Grieg's 66 Lyric Pieces range from simple pretty tunes like the early "Arietta" that opens this disc to more extended pieces like the dashing "Wedding Day at Troldhaugen" to impressionistic miniature tone poems like the la... more »te "Summer Evening." Here, Andsnes plays 24 of them, well-chosen to cover a representative selection from the complete sets. He plays them beautifully, with a lovely tone, virtuoso polish when such is called for, as in the express ride of "March of the Trolls," and poetic depth of feeling, as in "The Brook," where in his interpretation you can almost smell the grass and see the light ripples of the water. Gilels's selection on DG, with minimum overlap, is still unmatched, but Andsnes's well-recorded recital is a source of endless pleasures. Of added interest, the recording was made at Grieg's home, now a museum, on his 1892 Steinway. --Dan Davis« less
Grieg's 66 Lyric Pieces range from simple pretty tunes like the early "Arietta" that opens this disc to more extended pieces like the dashing "Wedding Day at Troldhaugen" to impressionistic miniature tone poems like the late "Summer Evening." Here, Andsnes plays 24 of them, well-chosen to cover a representative selection from the complete sets. He plays them beautifully, with a lovely tone, virtuoso polish when such is called for, as in the express ride of "March of the Trolls," and poetic depth of feeling, as in "The Brook," where in his interpretation you can almost smell the grass and see the light ripples of the water. Gilels's selection on DG, with minimum overlap, is still unmatched, but Andsnes's well-recorded recital is a source of endless pleasures. Of added interest, the recording was made at Grieg's home, now a museum, on his 1892 Steinway. --Dan Davis
"When I first began seriously listening to classical/instrumental music I wanted to build a collection of cds that would cover all the great works. At first I thought this might not seem too difficult, until I began realizing that many works have many "must-have" interpretations. For example, In Ashenkazy's "Favorite Piano Works of Chopin" I thought I had the definitive Chopin recording...until I heard significantly different and fascinating interpretations of much of the same works by Jean-Yves Thibaudet, followed by Martha Argerich. And the same holds true for the lyric pieces of Grieg, first encountered by Emil Gilels on his famous DG recording of the 70's, and now by Leif Ove Andsnes. Both of these recordings take me to significantly different musical places, and hence I'm glad to have listened to each at least 50 times now. It doesn't have to be "either or" when it comes to deciding which to buy. Listen to both and I guarantee each will find separate places in your heart. In Gilels you may find more elegance and sensitivity to each note, while in Andsnes you'll tend to find more force, uplift, and variation of intensity. In either case I'm sure Grieg would have realized that both have lived the dreams that are promised within his work to all great, dedicated performers."
Distinctive, varied, and a good complement to Gilels's set
Justin Tomlinson | Denver, CO United States | 10/04/2002
(5 out of 5 stars)
"This review is for three categories of people considering the purchase of this CD.1. For those who are not familiar with Grieg's Lyric Pieces: "enchanting" may be the best word to summarize this set of subtle, lyrical, and exotic short piano pieces. Grieg has a distinctive voice as a composer, and these pieces showcase his ideas well. Modal harmonies and Scandanavian sounds mix effortlessly with traditional romantic beauty to create a sparkling spectrum of moods and textures. If you are a fan of piano music looking for something other than Beethoven and Chopin, try Grieg next.2. For those who have the Gilels CD and wonder whether to get this one too: YES. Fourteen of the pieces on this CD are not on Gilels's, including favorites like March of the Dwarfs, Wedding Day at Troldhaugen, and the Waltz in A minor. On at least a few of the pieces that overlap, I'll admit a slight preference for Gilels, but even so, there is little redundancy, because the differences in interpretation are often fascinating in their own right.3. For those deciding whether to start with this or Gilels: I recommend this one, for one main reason. Andsnes plays a few more of the early pieces than Gilels. Grieg's style changed quite a bit over the years, so I feel that the more rounded set on this CD would probably make a better introduction. Still, you won't go wrong with either."
Andsnes Wins A New Fan
brent taylor | Indianapolis, Indiana | 04/19/2002
(5 out of 5 stars)
"Guilty. I admit not having taken the time to listen to any of Leif Ove Andsnes recordings until I recently acquired this one at an Ebay auction (at a price that was far too good to pass up). Now I may have to seek out his other recordings as well beacasue this one is clearly a winner.I grew up with the now legendary Emil Gilels recording of Grieg and Andsnes' new recording is worthy of comparison in the same breath. There is little overlap between the two recordings, eight pieces, out of the twenty played by Gilels and twenty-four by Andsnes. Ironically, both recordings begin and end with the same selections but Andsnes offers some of the more lively pieces in his set. What really makes this recording novel is the use of Grieg's own Steinway piano from the 1890's in his studio. It is a wonderful instrument with a very rich sound, well suited to these very intimiate miniatures which are a whole musical genre unto themselves. Andsnes does not have to hold back because this piano can deliver and its sonority packs a very suprising punch. There are a few of the quirks unique to older pianos, but they only add to the overall performance. Listen and learn. Perhaps my acquaintance with Andsnes was overdue, but this is a very fine recording--faithful to the instrument and its surroundings; and like the music of Grieg, something to be cherished. If you already own the Gilels recording, this is a nice addition too, or vice versa. I plan on enjoying both for a very long time. Thank you EMI for doing something worthwhile."
Andsnes' Splendid Playing Of Grieg's Lyric Pieces
John Kwok | New York, NY USA | 04/27/2002
(5 out of 5 stars)
"Leif Ove Andsnes' latest traversal of Grieg's Lyric Pieces compares favorably to Emil Gilels' distinguished 1974 recording for Deutsche Grammophon. Although Gilels' interpretations may seem a bit more polished, I suspect that may be due more to the sound quality, which surprisingly is slightly better on the earlier analogue recording. Still, EMI has done a fine job capturing Andsnes' lively, warm performances of selections from Grieg's Lyric Pieces, most of which aren't identical with those performed by Gilels. In stark contrast to Gilels, Andsnes tends to emphasize the lyrical qualities - no pun intended - of Grieg's music, at the expense of technique, yet by no means should one rate Andsnes an inferior pianist. I am greatly impressed with the deep sonority and rich tones of Grieg's 1892 Steinway, which Andsnes exploits successfully in each of his performances. Fans of Andsnes' playing and Grieg's music will certainly acquire this fine CD."