Visión: Bautismo en la Cruz (Vision: Baptism on the Cross)
Danza del Pescador Pescado (Dance of the Ensnared Fisherman)
Primer Anuncio (First Announcement)
Segundo Anuncio (Second Announcement)
Tercer Anuncio: En Fiesta No (Third Announcement: Not on the Feast Day)
Dos Días(Two Days)
Unción en Betania (The Anointment in Bethany)
¿Por qué? (Why?)
Oración Lucumí (Aria con Grillos) (Lukumi Prayer (Aria with Crickets))
El Primer Día (The First Day )
Judas - El Cordero Pascual (The Paschal Lamb)
Quisiera Yo Renegar (Aria de Judas) (I wish to forswear (Aria of Judas))
Eucaristía (The Eucharist )
Demos Gracias (We Give Thanks to the Lord)
En el Monte de los Olivos (On the Mount of Olives)
Cara a Cara (Face to Face)
En Getsemaní (In Gethsemane)
Agonía (Aria de Jesús) (Agony (Aria of Jesus))
Arresto - Danza de la Sábana Blanca (The Arrest - Dance of the White Sheet)
Ante Caifás (Before Caiaphas)
Track Listings (11) - Disc #2
Soy yo (Confesión) (I am (Confession))
Escarnio y Negación (Scorn and Denial)
Desgarro de la Túnica (Tearing of the Garment)
Lúa descolorida (Aria de las lágrimas de Pedro) Colorless Moon (Aria of Peter's Tears)
Amanecer: Ante Pilato (Morning: Before Pilate)
Silencio (Silence)
Sentencia (Sentence)
Comparsa al Gólgotha - Danza de la Sábana Púrpura - Manto Sagrado (Parade: To Golgotha - Dance of the Holy Purple Robe)
Crucifixión (Crucifixion)
Muerte (Death)
Kadish
Regarded as one of the greatest works of the first decade of this century, Osvaldo Golijov's thrilling work is a unique chronicle of the Passion of St. Mark. It combines multiple influences and relies heavily on voices and... more » percussion in styles familiar in Cuba and Brazil. The work was hailed as ground-breaking at its 2000 world-premiere and continues to inspire new audiences. "The Passion According to St. Mark is by turns a classical Passion (following in the footsteps of Bach) and crosscultural fiesta, incorporating traditional Western choral singing with Afro-Cuban beats, tango and Brazilian capoeira. This piece turns the traditional Passion on its head and gives it a spin or two. It's a brilliant reminder that classical music isn't a dead-white-guys-only world."--NPR This all-new studio recording includes recent revisions by the composer and re-unites the forces that were used at the world-premiere performance. In addition to the 2-CD audio recording, a DVD filmed at the 2008 Holland Festival gives the complete visual impact of this work in this deluxe package.« less
Regarded as one of the greatest works of the first decade of this century, Osvaldo Golijov's thrilling work is a unique chronicle of the Passion of St. Mark. It combines multiple influences and relies heavily on voices and percussion in styles familiar in Cuba and Brazil. The work was hailed as ground-breaking at its 2000 world-premiere and continues to inspire new audiences. "The Passion According to St. Mark is by turns a classical Passion (following in the footsteps of Bach) and crosscultural fiesta, incorporating traditional Western choral singing with Afro-Cuban beats, tango and Brazilian capoeira. This piece turns the traditional Passion on its head and gives it a spin or two. It's a brilliant reminder that classical music isn't a dead-white-guys-only world."--NPR This all-new studio recording includes recent revisions by the composer and re-unites the forces that were used at the world-premiere performance. In addition to the 2-CD audio recording, a DVD filmed at the 2008 Holland Festival gives the complete visual impact of this work in this deluxe package.
Scott L. Foglesong | San Francisco, CA | 04/27/2010
(5 out of 5 stars)
"According to Osvaldo Golijov, this new performance of the San Marco is older, more grown-up than the earlier recorded performances. "We can really have a clear picture of what this piece is, as opposed to just a snapshot which is what we had ten years ago. Also, the performance is different. It is still visceral but grown-up. It is a piece that already exists. It is a presence; it is an entity in the world. And it sounds like that."
If you haven't heard this astounding composition, this recording is your best possible entry point. You're given two separate performances -- one in the studio, one on stage on the DVD. The studio recording is superbly engineered and recorded; instruments are clearly delineated, particularly all those different percussion batteries. The voices emerge from the texture with precise placement and superb presence. The whole is a testament, in my opinion, to just how good a recording can be.
The performance may not be as rough 'n' ready raw as the Hänssler Classic 2001 version, but it incorporates Golijov's more recent edits and also offers clarity and a sweeping power that I find absolutely compelling.
It's a great recording of a magnificent piece; I really can't recommend it highly enough."
Golijov without the passion
j in boston | 04/11/2010
(3 out of 5 stars)
"I really love this music. In February of 2001 this piece was performed by the Boston Symphony, conducted by Robert Spano and featuring the same chorus as is heard here, The Schola Cantorum de Caracas. I deeply regret having missed that concert, but I did make a recording of the live radio broadcast which I have been listening to ever since.
I have been eagerly awaiting this cd, but I have to admit that it is something of a disappointment. The fire is gone. Perhaps these forces have been performing the same piece a bit too often and too long. Perhaps it was the pressure of trying to make a "perfect" studio recording. Everything seems slower, less passionate, less important, a tad bland.
The performance on the dvd is much better. The performers actually seem to be involved in what they are doing. It has an urgency that's missing from the cd.
Nevertheless, I have two complaints regarding the dvd.
Considering the premium price DG is charging for this set would it really have killed them to have included subtitles on the dvd? One of the reasons I was looking forward to this release was that I would finally have a copy of the text. That is supplied in the booklet, but it would have been even better if I could have followed along with the dvd without having to refer to the booklet for a translation.
This is also a piece of music that cries out for multi-channel recording. I knew the chances of an SACD were just about zero, but I had high hopes the dvd would be in 5.1, but, alas, two channel stereo is the only audio option.
I have not heard the other commercially available recording of this so I can't make a comparison. I certainly recommend this if you don't have any other version or have never heard it, but I'm sorry we haven't been given a better product."
A five-star work no matter how you slice it!
T. Fisher | 06/16/2010
(5 out of 5 stars)
"There are some tough critics out there, lamenting the sound and excitement of the original recording of Golijov's "Pasión". I admit I came late to the game. I have not heard the Hanssler version of the work, which may indeed reflect a better performance as some have said. If I had unlimited funds, I'd get both versions of this fantastic work.
But I don't, so I chose this DG set, which provides both a studio recording (the first ever) and a DVD version of a live performance. And judging this set on its own merits, I just can't see how it could deserve anything less than five stars. It is spectacular.
The CDs show outstanding recording quality, of course, and a performance that had me plenty excited. Coming to the CD performance with few expectations, just open curiosity, I was floored by the energy and power, as well as by the significance of the work, whose broad appeal is sure to open new doors and new audiences for "classical" music in general.
The CD/DVD combination has a clear advantage in terms of understanding and appreciating what Golijov has done. It is a strongly visual work, especially considering elements like the three dances, the choreography of the chorus, and the Afro-Latin gospel atmosphere imparted by the costumes. As another reviewer rightly points out, the lack of subtitles in the DVD is a major shortcoming -- the biggest and most obvious in the set. However, I found that reading along in the libretto, included in the booklet, did not totally ruin the experience.
Just listening to the CDs, I had a hard time trying to figure which singer was portraying Jesus, St Mark, Judas, and the other characters. The DVD helped in understanding that the roles really are not assigned to specific singers. Golijov's vision was that the voices should be those of "the people" -- so the parts of Jesus and all the other characters are sung sometimes by men, sometimes by women, always by different people.
Just for the record, I realize that speed is not the same as passion, but the performance on these CDs comes in at 1:24:31, while the Hanssler is a somewhat slower 1:25:21, according to the time published at amazon.co.uk. Of course, this DG version includes some revisions by Golijov, and I'm not sure how those affect the total time. The performance on the DVD, excluding non-musical content at the start and end, totals 1:24:48.
I look forward to hearing the Hanssler someday, but in the meantime it's hard to recommend this set highly enough. It has two great performances -- although it is true that the CD version is a bit more "established" sounding. The DVD makes this the one to get. You have to see La Pasión at least once, the experience is incomplete otherwise."
Not as Musical as the Original
alan_in_la | Los Angeles, California USA | 05/15/2010
(3 out of 5 stars)
"Osvaldo Golijov's Pasion amazed the audience at its premiere in Stuttgart in 2000. It is an important, thrilling work, and critics hailed it as the first masterpiece of the new millennium. A recording of the live Stuttgart performance was issued by Hanssler the following year, and it was easy to understand why the audience at Stuttgart was thrilled.
The new DG recording features most of the same performers, including conductor Maria Guinand and the marvelous voices of the Schola Cantorum de Caracas, but this recording doesn't come close to the magic of the original. The sound quality is considerably better, but the performance is more staid - less musical, not nearly as vital. I also miss the voice of Luciana Souza, the Brazilian jazz singer who, for unknown reasons, did not participate in the new recording.
I'll be listening to the original recording more than this new one.
The late Alan Rich wrote the liner notes, and they provide valuable context and a reminder of why Alan will be sorely missed. The booklet with the Hanssler recording included the full libretto, which would have been nice in this edition."
And now it is better
Grady Harp | Los Angeles, CA United States | 04/30/2010
(5 out of 5 stars)
"'Osvaldo Golijov is rapidly becoming one of the exciting new composers of classical music and while he has not joined the upper echelon of John Adams, Steve Reich, Esa-Pekka Salonen, Magnus Lindberg, Thomas Adès, Phillip Glass et al, he continues to grow in importance. His recent reworking of his opera 'Ainadamar' currently satisfying critics and audiences alike at the Santa Fe Opera demonstrates how he is a composer whose creativity seems boundless. His chamber works are exceptionally interesting and he owns one major benefit for public adoration: his music is not only well crafted, it is accessible!
'La Pasion Segun San Marcos' is the result of the challenge of new works for the millennium and while Golijov produced a unique setting of the Passion the work is not wholly successful as a composition. Without question Golijov understands how to weave seemingly disparate types of music and verse (African American, South American, Cuban, European, and Jewish) and form a means of communication that goes beyond the expected telling of the crucifixion. His orchestration is vivid, highly percussive, and pliant to the inclusion of voice both in chorus and solo.
The problem with the work as whole (and the Pasion is 86 minutes in length) is a sameness to the different 'movements'. Other composers in this so-called 'minimalist' vein allow repetition of like notes and words to gradually mutate and form a greater 'big idea' (John Adams' Harmonium is an example). Perhaps it is in keeping with the composer's obvious love of the pulsating rhythms that traditionally merge into the night in the countries of South America that he disdains altering an initial thought. But here, while the work is never less than interesting, it borders on excess. There are some plangent moments that break this rhythmic monotony, but they are few (not unlike Tan Dun's similar 'Water Passion').'
These words were written in response to the original recording and the first hearing of the Pasion. And now 10 years later it is better. Finally there is another recording of this fine work that is steadily growing in popularity. Now all the forces seem to be melded together and feel less repetitious and more on the order of what we would expect in a Passion. The forces that present this superb CD fascinating DVD of the performance are the same forces that recently brought the work to Los Angeles - where the audience was ecstatic in its response Maria Guinand conducts with great attention to detail and the solo voices are committed and maintain the energy of the work. It seems to have arrived as the great work it promised. Grady Harp, April 10"