Introduction et Th?me Vari?, Op. 20 - Th?me: Andante
Introduction et Th?me Vari?, Op. 20 - Variation 1
Introduction et Th?me Vari?, Op. 20 - Variation 2: Minore
Introduction et Th?me Vari?, Op. 20 - Variation 3
Introduction et Th?me Vari?, Op. 20 - Variation 4
Introduction et Th?me Vari?, Op. 20 - Variation 5 and Coda
Andantino in A major, Op. 60, No. 23
This CD presents a collection of 14 of Fernando Sor's (1778-1839) finest compositions. From the early Op. 6, 12 Etude?one of Sor's most transcendent pieces- to the late, experimental "Fantaisie Villageoise" (the work cont... more »ains what is probably the first usage of multiphonics on any instrument) David Starobin's readings probe the poetry and compositional beauty of Sor's unique art. Starobin performs all of this music on a 1923 Herman Hauser guitar?a small instrument that was modeled after an early 19th century Viennese design. In recent years, David Starobin's performances of 19th century music on period instruments have earned the American virtuoso numerous critical encomiums. Writing of a Starobin performance in Milan's "Il Fronimo", the journal stated that "Starobin has grasped the authentic spirit, aided by his perfect instrumental technique. Here, the music acquires its truest meaning with exalted phrasing, as it is rarely heard." Reviewing Starobin's! last Sor recording in "Gramophone", critic Jed Distler writes that "Starobin evokes the virtuosity of Artur Schnabel's Beethoven". And NPR's "All Things Considered" said: "David Starobin's interpretations are both sparkling and tender. Every note, every nuance, every gesture seems part of one clearly imagined vision. More than a virtuoso, Starobin is a champion for musical truth."« less
This CD presents a collection of 14 of Fernando Sor's (1778-1839) finest compositions. From the early Op. 6, 12 Etude?one of Sor's most transcendent pieces- to the late, experimental "Fantaisie Villageoise" (the work contains what is probably the first usage of multiphonics on any instrument) David Starobin's readings probe the poetry and compositional beauty of Sor's unique art. Starobin performs all of this music on a 1923 Herman Hauser guitar?a small instrument that was modeled after an early 19th century Viennese design. In recent years, David Starobin's performances of 19th century music on period instruments have earned the American virtuoso numerous critical encomiums. Writing of a Starobin performance in Milan's "Il Fronimo", the journal stated that "Starobin has grasped the authentic spirit, aided by his perfect instrumental technique. Here, the music acquires its truest meaning with exalted phrasing, as it is rarely heard." Reviewing Starobin's! last Sor recording in "Gramophone", critic Jed Distler writes that "Starobin evokes the virtuosity of Artur Schnabel's Beethoven". And NPR's "All Things Considered" said: "David Starobin's interpretations are both sparkling and tender. Every note, every nuance, every gesture seems part of one clearly imagined vision. More than a virtuoso, Starobin is a champion for musical truth."
"This is incredible. I've listened to David Starobin over the last few years. He is a master of Sor and Giuliani. You can tell he's spent a great deal of time time studying/playing compositions from these two composers. His playing will most definitely give you insight to Fernando Sor's beauty. That goes for Giuliani, as well. He pays close attention to detail and gives meaning to every note. I'm sure Sor would be in awe of Starobin's playing. The period guitar has an absolutely warm, balanced sound to it, as well. This is like a narcotic for me it's so wonderful. You have to get the DVD, as well. And pick up his Giuliani CDs."
Track Listings (23) - Disc #1
