String Quartet No. 60 in G major, Op. 76/1, H. 3/75: Allegro con spirito
String Quartet No. 60 in G major, Op. 76/1, H. 3/75: Adagio sostenuto
String Quartet No. 60 in G major, Op. 76/1, H. 3/75: Menuet. Presto & Trio
String Quartet No. 60 in G major, Op. 76/1, H. 3/75: Finale. Allegro ma non troppo
String Quartet No. 61 in D minor ('Fifths'/'The Bell'/'The Donkey'), Op. 76/2, H. 3/76: Allegro
String Quartet No. 61 in D minor ('Fifths'/'The Bell'/'The Donkey'), Op. 76/2, H. 3/76: Andante o piu tosto Allegretto
String Quartet No. 61 in D minor ('Fifths'/'The Bell'/'The Donkey'), Op. 76/2, H. 3/76: Menuetto & Trio
String Quartet No. 61 in D minor ('Fifths'/'The Bell'/'The Donkey'), Op. 76/2, H. 3/76: Finale. Vivace assai
String Quartet No. 62 in C major ('Emperor'), Op. 76/3, H. 3/77: Allegro
String Quartet No. 62 in C major ('Emperor'), Op. 76/3, H. 3/77: Poco Adagio. Cantabile
String Quartet No. 62 in C major ('Emperor'), Op. 76/3, H. 3/77: Menuetto & Trio
String Quartet No. 62 in C major ('Emperor'), Op. 76/3, H. 3/77: Finale. Presto
Track Listings (12) - Disc #2
String Quartet No. 63 in B flat major ('Sunrise'), Op. 76/4, H. 3/78: Allegro con spirito
String Quartet No. 63 in B flat major ('Sunrise'), Op. 76/4, H. 3/78: Adagio
String Quartet No. 63 in B flat major ('Sunrise'), Op. 76/4, H. 3/78: Menuet. Allegro & Trio
String Quartet No. 63 in B flat major ('Sunrise'), Op. 76/4, H. 3/78: Finale. Allegro ma non troppo
String Quartet No. 64 in D major ('Largo'), Op. 76/5, H. 3/79: Allegro
String Quartet No. 64 in D major ('Largo'), Op. 76/5, H. 3/79: Largo cantabile e mesto
String Quartet No. 64 in D major ('Largo'), Op. 76/5, H. 3/79: Menuetto & Trio
String Quartet No. 64 in D major ('Largo'), Op. 76/5, H. 3/79: Finale. Presto
String Quartet No. 65 in E flat major, Op. 76/6, H. 3/80: Allegretto
String Quartet No. 65 in E flat major, Op. 76/6, H. 3/80: Fantasia. Adagio
String Quartet No. 65 in E flat major, Op. 76/6, H. 3/80: Menuetto & Alternativo
String Quartet No. 65 in E flat major, Op. 76/6, H. 3/80: Finale. Allegro spirituoso
If the number of nicknames is any indication of popularity, then this particular set must contain the most famous of all Haydn's quartets. It's got the "Emperor," the "Sunrise," and the "Fifths," and one of these, the "Fif... more »ths," even has a nickname within a nickname: the "Witch's Minuet." All of which means that less attention gets paid to the other three works in the group, which is a particular pity because the uninterestingly named Quartet in E-flat, Op. 76 No. 6, is probably the best one of all. It's certainly the funniest, at least. This recording, incidentally, established the Tatrai Quartet as the premier Haydn performers of our generation. Go for it. --David Hurwitz« less
If the number of nicknames is any indication of popularity, then this particular set must contain the most famous of all Haydn's quartets. It's got the "Emperor," the "Sunrise," and the "Fifths," and one of these, the "Fifths," even has a nickname within a nickname: the "Witch's Minuet." All of which means that less attention gets paid to the other three works in the group, which is a particular pity because the uninterestingly named Quartet in E-flat, Op. 76 No. 6, is probably the best one of all. It's certainly the funniest, at least. This recording, incidentally, established the Tatrai Quartet as the premier Haydn performers of our generation. Go for it. --David Hurwitz
"These friendly, humane performances were recorded in Budapest in 1964, but you'd never know it from the excellent perspective and warmth of the recording. And the performances are superb: highly technically accomplished, while at the same time capturing all of the varying moods and tempi of this endlessly enriching music perfectly.In the booklet notes, Laszlo Somfai notes: "The (Tatrai's performance of) the 'Erody' cycle ... has remained, perhaps, the most perfect interpretation made to this day." Having heard numerous recordings of this highly likeable music over the years, I'd have to say that Mr. Somfai is probably not far wrong.Extremely enjoyable; recommended with enthusiasm."
An enjoyable disc in every way
Mike Johnston | Wisconsin | 05/25/2003
(5 out of 5 stars)
"I'd just like to second what the other reveiwer has said here. I like single-instrument and chamber classical works, and I especially enjoy Haydn's string quartets, which in my opinion equal Beethoven's piano sonatas, Mozart's piano concertos, and Bach's organ works at the summit of European music, at least in terms of extensive bodies of work. This disc in particular is a perfectly turned Haydn performance, easily recommendable to people who only want a few good samples of Haydn's best work in their CD collections. I've had it for many years and have never ceased to enjoy it. It's superlative music and a virtually faultless performance, with very good recording quality to boot."
Matchless!
Musicus | Oslo, Norway | 03/15/2005
(5 out of 5 stars)
"I will never forget the first time I heard these CDs in the record shop. From the first moment the spirited, energetic, yet balanced, classical interpretations of this quartet outshone the bad record sound quality. I didn't know anything about the Tatrai quartet then and mistook it for some period instrument performance, i.e. the sound quality is not state of the art, but still OK. When I want perfect sound I rather put on Takacs quartet's nice recording of op. 76, but the Takacs' doesn't match the intensity of the Tatrai.
These performances can hardly be improved!"
Haydn's Greatest Chamber Music Opus in Treasurable Performan
scshu | 04/30/2006
(5 out of 5 stars)
"The six string quartets Opus 76 are perhaps Haydn's greatest works in a genre which he almost single-handedly created. Written in 1796-97 when the composer was at the very summit of his creative powers, these quartets display truly impressive inventiveness of musical forms, imaginations of musical ideas and in its various slow movements depths of feelings and expressions.
This 1964 recording by the Hungarian group the Tatrai Quartet has worn the test of time well, despite numerous other recordings that came after. Eschewing sentimentality and virtuosic vainglory, these players convey the music's messages with the utmost simplicity, sincerity and directness, doing sufficient justice to the breadths and depths of these marvelous scores.
It is of little wonder that the Tatrai set still remains perhaps the most prized and sought-after recording of the Opus 76 set despite the relative merits of later contenders such as the Amadeus, the Tokyo, the Kodaly quartets and latterly the Lindsays and the Mosaiques. The advice: snap it up while it's available."