Hines is father of jazz piano
James | Indianapolis, IN United States | 10/19/2007
(5 out of 5 stars)
"Earl Hines, a contemporary of Louis Armstrong, had been making musical history for four decades previous to recording this 1965 date at the Village Vanguard. It is beyond me why Hines is often "second fiddle" to lesser musicians in many texts and critiques of this music called Jazz. After all, he was present at the birth of Jazz as a musical art form; maybe second only to Jelly Roll. His influence on musicians that came afterward (such as Art Tatum, Errol Garner and Nat Cole) cannot be denied. Why does he seldom show up on the short list of musicians in the Jazz pantheon?
I paid a small fortune for these two hidden gems; more than any other in my collection. But, the purchase has paid off in spades. What a dynamite performance by not only Hines but also elders Roy Eldridge and Coleman Hawkins. The program of standards is exemplary, the collaborative execution is exciting and the sound is superb for this live date. Add to this the wonderful liner notes detailing this trio's not so positive experience with Charles Mingus during the week at the Vanguard and you have a GREAT listening experience as well as a palatable history lesson. TEN STARS!
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