Piezas (3), for piano, Op. 6: No. 3, Criolla (Creole) - 'to Mercedes de Toro'
American Preludes (12) for piano, Op. 12: No. 1, Para los acentos (Accents)
American Preludes (12) for piano, Op. 12: No. 2, Triste (Sadness)
American Preludes (12) for piano, Op. 12: No. 3, Danza Criolla (Creole Dance)
American Preludes (12) for piano, Op. 12: No. 4, Vidala
American Preludes (12) for piano, Op. 12: No. 5, En el primer modo pentafono menor (In the first Pentatonic Minor Mode)
American Preludes (12) for piano, Op. 12: No. 6, Homenaje a Roberto Garcia Morillo
American Preludes (12) for piano, Op. 12: No. 7, Para las octavas (Octaves)
American Preludes (12) for piano, Op. 12: No. 8, Homenaje a Juan Jose Castro
American Preludes (12) for piano, Op. 12: No. 9, Homenaje a Aaron Copland
American Preludes (12) for piano, Op. 12: No. 10, Pastoral
American Preludes (12) for piano, Op. 12: No. 11, Homenaje a Hector Villa-Lobos
American Preludes (12) for piano, Op. 12: No. 12, En el primer modo pentafono mayor (In the first Pentatonic Major Mode)
Rondo on Argentine Children's Songs, for piano, Op. 19
The first in a two-volume set of piano compositions by Argentina's premier composer Alberto Ginastera, performed by one of Argentina's premier pianists. Recorded in one day at Kirara Hall in Japan.
The first in a two-volume set of piano compositions by Argentina's premier composer Alberto Ginastera, performed by one of Argentina's premier pianists. Recorded in one day at Kirara Hall in Japan.
"Argentian pianist Eduardo Delgado lends a passionate yet intelligent voice to these early works for solo piano by Ginastera. He is both fiery and lyrically tender when the music calls for it, with a superb grasp of the complex and interwoven rhythmic intricacies, which is a must for this music. For those unfamiliar with MA Recordings, their CDs are truly works of art, with heavy cardboard packaging and beautifully recorded sound. With minimalist miking techniques and attention to detail, engineer/founder Todd Garfinkle coaxes some of the most realistic piano sound I've ever heard from the CD format.Anxiously waiting Volume 2!"
Where's the dance?
11/28/2002
(3 out of 5 stars)
"The CD is well recorded, and the performances are passionate and sincere. However, the driving and wild character of Ginastera's fast Gaucho dances are often lost by the use of excessive rubato and pedal, as in Malambo or Creole Dance. Some of the tempos are arbitrary - for instance in the Twelve American Preludes, where Ginastera goes into extra troubles when he writes metronome markings and the total duration in minutes and seconds of each Prelude. The most enjoyable interpretations of this CD are the slower, more expressive movements, such as the Danza de la Moza Donosa (from Three Argentine Dances), performed with romantic warmth, and Cuyana, the first movement of the rarely performed Tres Piezas."
A luxury in pianism and contemporary composition
Maria Hartung | 01/27/2002
(5 out of 5 stars)
"Eduardo Delgado, who we were so lucky to hear and see on the concert platforms of Buenos Aires last November, brings out the best of Ginastera's early works. Only a fine pianist and an Argentine by birth, could bring this marvellous music to life with such deep understanding of the Argentine soul and folk nostalgia which characterize the airs of our Pampas. "Gracias, Eduardito, por un disco digno de premios para nuestra Argentina tan vapuleada."['Thanks, Eduardo, for a recording worthy of prizes for our badly battered Argentina']. I wish more pianists would undertake the task of looking into Argentina's cultural background. Ginastera was a major composer worldwide and his works should be performed on the concert platform far more often than is usual. There are many more very important composers and pianists who could help us by taking our heritage out to the world as these two ambassadors so worthly do."
Good CD
poem lover | 01/16/2009
(4 out of 5 stars)
"I bought this CD because my daughter was playing Ginastera's rondo (last piece on this CD), and I had a tough time finding a good recording for this piece.
Like previous reviewers stated, on some pieces the rubato is a bit excessive, but the slower Danza de la Moza Donosa (from Three Argentine Dances) were so beautifully played, it almost moves me to tears.
The packaging was designed very well, with good cardboard materials. I especially like the choice of cover art works. Overall, a very good CD, I am glad I bought it. It serves the purpose of what we need.