Search - Gregg/Interzone Bendian :: Myriad

Myriad
Gregg/Interzone Bendian
Myriad
Genres: Jazz, Pop, Rock
 
  •  Track Listings (7) - Disc #1


     
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CD Details

All Artists: Gregg/Interzone Bendian
Title: Myriad
Members Wishing: 0
Total Copies: 0
Label: ATAVISTIC
Original Release Date: 4/4/2000
Re-Release Date: 3/31/2009
Genres: Jazz, Pop, Rock
Styles: Avant Garde & Free Jazz, Jazz Fusion, Progressive, Progressive Rock
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 735286111927, 669910029565
 

CD Reviews

Mahavishnu+king crimson+vibes= interzone
Rotten Egg | Chicagoland | 09/17/2000
(5 out of 5 stars)

"...simply unbelievable!!! Gregg Bendian is undoubtedly one of the most whacked out composers of our time...classic fusion feel mixed with the evil sounds of king crimson, but done with instruments you almost never hear (glockenspiel, vibes, etc.)...the guitar playing is excellant, very remeniscent of John McLaughlin...anyone who is open minded, and loves crazy, technical, tripped out music needs to add this to their collection!!!"
A brain-bending post-fusion onslaught
Aaron Burgess | Round Rock, TX, USA | 07/27/2006
(4 out of 5 stars)

"Percussionist Gregg Bendian has played in a variety of group settings, but it's with his multifaceted Interzone project that he's really shined as a bandleader and composer. A virtual powerhouse of the indie-jazz avant-garde, Interzone features Bendian, twin brothers Alex and Nels Cline (on drums and guitar, respectively), and bassist Steuart Liebig performing Bendian's compositions. Despite the band members' formidable jazz roots, however, "Myriad" never fixates on one genre. The songs breathe, swing ("Intrepid"), and even touch upon the '70s fusion of Mahavishnu Orchestra (in an arrangement of that group's "Sanctuary"). But Bendian & Co. also create haunting soundscapes ("Interzonia"), complex avant-rock pieces ("Pattern Master," "Drive") and noir-like tunes for imaginary soundtracks ("Diaspora"). "Myriad"'s songs are at once incredibly spacious and tightly composed: Just as the notes and the beats themselves do, the spaces in-between drift, float and linger. Drama and tension sometimes come through Cline's wild guitar runs (see his shimmering solo in "Tactics"), but the overall effect is one of slow, infinitesimal and eerily beautiful movement."