John Rutter's groundbreaking research and subsequent performing edition of Fauré's beloved Requiem has enabled us to hear the work as the composer originally intended. His first version of the piece included only a ch... more »amber orchestra with lower strings, harp, timpani, and organ. Four years later, Fauré added two movements and slightly expanded the orchestration. This is the version that Rutter and his inimitable Cambridge Singers perform here-- and it's a glorious revelation, especially if the only Fauré Requiem you've heard is that for full orchestra, which the composer himself neither created nor approved. Rutter and his singers give us a wonderfully sumptuous yet detailed performance that benefits tremendously from the newly realized clarity of inner lines and from the richly colored orchestral textures. --David Vernier« less
John Rutter's groundbreaking research and subsequent performing edition of Fauré's beloved Requiem has enabled us to hear the work as the composer originally intended. His first version of the piece included only a chamber orchestra with lower strings, harp, timpani, and organ. Four years later, Fauré added two movements and slightly expanded the orchestration. This is the version that Rutter and his inimitable Cambridge Singers perform here-- and it's a glorious revelation, especially if the only Fauré Requiem you've heard is that for full orchestra, which the composer himself neither created nor approved. Rutter and his singers give us a wonderfully sumptuous yet detailed performance that benefits tremendously from the newly realized clarity of inner lines and from the richly colored orchestral textures. --David Vernier
"This CD is a revelation. Between the subject matter and the genuinely somber music, Faure's Requiem is often recorded as in a gloom. Darkness is made to make do for profundity and melancholy for reflection. In this version, there is no lack of sadness, but also no lack of soaring voices declaring a deeper belief in a life beyond death. This Requiem is bright, not gloomy, filled with the sunshine of faith. I can not help thinking this is what Faure must have meant by the piece, and if not, it is what he should have meant."
Haunting, beautiful, & peaceful
05/02/1999
(5 out of 5 stars)
"Gabriel Faure is hardly among the best known classical composers in the world, but this album makes a strong argument as to why he should be. John Rutter & the Cambridge singers never disappoint, and Faure's "Cantique de Jean Racine" and "Requiem" are magnificent, haunting, & peaceful. A must have for any lover of choral music or anyone just "browsing", looking for something different."
High quality but lacking emotion
H. Kraus | El Cerrito, CA USA | 08/31/2001
(3 out of 5 stars)
"One reviewer describes this as "no lack of sadness, bright, not gloomy, filled with sunshine"; another calls it "peaceful". I might go with peaceful. The quality is high and the recording is of interest for being more faithful to Faure's original, non-orchestral version, but I found the performance notably lacking in emotion. I would steer the reader toward the more deeply moving Naxos version (conductor: Jeremy Summerly), which is something of a gem at budget price."
Requiem- a masterpiece.
Lilly (13 yrs) | Los Angeles, CA | 04/21/2002
(5 out of 5 stars)
"This exquisite collection has so many gorgeous songs that move me to tears. In Sanctus, the violin is so pure, so beautiful, its wrings my heart. This is real music, real art, crafted with such care, that it is a true privilege to hear it, not to mention sing it (which I have done, and I loved it). It is an encredible CD, and I would encourage anyone to buy it.
Lilly"
It's Beauty Revealed, At Last
C. S. Williams | Chicago Burbs, IL | 01/11/2007
(5 out of 5 stars)
"This Collegium COLCD 109 is a later release of the Collegium COLCD 101 which I purchased circa 1985 after reading glowing reviews in Grammophone magazine. COLCD 101 is labeled Stereo/Digital. COLCD 109 is labeled Stereo/DDD. Is it a re-mastering? Liner notes don't say, but the new version provides noticeable improvements in vividness and clarity.
The release of COLCD 101 was a watershed event. John Rutter had questioned conventional performance versions of Faure's Requiem, those which used full symphony orchestras and Wagnerian-like soloists. Yes, it is a requiem, but Faure's ideas are very different than those found in, say, Verdi's Requiem. Instead of hellfire and damnation, Faure evokes serenity, peace and love. Rutter's historical research proved that Faure intended for his work to be performed in small, intimate settings where the orchestra and choir would be minimal and, maybe, use boy sopranos. Rutter's CD of the historical, 1893, version is like an expert restoration of an old painting where a century's grime is wiped away and the work is newly revealed in it's original beauty.
A 1990's CD of the 1893 version exists on Naxos 8.55076S by Jeremy Summerly and the Oxford Camerata. It, too, is beautiful and of similar performance quality, though conducted at a slightly slower tempo. I find Rutter's version more "right", but that's just personal preference.