with "She Moves Through the Fair". The musicianship and arrangements are first-rate, mixing rock and folk touches with expert balance, and the production is remarkably clear for a 1968 album."
Wow!
Junglies | Morrisville, NC United States | 05/02/2002
(5 out of 5 stars)
"When you think about it most artists make one good album and that is usually their first. Afterwards things may go downhill or they adopt a formula or in some cases they record almost the same thing with different words and only slightly different tunes. In very rare cases the second and subsequent albums just keep getting better. Such artists are rare indeed.In the case Fairport had made a great debut with the album of the same name but the singer had left and was replaced with Alexandra Elene MacLean Denny, who later became known and loved as Sandy.'What We Did On Our Holidays' in many ways is different to the first album. It is an album which displays a growing confidence and maturity far beyond the years of it's players and yet retains the links to the first of bringing the works of Dylan, Joni Mitchell and Nico to a wider UK audience.What is also different about this album is the shift away from folk-rock to a more traditional style at least in sound, mainly throughthe influence of Denny and Hutchings.The album begins with the wonderful 'Fotheringay' later to be the name of the band that she formed upon leaving Fairport. A self-penned song by Sandy this set the tone for the whole album. As the album progresses it is interesting to note a variety of styles which came under the Fairport umbrella which assumed a mantle of folkiness which led one commentator to pronounce that whatever they played Fairport made it sound like folk music.Also of interest is the development of Richard Thompson's playing. The listener is offered tantalising glimpses of what was to come, in the studio and on the road, but there are no real opportunities on this album for him to let loose. His songwriting too was growing in maturity with 'Meet on the Ledge' now an almost permanent part of the band's repetoire, a poignant reminder of all those members who are no longer with us.The songs themselves provide a discipline that helps to keep the band in focus. Although these would prove to be the springboards for live extended performances, here they seem to force the best singing and playing within a limited timeframe.This album is superb. To think that such strides could be made in only a short time is itself outstanding. The best was yet to come."
Pretty good but not as good as the later ones
Michael Crowley | Albany, CA USA | 04/22/2005
(4 out of 5 stars)
"Bonus Tracks
Throwaway Street Puzzle: Sounds like an outtake from Surrealistic Pillow. You can understand where that "English Jefferson Airplane" rep came from. Richard Thompson gets psychedelic.
You're Gonna Need My Help: A Muddy Waters blues, of all things, recorded live at the Beeb. Ian Matthews sounds a little uncomfortable pretending to be black, but Sandy Denny sounds as at home as Janis did belting out lines like "I know you're gonna put me down." Nice slide guitar work by Richard Thompson.
Some Sweet Day: A tune by Country Music Hall of Famers Felice and Boudleaux Bryant that the band learned from an old Everly Brothers record. Ian Matthews sings lead with a little harmony by the group on the chorus. More Richard Thompson slide guitar.
Remaster: Cleaner, but not a revelation or anything, at least not on my inexpensive sound system. The individual instruments are more distinct in the ensemble passages.
The record: Seems a bit schizophrenic to me. Sometimes the band goes for a smooth, sunny "California Dreamin'"-type sound (Book Song, No Man's Land, Tale in Hard Times) and other times for a somewhat rootsier, folkier sound (Fotheringay, The Lord is In This Place, Nottamun Town, She Moved Through the Fair), which of course is the direction they ultimately took. Problem is Thompson's songs don't really lend themselves very well to a light touch. There's something really weird about backing a lyric like "Take the sun from my eyes/let me learn to despise" with a cute harpicord obligatto (Tale in Hard Times). Or having a hand-clappin' Partridge Family chorus like "Hey, c'mon make it easy/Hey, c'mon make it right") with a verse like "It's no use to be free/If lies are all the truth they seem/They'll screw up what you do when you're through". Still, it's pretty good. Perhaps definitive cover of Dylan's I'll Keep It With Mine, and only version anywhere of Joni Mitchell's Eastern Rain (gently psychedelic). Thompson proves he can play the blues on Mr. Lacey, even if it's a dumb song. And Meet On the Ledge is nicely anthemic. And She Moved Through the Fair is as haunting as anything Fairport ever did. Still it's no Unhalfbricking, let alone Liege and Lief."
Stepping stone to greatness
philip freeman | cambridge, canada | 04/27/2005
(4 out of 5 stars)
"This is the second Fairport album, released in late 1968 but the first to feature who is today generally considered the finest folk singer bar none - Sandy Denny. They are stil a young band searching for an identity here but the 40 minites captured here show scope and maturity that many band would never achieve.
With Denny giving the vocals a clarity the songs richly deserved, songwriter and guitarist was able to find the confidence to introduce 2 of his early classics to the listening public. "Meet on the ledge" retains its power to this day.The album closed originally with the wistful "farewell, farewell" but this reissue (which sounds great by the way) adds 3 bonus cuts. To be fair the only real one of interest is the original B side "throwaway street puzzle. Not a great album but a bonafide classic, lets make it 4.5 stars, just for opening with Sandys beautiful "Fotheringay" Anyone thinking of looking into Fairport Convention would do well to begin their search here.Phil
Cambridge
ON"