Offertory: Terra tremuit with verse Et factus est (4), LU 781a
Sanctus I (4), LU 18a
Agnus Dei I (4), LU 18b
Preface of the Blessed Virgin, Missale Romanum
Sanctus X (4), LU 45a
Agnus Dei X (4), LU 45b
Communion: Gloriosa (8), LU 1319a
Ite Missa Est IX (1), LU 43a
Antiphon: Alma Redemptoris (5), LU 273
Antiphon: Regina caeli (6), LU 275
Antiphon: Ave Regina caelorum (6), LU 274
Antiphon: Salve Regina. (5), LU 279
Rorate caeli (1), LU 1868b
Attende Domine (5), LU 1872b
Alleluia: Confitemini (8), LU 759
Antiphon: Alleluia (6), LU 761a
Antiphon: Vespere autem (8), LU 761b
Gradual: Haec dies (2), LU 778b
Alleluia: without verse (7), LU 779
Sequence: Victimae paschali (1), LU 780
Introit: Dominus dixit (2), LU 392
Communion: In splendoribus (6), LU 395a
Introit: Puer natus est (7), LU 408
Antiphon: Asperges me (7), LU 11
Kyrie IX (1), LU 40b
Sanctus IX (5), LU 42a
Antiphon: Salve Regina. (5), LU 279
Alleluia: Veni Sancte (2), LU 880a
Sequence: Veni Sancte Spiritus (1), LU 880b
Antiphon: Miserere mihi and Psalm 133 (8), LU 264
Hymn: Te lucis ante, (8), LU 266c
Antiphon: Ave Regina caelorum. (6), LU 278a
Hymn: O salutaris Hostia (8), LU 940z
Antiphon: Hosanna (7), LU 578b
Communion: Passer invenit (1), LU 556a
Alleluia: Pascha nostrum (7), LU 779
Gradual: Misit Dominus verbum (5), LU 485
Gradual: Adjuvabit (5), LU 1221
Alleluia: Pascha nostrum/Epulemur (7), LU 779
Offertory: Ave Maria, (8), LU 1318b
Antiphon: Salve Regina. (5), LU 279
Track Listings (33) - Disc #2
Kyrie X (1), LU 43c
Gloria IX (7), LU 40c
Credo I (4), LU 64
Common Preface, Missale Romanum
Sanctus IX (5), LU 42a
Pater noster and versicles, Missale Romanum
Agnus Dei IX (5), LU 42b
Ite IX (1), LU 43a
Kyrie ad lib IV (5), LU 76b
Gradual: Convertere (5), LU 1007
Introit: Exsurge quare (1), LU 504c
Gradual: Haec dies (2), LU 778b
Communion: Pascha nostrum. (6), LU 781b
Alleluia: Pascha nostrum (7), LU 779
Sequence: Victimae paschali (1), LU 780
Alleluia: Vir Dei (6), [GR 870] old Graduale (24)
Sequence: Laeta dies (6), [GR 871] old Graduale (17)
Alleluia: Venite ad me (8), LU 1726b
Offertory: Justorum animae (1), LU 1172
Communion: Beati mundo corde (1), LU 1727
Kyrie VIII (5), LU 37b
Gloria VIII (5), LU 37c
Credo III (5), LU 68
Sanctus VIII (6), LU 38
Agnus Dei VIII (6), LU 39a
Communion: Quinque prudentes. (5), LU 1228b
Alleluia: Assumpta est (5), LU 1603
Alleluia: Post dies octo (7), LU 810
Alleluia: Adorabo (7), LU 1251b
Antiphon: Alma Redemptoris. (5), LU 277
Antiphon: Ave Regina caelorum. (6), LU 278a
Antiphon: Regina caeli. (6), LU 278b
Antiphon: Salve Regina. (5), LU 279
Are there recorded performances of such historic or musicological value that we should forgive their very poor sound? The answer probably is yes, but it's up to each listener to determine his or her own tolerance for scrat... more »ches, hiss, and distortion as part of a listening experience. This two-disc Gregorian chant compilation, taken from historic recordings made between 1928 and 1936, will challenge most listeners accustomed to today's well-engineered recordings. High levels of hiss and varying degrees of scratches and distortion go with the territory here. Considerable effort was made to improve the sonic environment, but obviously the source material, transferred from long-forgotten 78s, was in pretty rough shape. These are discs for only the most avid chant recording completists and for musicologists looking for traces of chant singing style that reach far back into the 19th century--the collection's most worthy asset. Most of the choirs represented--primarily from European monasteries, schools, and cathedrals--have centuries-old chant traditions, including Salzburg's famous Nonnberg Abbey. The 75 tracks feature chant performances that range from the Solesmes style to accompanied variants from Beuron and Montserrat. In addition to the value of hearing various singing styles, we also hear many chants not available on other recordings. The liner notes are informative and extensive, with complete texts and translations. --David Vernier« less
Are there recorded performances of such historic or musicological value that we should forgive their very poor sound? The answer probably is yes, but it's up to each listener to determine his or her own tolerance for scratches, hiss, and distortion as part of a listening experience. This two-disc Gregorian chant compilation, taken from historic recordings made between 1928 and 1936, will challenge most listeners accustomed to today's well-engineered recordings. High levels of hiss and varying degrees of scratches and distortion go with the territory here. Considerable effort was made to improve the sonic environment, but obviously the source material, transferred from long-forgotten 78s, was in pretty rough shape. These are discs for only the most avid chant recording completists and for musicologists looking for traces of chant singing style that reach far back into the 19th century--the collection's most worthy asset. Most of the choirs represented--primarily from European monasteries, schools, and cathedrals--have centuries-old chant traditions, including Salzburg's famous Nonnberg Abbey. The 75 tracks feature chant performances that range from the Solesmes style to accompanied variants from Beuron and Montserrat. In addition to the value of hearing various singing styles, we also hear many chants not available on other recordings. The liner notes are informative and extensive, with complete texts and translations. --David Vernier