Halfway To Paradise (Stereo album version) - TONY ORLANDO
The Idol - BOBBY VEE
The First And Last - THE CHIFFONS
Brand New Man - RICHARD `POPCORN' WYLIE
Another Night With The Boys - THE DRIFTERS
Heaven Is Being With You - JACKIE DeSHANNON
I Didn't Have Any Summer Romance - THE SATISFACTIONS
Love Eyes - BERTELL DACHE
Don't Ever Change - THE CRICKETS
I'll Love You For A While - JILL JACKSON
I Was There - LENNY WELCH
I Just Can't Say Goodbye - BOBBY RYDELL
I Can't Hear You - BETTY EVERETT
Just A Little Girl - DONNA LOREN
You're Just What I Was Looking For Today - THE EVERLY BROTHERS
Hey Everybody - RAMONA KING
I Can't Make It Alone (Mono Single Version) - PJ PROBY
Some Of Your Lovin' - THE HONEY BEES
A Man Without A Dream - THE RIGHTEOUS BROTHERS
Don't Bring Me Down - THE ANIMALS
Wasn't Born To Follow - DUSTY SPRINGFIELD
So Much Love - BEN E KING
Yours Until Tomorrow - DEE DEE WARWICK
(You Make Me Feel Like) A Natural Woman - ARETHA FRANKLIN
Everyone who cares about popular music knows and loves the classic songs of Gerry Goffin and Carole King. Between 1959 and 1967 the couple wrote some of the most enduring hits of all time, including 'Will You Love Me Tomor... more »row', 'Take Good Care Of My Baby', 'Goin' Back', 'The Loco-Motion' and 'It Might As Well Rain Until September'. Those songs have been anthologised hundreds of times - maybe thousands. Now it's time to shine the spotlight on other great G & K songs that haven't always received the attention they deserve. This collection blends hits and hard-to-find classics, focusing primarily on the latter but also including the original versions of songs that will have many listeners thinking, "I didn't realise they wrote that!" Many of these tracks are completely new to CD, and several have never been reissued in any format in 40 years. Exquisitely packaged, with notes by Mick Patrick and revered songwriter-musician Al Kooper - who interviewed Gerry Goffin especially for this project - and the inevitable array of pix, label shots and assorted ephemera, this will be a sure fire 'must have' for those who have invested in our "Phil's Spectre" and Jack Nitzsche series, and will appeal to anyone whose heart have ever been won by a Goffin-King song, no matter how big of a hit.« less
Everyone who cares about popular music knows and loves the classic songs of Gerry Goffin and Carole King. Between 1959 and 1967 the couple wrote some of the most enduring hits of all time, including 'Will You Love Me Tomorrow', 'Take Good Care Of My Baby', 'Goin' Back', 'The Loco-Motion' and 'It Might As Well Rain Until September'. Those songs have been anthologised hundreds of times - maybe thousands. Now it's time to shine the spotlight on other great G & K songs that haven't always received the attention they deserve. This collection blends hits and hard-to-find classics, focusing primarily on the latter but also including the original versions of songs that will have many listeners thinking, "I didn't realise they wrote that!" Many of these tracks are completely new to CD, and several have never been reissued in any format in 40 years. Exquisitely packaged, with notes by Mick Patrick and revered songwriter-musician Al Kooper - who interviewed Gerry Goffin especially for this project - and the inevitable array of pix, label shots and assorted ephemera, this will be a sure fire 'must have' for those who have invested in our "Phil's Spectre" and Jack Nitzsche series, and will appeal to anyone whose heart have ever been won by a Goffin-King song, no matter how big of a hit.
"I bought this CD out of curiosity---I did not recognize most of the titles or, if I recognized the title, I did not remember hearing the artist involved performing the song.
I am really glad I was curious. The songs on the CD are terrific and it has been a long time since I have had so much pleasure so unexpectedly. Like most people I know the work of Goffin/King quite well but what I didn't know was how deep the catalog is.
I have a very large record collection so I am well aware that those of us who grew up in the 50's and 60's did not hear everything that was available on our radios---we just thought we did. If artist X had 2-3 hits and we never heard him again we wondered what happened to him/her but went on to the next thing presuming that was all there was. Tony Orlando, for example, big local hit on the East Coast with "Halfway to Paradise", bigger national hit with "Bless You"--and then gone.
This recording reinforces how much great music was written and recorded and failed simply because we never got to hear it. I was too young to understand payola and too naive to realize how radio playlists were put together but I am always grateful when a CD such as this comes along to show me some of what I missed.
If you are a fan of the 1961-1967 music scene, try this CD. You won't be sorry. You'll recognize some of the artists and some of the songs but I am sure you will like most of what you hear."
Nice Goffin & King compilation of mostly unknown songs
Ronald Van Scherpenzeel | Madrid, Spain | 10/31/2007
(4 out of 5 stars)
"Besides all the big hits this wonderful couple wrote in the early part
of the 60's and that form part of the teenage dreams we lived through
by then, they wrote a lot of other beautiful songs that never hit the
charts and whose interpreters were completely unknown. Almost 45 years
later we now know that there were singers like Richard Wylie, The
Satisfactions, Bertell Dache, Jill Jackson, Ramona King, The Honey Bees
and Dee Dee Warwick. As always is the case with ACE, the liner notes
are extensive and inform us about every detail of each song and its
interpreter. There are some real beauties that when you listen to them,
you just don't understand why this song was never a hit. The Chiffons
"The First and Last" is better than any of their biggest hits. The
completely unknown songs by famous artist such as Bobby Vee, Bobby
Rydell, The Drifters, The Crickets, The Righteous Brothers etc. make
you wonder why they never hit the TOP 100. Some of the songs of this
compilation written by Goffin & King have been produced by Phil Spector
and Jack Nitzsche. Is there anything better than this "cocktail" of
super writers and super producers?? The song by P.J. Proby is just
a sample of this explosive encounter! ACE does not only give you MUSIC
with capital letters but they also give you all the information you've
never had or read before. I can't give it 5 stars, however, because
there are some 5 songs at the end that sound like "fillers up". It would have been a wise idea to reduce this compilation to 20.
"
Gold Mine
Lee Armstrong | Winterville, NC United States | 12/05/2007
(5 out of 5 stars)
"This British import is a real delight. Ace did a blockbuster job with the selection, mastering and documentation. The Tokens' "He's In Town" is a delight with that high falsetto, "No, you don't have to tell me." Skeeter Davis' rendition of "Let Me Get Close to You" is as sweet as it is dated, "Now I have finally said it, come on baby, don't make me regret it." Carole King does backup vocals on Tony Orlando's version of "Halfway to Paradise" in his pre-Dawn days. Bobby Vee recorded a number of Goffin-King tracks. "The Idol" has a strong string arrangement that sounds great in this remaster, "I read somewhere that I'm happy guy; I'm glad to hear it." The Chiffons, known for "Sweet Talkin' Guy," recorded "The First & Last" in 1963, although it's sha-la-la chorus must have seemed a blast from the past by its 1970 release. Richard "Popcorn" Wylie's "Brand New Man" is a rare King-Goffin track that has a joyful melody. The Drifters' "Another Night With the Boys" has their patented smooth soulful sway. Jackie DeShannon's stellar voice shines on "Heaven Is Being With You." "I Didn't Have Any Summer Romance" by The Satisfactions produced by Jack Nitzsche debuts on this CD. Bertell Dache recorded demos for Goffin/King & had four sides released by United Artists. His "Love Eyes" puts a smile on my face with its bubbly cheerful dreamy chorus. The Crickets' version of "Don't Ever Change" is a delight. The Beatles sang this song on BBC radio. Jill Jackson who was the Paula in Paul & Paula sang "I'll Love You For A While," "When I leave you, you'll say that I loved you well." The 1965 Lenny Welch version of a track associated with Johnny Mathis, "I Was There," boasts a smooth romantic sound, "I was there to bring you a daily bouquet, to make the world your playground if you wanted it that way." Betty Everett's version of "I Can't Hear You" sets your toe tapping and your head spinning with the glorious throbbing Carole King melody, "You walked out on me once too often; and I can't take no more of your jive & that's the truth." Ramona King's "Hey Everybody" is a great rocker spiced with some soulful sax. P.J. Proby's "I Can't Make It Alone" is a densely arranged song written for The Righteous Brothers also recorded by Bill Medley. The Righteous Brothers do a great job on the breakup song "A Man Without a Dream." The Animals burned a blazing top ten record with "Don't Bring Me Down." Dusty Springfield's version of "Wasn't Born to Follow," the song the Byrds did for the film "Easy Rider," has some delightful slide guitar in Dusty's classic soulful style. Carole King arranged and played piano on Ben E. King's "So Much Love." Dee Dee Warwick's version of "Yours Until Tomorrow" wears extremely well 40 years later, "Tomorrow the real world will come crashing down on me; I know I must lose you; That's the way it has to be." The CD concludes with a bit of ambrosia from Aretha Franklin, the classic "Natural Woman." Gerry Goffin and Carole King wrote an amazing quantity of songs with extraordinary results. This disc is a gold mine for Carole King fans. Bravo!"
~STUNNING COLLECTION FROM LEGENDARY SONGWRITING DUO~
Bradly Briggs | TOLUCA LAKE, CALIFORNIA | 05/13/2008
(5 out of 5 stars)
"Music lovers around in the great musical sixties enjoyed countless chart-topping hits by legendary songwriting duo CAROLE KING & GERRY GOFFIN married during their early hit making years which is the incredibly prolific period this wondrous collection is drawn from. Starting with a mesmerizing "He's In Town" by THE TOKENS, this mini-masterpiece features a sophisicated and fascinating arrangement complete with great sax & guitar solos swirling around hypnotic vocals...each song in this stunning ACE IMPORT come from a diverse collection of stellar artist's ranging from ARETHA FRANKLIN to THE EVERLY BROTHERS then all the way back to the "White Queen Of Soul" DUSTY SPRINGFIELD who CAROLE herself named as her all-time favorite interperter of her songs! "Wasn't Born To Follow" is an engrossing DUSTY SPRINGFIELD performance and this great legendary singer should have had many more chart-topping #1 hits and Grammy Awards than she had and this haunting classic is a clear example of another lost "hit" song opportunity. Passionate & riveting winners like "Halfway To Paradise" by a soulful sounding TONY ORLANDO still sound great after all of these years and the stunning rhythmic sizzler "I Can't Hear You" by overlooked Soul Icon BETTY EVERETT along with her other classic "near top 10 hits" ("You're No Good" & "It's In His Kiss") should have all gone to #1! "Yours Until Tomorrow" by DEE DEE WARWICK show that anyone from this generation after generation legendary singing family has a great voice and this winner would easily have been TOP TWENTY with any exposure at all yet was only a R&B chart hit...great songs from this era sunk when only going to the R&B charts and the sublime "ATLANTIC SISTERS OF SOUL" is a goldmine collection of lost classic stellar performances and to date this timeless & superb collection is the finest "DIVA FEST" available and a must have for lovers of great soul singers and these great ladies really do get down!!! ERIC & THE ANIMALS burn the house down & "Don't Bring Me Down" is a rocking & soulful classic while THE RIGHTEOUS BROTHERS "A Man Without A Dream" is another glorious example why this classic duo went on to have an amazing career spanning decades. While all mesmerizing songs in this tremendous collection from greats such as BOBBY RYDELL, JACKIE DESHANNON, BOBBY VEE & others have that classic sixties hit sound, another engrossing collection would be to have a "TOP TEN COLLECTION" of those numerous classics from this amazing songwriting duo who both continue to this day writing volumes of great songs making them trailblazing giants who long ago went to legendary status both individually and collectively! Like all great ACE IMPORT COLLECTION'S, the "GOFFIN & KING" collection is rich in sound and the generous liner notes make for informative & fascinating reading! Bravo to CAROLE KING & GERRY GOFFIN for making music an enjoyable, memorable and wondrous listening experience throughout the great musical sixties and then beyond...definitely the greatest songwriter/composers from the past few generations and again...beyond"
SUPERB COLLECTION OF HITS & RARITIES
Steve Sleeve | Waikanae New Zealand | 02/02/2008
(5 out of 5 stars)
"ACE have done a superb job in sourcing the original tracks for this reverential compilation, going more for the lesser-known and harder-to-find than the already available smash hits. This CD is clearly aimed at the converted; all others will prefer the instantaneous thrills of Goffin and King's stratospheric successes (of which there'd be more than a CD's worth and with few exceptions are readily available elsewhere).
A 24-page booklet, packed with photos of artists, old vinyl 45s, record sleeves and lots of background information, accompanies the CD. The booklet is well-written, meticulously detailed and attractively organized. In outlining Goffin and King's 1960s song-writing successes, the booklet treads a path familiar to their fans, but also fills in enough gaps along the way to make the booklet possibly the most informative overview of Goffin and Kings 1960s output. In addition to song-writing credits, Goffin and King were often involved with other aspects of many of these tracks, with, for example, Goffin producing and King on backing vocals.
Succinct commentaries accompany each track. A very recent interview by Al Kooper of Gerry Goffin supplements the track-by-track commentary, suggesting that Goffin knew of the track selection. His quotes, although helpful, occasionally have a gossipy quality such as his identifying by sexual orientation one of the male session singers and his disclosure about his own and others' extramarital affairs. I suppose the latter helps us better understand the more adult themes that emerged in Goffin and King's later songs. By contrast, the most recent quotes by Carole King are sourced from 1980s radio broadcasts. Was she also approached to provide her own commentary?
Parallel to the track commentary is a jam-packed listing of the Goffin-King songs that made the American and British charts, plus the ones that never charted at all. If it cracked Billboard's Top 100, it'll be listed here. I have long thought that it would be wonderful to have a complete listing of every song Goffin and King ever published. Does such a list exist?
A compilation that favours rarities and lesser hits over the bigger sellers may risk mistaking hard-to-find for worth finding. The verdict: The overwhelming majority of 26 tracks are gems, with just one I could take or leave (Bobby Vee's The Idol; it's not hard to guess why this tired, cliche-ridden lament about the price of fame was not released until decades after it was first recorded). Here, in no set order, are some of those gems:
"HALFWAY TO PARADISE"
This remains Goffin and King's grandest-sounding song of all, from its inspired imagery (i.e., paradise just out of reach), through to the theme of a teasing would-lover intent on remaining unavailable, this song is a gift to the Drama Queen lurking in most singers, wanna-be and professional alike. With lyrics carried by a perfectly simple yet sad melody, the song relentlessly builds and builds to an ear-tingling crescendo. The song reminds us about the expressive forces unleashed when love is thwarted by the love object herself. Even without orchestral backing, this song packs a punch. It is all the more powerful sounding when the full orchestral treatment swarms in as the so-near-but-so-far yearning momentum builds to a climax. Surprisingly, never a big hit in the States, it has effortlessly attracted numerous versions over the decades, of which Tony Orlando's is the first.
"ANOTHER NIGHT WITH THE BOYS"
Some years ago I heard that this song was first composed by Goffin and King with the Everly Brothers in mind. This seemed unimaginable, given that the best known version was by the Drifters - until, that is, I heard Carole King's demo tape where the vocals ached with those inimitably sweet Everly Brothers-inspired harmonies. This is not to detract from the Drifters' more subdued and soulful reading, but it underscores how a truly great song as this can be interpreted with conviction in more than one way. Goffin tells us this was never a big hit for the Drifters. True; but I suppose it never stood a chance, backed as it was by the exquisite Goffin-King gem, Up On The Roof.
"I DIDN'T HAVE ANY SUMMER ROMANCE"
This sweetly sad little song has a long history of being over-looked: Firstly, as the B side to the flop follow up to Carole's 1962 hit, It Might As Well Rain Until September and a few years later this more polished version by the Satisfactions - a version which has remained unissued for more than forty years until now. Both versions are worth seeking out. The Satisfaction's has an undeniably lusher sound than Carole's whose own version nicely hints at the pared-back simplicity of her best work of the 70s.
"I'LL LOVE YOU FOR A WHILE"
Echoing the sentiments of Gale Garnett's earlier smash "We'll Sing In the Sunshine", the lyrics unapologetically declaim that the love on offer will be "for a while and then I'll be on my way". A most unusual theme for either a man or a woman to so explicitly announce to a lover, this Goffin-King number does not sink under the melancholic weight that eerily threatened to torpedo "We'll Sing in the Sunshine". The beat is cleverly supple and insistent with the singer delivering this seemingly callous message with an air of immovable detachment. Perhaps because of the lanquid defiance of the message, it sounds more disturbing delivered by a woman. One asks, What elicited the message in the first place? A too clingy lover or one who took too much for granted? What is the lover to do when she or he hears the all-too-clear message? Jill Jackson convincingly and boldly tackles this song, but for the heart-stoppingly best version seek out Dusty Springfield's.
"I CAN'T HEAR YOU"
Betty Everett's reading of this Goffin/King classic grows in stature yearly. Never a big hit for anyone, it has justly remained a frequently covered song. Long after many Number One songs fade, this lesser chart hit will still be around. Everett's scintillating delivery has not quite been stolen by Dusty Springfield's own stunning version, but some days they are neck and neck, as when the two versions are played one after the other. Wow!
"YOURS UNTIL TOMORROW"
Regardless of quality, almost every compilation disc has at least one track that easily rises above the pack. When a compilation has as many gems as this one does, it becomes harder to pick the very, very, very best one. While it might otherwise be a futile endeavour, not so with this great compilation. One gem stands out, lyrically, musically and vocally: Dee Dee Warwick's "Yours Until Tomorrow". Dee Dee's yearning reading wipes from memory Gene Pitney's stridently anguished version (a Top 40 UK hit for him in 1968). Never has getting the last few drops out of a dead relationship sounded less like an act of desperation and more like an act of in-the-moment self-sacrifice.
While Goffin and King fans will instantly savour this compilation, others may take longer to warm to it; but they'll be rewarded by the wait. A simply stunning collection.