Fascinating!
Michel Bouton | Schenectady, NY | 05/01/2003
(5 out of 5 stars)
"If you're into late Schoenberg, (Think of Variations for Orchestra, op.31) You will have a pretty good idea what Roberto Gerhard sounds like. Only Gerhart's percussion textures are much more complex. Take the Concerto for Orchestra for example. It's a kaleidoscope of colors and textures thats constantly changing. The opening is quite fierce, but it takes you in like a black hole. It's persistently mutating from hard to soft, darkness to light. The Symphony is no different, a whirlwind of color that will keep you intrigued throughout. If you like modern and post-modern classical music, I highly recommend this disc! ."
Modern but not atonal
G. M. Poteat | East of Texas | 07/01/2008
(5 out of 5 stars)
"This is the first Gerhard disc that I purchased and is perhaps my favorite. I think it is excellent modern orchestral music. However, I recommend that one listen to Gerhard before purchasing any of his compositions. He is not for everyone. But if you like Stostakovich, you will probably like Gerhard. I haven't listened to most of the modern composers (Glass, Reich, etc.) but Gerhard wrote some beautiful (IMO) music. Wikipedia has a nice article about Gerhard and compare him to Bartok and Stravinsky. He was supposedly much influenced by Schoenberg. I have a lot of Stravinsky and some Bartok but don't know Schoenberg. Gerhard's works are to me quiet different in structure from Stravinsky, and I am actually more fond of Gerhard. For some reason, I think Gerhard's music has a flavor (sound) like Rachmaninoff. I must point out that I don't know that much about music - I just listen to a lot of music."