Search - George Strait :: Pure Country

Pure Country
George Strait
Pure Country
Genre: Country
 
  •  Track Listings (11) - Disc #1

With the help of producer Tony Brown, George Strait redefined his relationship to the contemporary country mainstream with this 1992 soundtrack album, which became the bestselling single release of his career. In the movie...  more »

     
   

CD Details

All Artists: George Strait
Title: Pure Country
Members Wishing: 0
Total Copies: 1
Label: Mca
Release Date: 1/1/1992
Genre: Country
Styles: Western Swing, Today's Country, Neotraditional
Number of Discs: 1
SwapaCD Credits: 1
UPC: 008811065157

Synopsis

Amazon.com essential recording
With the help of producer Tony Brown, George Strait redefined his relationship to the contemporary country mainstream with this 1992 soundtrack album, which became the bestselling single release of his career. In the movie, Strait portrays a country star who walks away from the smoke and mirrors to get back to his down-home roots. The ballad "When Did You Stop Loving Me" is as pure country as it gets in this day and age, while "The King of Broken Hearts" and "Where the Sidewalk Ends" introduced Strait's audience to an exceptionally gifted songwriter named Jim Lauderdale. --Rick Mitchell

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CD Reviews

The beginning of George's corruption
C. Deter | Oregon, USA | 06/26/2008
(3 out of 5 stars)

"With Tony Brown at the helm, what could have been a fabulous country album turned into a pop-sounding, over-hyped album, that tried (and succeeded) to increase George Strait's popularity to the masses. I love the movie, don't get me wrong, but the music is not the George Strait who was always so true to his western swing and honkytonk roots. Tony Brown took every Strait album afterward and did the same thing; taking away from the crooner's extreme vocal talent, and inserting mainstream sound (via posers like Garth Brooks, and later - Tim McGraw). I still love George's songs, but I prefer music from "Strait Country" until "Holding my Own".



Oh, by the way, George Strait and Alan Jackson's duet "Murder on Music Row" should have included Tony Brown's name. Not only did he dilute George's sound, but also Reba McEntire's, among others!"