Cantate per camera a voce sola, Op. 10: Preghiera d'amante a bella donna
Varii fiori del giardino musicale, Op. 3: Sonata da camera, Allemanda e Corrente
Arie, Correnti, Sarabande, Gighe et Alemande, Op. 4: Aria 'La Palavicina', Corrente 'La Molza', Sarabanda e Corrente 'La Barbiera'
Trattenimenti musicali a 3 et a 4 istrumenti, Op. 9: Sonata prima da camera, Allemanda e Corrente
Cantate per camera a voce sola, Op. 10: Crudelt? di Bella Donna
Varii fiori del giardino musicale, Op. 3: Sonata da camera, Allemanda e Sarabanda
Arie, Correnti, Sarabande, Gighe et Alemande, Op. 4: Aria "La Nigrella" e Sarabanda
Trattenimenti musicali a 3 et a 4 istrumenti, Op. 9: Sonata terza de camera, Allemanda e Corrente
Cantate per camera a voce sola, Op. 10: Amante sprezzato
Partitura de' madrigali a 5 voci sopra i dodici tuoni o modi del canto figurato, Op. 11: Cor mio deh, non languire
Arie, Correnti, Sarabande, Gighe et Alemande, Op. 4: Aria "L'Anghisciola" e Corrente "La Strozza"
Trattenimenti musicali a 3 et a 4 istrumenti, Op. 9: Sonata seconda da camera, Allemanda e Corrente
Cantate per camera a voce sola, Op. 10: Cleopatra moribonda
Musico prattico, Op. 8: Canone a quattro voci contrario e riverso
The works of Giovanni Maria Bononcini are part of the cultural heritage of the Este dynasty, created to a large extent by the duke Francesco II following the move of the Estense capital from Ferrara to Modena at the end of... more » the 16th century. The so-called "Modenese school," which existed alongside the more celebrated schools of Mantua and Bologna, recognized Marco Uccellini as the founder and great teacher of an entire generation of musicians. His direct disciple, who carried on his work and musical discourse--contrapuntal, formal, and instrumental--was without a doubt Giovanni Maria Bononcini.« less
The works of Giovanni Maria Bononcini are part of the cultural heritage of the Este dynasty, created to a large extent by the duke Francesco II following the move of the Estense capital from Ferrara to Modena at the end of the 16th century. The so-called "Modenese school," which existed alongside the more celebrated schools of Mantua and Bologna, recognized Marco Uccellini as the founder and great teacher of an entire generation of musicians. His direct disciple, who carried on his work and musical discourse--contrapuntal, formal, and instrumental--was without a doubt Giovanni Maria Bononcini.