Search - Galt MacDermot, Gerome Ragni, James Rado :: Hair (Deluxe Edition) (1968 Original Broadway Cast and 1967 off Broadway Cast)

Historic And Unforgettable

Hutch | Las Vegas, Nevada USA | 11/04/2003

(5 out of 5 stars)

"This 2 CD recording should be MANDATORY for any musical theater buff- a rare opportunity to hear this historical show's developement from its off-Broadway roots to the megashow it became. Galt MacDermot's unforgettable score is wonderful in both versions (and while the film version tries to accomplish the unimagineable translation from a "non-book" musical to something with a traceable "plot", which I don't think it really does, the full orchestrations of its songs are truly realized by its composer...the versions of "Aquarius" by Ren Woods and "Easy To Be Hard" by Cheryl Barnes justify a manditory puchase alone).
The only "bummer" of this collection is that it doesn't include material from the two other New York HAIR recordings, which are still only available on out-of-print RCA LPs: DIVINE HAIR: MASS IN F(which featured several HAIR songs incorporated into a Catholic Mass) and DisinHAIRited (which has many of the songs cut from both the off-Broadway and Broadway companies).
If you get a chance, check out the book LET THE SUNSHINE IN (available from this website)- it will flesh out the political and historical relevance of this incredible show. For an even BETTER overview, the out-of-print THE AGE OF HAIR traces the show from its roots to the film version. Producer Michael Butler maintains the show's website (www.MichaelButler.com) for updates on current productions and the many cast members from the original productions.
For its wonderful music, evocations of a past era and its timeless plea for peace("Let The Sunshine In", the finale song, always leaves me in tears), this is THE paragon show cd you must own!"

Fly In the Breeze

Lee Armstrong | Winterville, NC United States | 05/24/2005

(5 out of 5 stars)

"The deluxe collector's edition released in 2003 is an excellent update for the "Hair" soundtrack. With the war in Iraq raging, the themes of war seem relevant again 37 years later. The first disc is the 1968 Broadway recording and shines with the remastering from BMG/RCA. The title track has such great energy and sense of freedom, "I let it fly in the breeze & get it caught in the trees." "Easy to Be Hard" is a lovely melody with a dramatic build, "Do you only care about the bleeding crowd? How about a needing friend? I need a friend." Shelly Plimpton on "Frank Mills" has always put a smile on my face about the girl who lost the address of a guy she likes. It's specificity about "the Waverly" and that he looks like "George Harrison of the Beatles" make it humorous, even though it's delivery is so straightforward deadpan. "Electric Blues" is a track not released on the first album, but sounds like the cast was having a huge amount of fun. Disc 2 contains the 1967 Off-Broadway production. In almost all aspects, it seems like a warm-up for the Broadway production. On "Hair," the vocals are ragged & have an assaulting quality in delivery. "Where Do I Go?" with Walker Daniels on vocals is more hushed, less musical. Walker also leads on "Exanapanetooch," a track not included on the Broadway production, wisely cut. The bonus tracks are interesting footnotes and the interview with composer Galt MacDermot is informative, but not probably something I'd want to listen to repeatedly. Overall, the remastering and verve of the original Broadway cast performance make this an excellent release. Enjoy!"

With Supreme Visions of Lonely Tunes

Rebecca O'Leary | 07/23/2000

(5 out of 5 stars)

"What can I say, I'm a 'Hair' cast member! This is one of, if not the, greatest cast recordings of all time. I've been in a number of musicals, and owned most of their cast recordings, but none of them have lingered in my car's CD player the way 'Hair' has. Having had the pleasure of meeting both Galt McDermot and James Rado, I can honestly say that both the lyrics and the music are brilliant, from the first mystical strains of 'Aquarius' to the powerful angst of 'The Flesh Failures.' And don't miss Diane Keaton insisting that 'Black boys are delicious!'"