Aroldo, opera: Act 1. Tocchiamo! A gaudio insolito
Aroldo, opera: Act 1. Ciel, ch'io respiri!
Aroldo, opera: Act 1. Egli viene!
Aroldo, opera: Act 1. Sotto il sol di Siria ardente
Aroldo, opera: Act 1. Tosto ci disse! Mio Dio!
Aroldo, opera: Act 1. Ed io pure in faccia agli uomini
Aroldo, opera: Act 1. Or meco venite, il pianto non vale
Aroldo, opera: Act 1. O Mina, tu mi sfuggi
Aroldo, opera: Act 1. Vi fu in Palestina tal uomo che indegno
Aroldo, opera: Act 1. Oh qual m'invade ed agita
Aroldo, opera: Act 1. Chi ti salva, o sciagurato
Aroldo, opera: Act 2. Oh cielo! Dove son io?
Aroldo, opera: Act 2. Ah, dagli scanni eterei
Aroldo, opera: Act 2. Mina!... Voi qui!
Aroldo, opera: Act 2. Io resto... Aroldo allora saprā tutto
Aroldo, opera: Act 2. A morte! Nessun demone, niun Dio
Aroldo, opera: Act 2. Che ho mentito, almeno dite
Aroldo, opera: Act 2. Me disperato abbruciano
Track Listings (10) - Disc #2
Aroldo, opera: Act 3 Ei fugge!
Aroldo, opera: Act 3 Mina, pensai che un angelo
Aroldo, opera: Act 3 In questo tetto uno di noi morrā
Aroldo, opera: Act 3 L'istante s'avvicina!
Aroldo, opera: Act 3 Opposto č il calle che in avvenire
Aroldo, opera: Act 3 Non allo sposo, al giudice
Aroldo, opera: Act 4. Cade il giorno, asil securo
Aroldo, opera: Act 4. Cantan felici!
Aroldo, opera: Act 4. Al lago... Al lago
Aroldo, opera: Act 4. Ah, da me fuggi, involati
Few recordings exist of the sensational artistry of Spanish soprano Angeles Gulín (1939-2002), whose enormous, dark voice was said to have set the crystal chandeliers rattling at La Fenice in Venice. The only signific... more »ant opera recordings are this Verdi rarity (1975) and its source, the earlier Stiffelio. When Verdi revised the latter in 1857 with a new story, he added much excellent new music. This is the only mid-price recording available, with newly translated libretto.« less
Few recordings exist of the sensational artistry of Spanish soprano Angeles Gulín (1939-2002), whose enormous, dark voice was said to have set the crystal chandeliers rattling at La Fenice in Venice. The only significant opera recordings are this Verdi rarity (1975) and its source, the earlier Stiffelio. When Verdi revised the latter in 1857 with a new story, he added much excellent new music. This is the only mid-price recording available, with newly translated libretto.