Everything But You - Glen Phillips, Hubbard, Neilson
Blindsight
Thank You
I Still Love You
Last Sunset
I Want a New Drug - Glen Phillips, Cregg, Hugh
Marigolds
Waiting - Glen Phillips, Hubbard, Neilson
Didn't Think You Cared
The Next Day
A Joyful Noise
After opting for a lush and refined sound on his last record, Winter Pays For Summer, Glen Phillips spins the production knobs to zero on his third solo record since leaving Toad the Wet Sprocket in 1998. Songs like "Blind... more » Sight," "Last Sunset," "Marigolds," and "Didn't Think You Cared" are chiefly built around Phillips honey-dipped voice and a lonely guitar, throwing a bone to the legion of fans that prefer his lone-man live performances. But that's not to say Phillips fails to shine in a bigger band setting. "Next Day" and "Everything But You" are unadulterated pop songs, while "Waiting" (featuring backing vocals by Kim Richey) plays like a folk song straight out of 1970s Topanga Canyon. Only a bluesy revamping of Huey Lewis's MTV hit "I Want a New Drug" misses its mark. As hard as Phillips tries to make the song his own, its trite lyrics sound out of place among the many stalwart originals. --Scott Holter« less
After opting for a lush and refined sound on his last record, Winter Pays For Summer, Glen Phillips spins the production knobs to zero on his third solo record since leaving Toad the Wet Sprocket in 1998. Songs like "Blind Sight," "Last Sunset," "Marigolds," and "Didn't Think You Cared" are chiefly built around Phillips honey-dipped voice and a lonely guitar, throwing a bone to the legion of fans that prefer his lone-man live performances. But that's not to say Phillips fails to shine in a bigger band setting. "Next Day" and "Everything But You" are unadulterated pop songs, while "Waiting" (featuring backing vocals by Kim Richey) plays like a folk song straight out of 1970s Topanga Canyon. Only a bluesy revamping of Huey Lewis's MTV hit "I Want a New Drug" misses its mark. As hard as Phillips tries to make the song his own, its trite lyrics sound out of place among the many stalwart originals. --Scott Holter
"Glen Phillips has done it again. His latest release Mr. Lemons is a masterpiece that deserves to be in everyone's music collection. The 11 tracks take the listener on a journey through their psyche. From the Toe-tapping "Everything But You", to the hauntingly beautiful " A Joyful Noise" Phillips never ceases to keep the listener entertained, entranced and thankful to be a part of this amazing musical journey."
Mr. Lemons
crazybrojohn | Chicago, IL USA | 05/10/2006
(5 out of 5 stars)
"Glen Phillips' music is not for everyone. Fans of overproduced pop, overwrought and overemoted American Idol-style singing, over-simplified or over-exaggerated song lyrics will find nothing for them here. Glen has built a reputation among his loyal fan base for songwriting that ranges from subtle prodding of one's inner self, to spilling one's insides both beautiful and ugly for all to see. Matched perfectly with a voice that can express a full spectrum of emotion in a single phrase, that songwriting has blossomed through three solo albums, a live disc, and the Mutual Admiration Society collaboration with Nickel Creek.
On "Mr. Lemons", his latest release, Glen Phillips backs away a bit from the shiny pop production of last year's studio-backed "Winter Pays For Summer". "Lemons" is more sparse, closer to one of Glen's solo acoustic shows, and yet it's full of life and the knowledge of all that life brings, both sour and sweet. Songs that depict the ambiguity of relationships -- from the first track "Everything But You", through "I Still Love You" and "Waiting" -- reflect a far deeper understanding of love and its joy and pain than 99% of the fluff that passes for pop love songs. Glen is also not afraid to address death and sorrow, and to find hidden nuggets of hope and happiness amid the sadness and gloom. From "Last Sunset", which is so life-affirming yet acknowledges that life is finite, to the brooding "Marigolds", and culminating in the quietly masterful "A Joyful Noise", Glen shows that he's not afraid to look both death and life in the face. And he's quite willing and adept to look in the mirror and see both the good and the ugly reflected there, as in "Didn't Think You Cared".
A couple of highlights of this album don't fit easy classification: "Thank You" could be a religious hymn of praise or a song of gratitude to a parent, lover, or close friend. And "The Next Day", which speaks of broken promises and resolutions fallen by the wayside, could be taken as a personal assessment or a pointed and quite non-partisan commentary on the state of our world and our society.
Glen Phillips is one of those rare talents that never seem to be appreciated by their contemporaries. He records in relative obscurity and seems content to sell a few thousand copies of each release, play for a few hundred people at a time. It is clear throughout "Mr. Lemons", as it has been in his previous solo work, that he does this because it is what he loves. Perhaps fame and great success would change his outlook -- and Glen deserves at least the chance to find out -- but after hearing "Mr. Lemons" as well as his previous work, I think not. I look forward to hearing his voice and his words for many more years to come.
If you love good music, give Glen Phillips and "Mr. Lemons" a listen. You will not be disappointed.
"
Mr. Lemons
Threw it all away | Los Angeles, CA | 05/08/2006
(5 out of 5 stars)
"Straying from the pop-rock sound that has made him one of the premier singer-songwriters today, Mr. Lemons is the latest (and arguably the best) release from the very talented Glen Phillips. It is a subtle, almost quiet album that showcases Mr Phillips' versatility and depth as a songwriter and musician. Tracks like "Marigolds", "I Didn't Think You Cared" and "Blindsight" prove that sometimes less really is more, while "The Next Day", "Everything But You", and "Waiting" thrive from the melodic brilliance that listeners have come to expect from the former Toad The Wet Sprocket frontman. On an album where heart-thumping bass lines and ear-piercing guitars have been replaced by heart-felt strings and ear-tingling vocals, the not-so-hidden gem is "Thank You". A tribal-like chant that combines simple lyrics with raw, unbridled energy, this tune exemplifies the creative range that Glen Phillips displays with every new release. Simply put, Mr. Lemons is what any intelligent music fan should expect from an equally intelligent artist; an articulate collection of songs that provokes thought, stimulates the soul, and makes you want to tell your friends about it."
Sweet Lemony goodness
Ladysoleil | NJ | 05/04/2006
(5 out of 5 stars)
"This is another solid and very likeable release from Glen Phillips, and a refreshing departure from his previous album, which was much more bubbly and pop flavored. Winter Pays For Summer was a smooth, polished pop rock sound, while Lemons is more raw in places, more introspective, and yes, darker.
Tracks range from the almost spare and confessional "A Joyful Noise" to the almost unrecognizably witty cover of Huey Lewis's "I Want a New Drug", jazzed up with a new arrangement and female backing vocals.
The themes are classic Phillips- wry and honest songs about the less than shiny side of love and the darker and lighter sides of faith. Glen continues to write evocative, well crafted songs that are clever without falling into the trap of becoming overly precious.
This is an excellent album and deserves a place in your collection if you appreciate thoughtful, mature songwriting that isn't afraid to be catchy but doesn't go over the top to draw you in- this is an album that lets the music breathe and grows on you.
"
A Beautiful, Engaging album...
P. Nurnberg | Cincinnati, OH USA | 05/05/2006
(5 out of 5 stars)
"Having jettisoned his record company, Phillips gets back to the basics on Mr. Lemons. The songs were recorded with the focus on the vocals and the initial song ideas. Flourishes were added for effect only. The result is a beautifully engaging album that has all of the passion and wittiness that fans have come to expect.
Everything But You - This is a foot tapping love song and Phillips delivers a powerful vocal/lyrical punch singing at the climax, "You terrify me/You are everything." A great opener and first single!
Blindsight - This quiet song with Phillips singing in hushed falsetto feels a lot like Nick Drake. This is a departure from Phillips typical style, but it's a beautiful song with characteristically strong lyrics.
Thank You - This song opens with the chant, "You made this world/you made this world/you made this world/Thank you, thank you." Phillips has called it a mantra, but he has also called it a love song. Is he singing to God or to his wife? Regardless, this song is spiritually moving. The ambiguity makes it so incredible.
I Still Love You - A gorgeous song about the cleansing, saving power of love.
Last Sunset - This song is about fully embracing life with the realization that nothing lasts forever. The instrumentation and backing vocals from Kim Richey make it sound like a lullaby. Stunning!
I Want a New Drug - Phillips has taken this Huey Lewis classic and given it a bluesy, tortured spin. Incredible! When I heard he had recorded this cover I was incredulous, but he does not disappoint.
Marigolds - A sad song about the death of his father and the agony of regrets. This song has been in the repertoire for years. I am thrilled that he finally recorded a studio version.
Waiting - This country tinged song is another of my favorites from the album. The drums and mandolin move the song along nicely and Phillips' impassioned vocals are stellar.
I Didn't Think You Cared - This slow song is the only one the album that fails to capture my interest. It's classic Phillips, but for me it's not one of his stronger songs.
The Next Day - A great song about the determination for personal change back dropped against the experience of living in social/political America 2006. The upbeat, catchy music intriguingly re-enforces the difficulty of making changes when it's so easy to go with the flow.
A Joyful Noise - This song is wonderfully produced and sounds like slower Pink Floyd songs from the David Gilmour years. The lyrics are beautiful and the delivery is flawless. A masterpiece of a closer for this amazing album!