Saeviat tellus inter rigores HWV 240: Saeviat tellus
Saeviat tellus inter rigores HWV 240: Carmelitarum ut confirmet
Saeviat tellus inter rigores HWV 240: O nox dulcis
Saeviat tellus inter rigores HWV 240: Stellae fidae
Saeviat tellus inter rigores HWV 240: Sub tantae Virginis tutela
Saeviat tellus inter rigores HWV 240: Alleluia
Laudate pueri Dominum HWV 237: Laudate pueri
Laudate pueri Dominum HWV 237: Sit nomen Domini
Laudate pueri Dominum HWV 237: A solis ortu
Laudate pueri Dominum HWV 237: Excelsus super omnes
Laudate pueri Dominum HWV 237: Quis sicut Dominus
Laudate pueri Dominum HWV 237: Suscitans a terra inopem
Laudate pueri Dominum HWV 237: Qui habitare facit
Laudate pueri Dominum HWV 237: Gloria Patri
Salve Regina HWV 241: Salve Regina
Salve Regina HWV 241: Ad te clamamus
Salve Regina HWV 241: Eia ergo, advocata nostra
Salve Regina HWV 241: O clemens, o pia
Dixit Dominus HWV 232: Dixit Dominus
Dixit Dominus HWV 232: Virgam virtutis
Dixit Dominus HWV 232: Tecum principium
Dixit Dominus HWV 232: Juravit Dominus
Dixit Dominus HWV 232: Tu es sacerdos
Dixit Dominus HWV 232: Dominus a dextris tuis
Dixit Dominus HWV 232: De torrente in via bibet
Dixit Dominus HWV 232: Gloria Patri
We know Handel mostly for the operas (Ariodante, for example), biblical oratorios (Messiah), and instrumental works (Water Music) he wrote for London high society. Yet he was producing masterpieces such as these Latin sac... more »red works composed in Rome when he was barely into his 20s. The big chorus-and-orchestra Dixit Dominus and the soprano showpieces Sæviat tellus, Laudate pueri, and Salve Regina have been recorded several times in recent years (including, most notably, Andrew Parrott's thrilling full-scale reconstruction of the lavish Vespers service for which Handel probably wrote these works), yet this lively performance by Marc Minkowski and les Musiciens du Louvre is as good as any of them. Since Handel wrote this music for virtuoso castratos, it's no surprise that the stars here are the (female) sopranos Annick Massis and Magdalena Kozená. Both have sweet, flexible voices with more body than, say, Emma Kirkby or Jill Feldman (two of Parrott's divas), yet without the wide vibrato and relentless legato that make so many singers unsuitable for period-instrument Handel. The performance isn't flawless: Massis does sometimes let her vibrato, however narrow, get in the way of long, sustained notes; the choir, surprisingly, lets vibrato get in its way overall, sounding better suited to Beethoven than Handel. Yet the energetic tempos and generally skillful execution make this a very worthwhile release. It competes against one of Parrott's finest recordings (two discs for a lower price than Minkowski's one), but if you don't want all that chant mixed in with your Handel or happen to dislike singers such as Kirkby and Feldman, then you won't find a better Dixit Dominus than this. In fact, real Handel fans should want both. --Matthew Westphal« less
We know Handel mostly for the operas (Ariodante, for example), biblical oratorios (Messiah), and instrumental works (Water Music) he wrote for London high society. Yet he was producing masterpieces such as these Latin sacred works composed in Rome when he was barely into his 20s. The big chorus-and-orchestra Dixit Dominus and the soprano showpieces Sæviat tellus, Laudate pueri, and Salve Regina have been recorded several times in recent years (including, most notably, Andrew Parrott's thrilling full-scale reconstruction of the lavish Vespers service for which Handel probably wrote these works), yet this lively performance by Marc Minkowski and les Musiciens du Louvre is as good as any of them. Since Handel wrote this music for virtuoso castratos, it's no surprise that the stars here are the (female) sopranos Annick Massis and Magdalena Kozená. Both have sweet, flexible voices with more body than, say, Emma Kirkby or Jill Feldman (two of Parrott's divas), yet without the wide vibrato and relentless legato that make so many singers unsuitable for period-instrument Handel. The performance isn't flawless: Massis does sometimes let her vibrato, however narrow, get in the way of long, sustained notes; the choir, surprisingly, lets vibrato get in its way overall, sounding better suited to Beethoven than Handel. Yet the energetic tempos and generally skillful execution make this a very worthwhile release. It competes against one of Parrott's finest recordings (two discs for a lower price than Minkowski's one), but if you don't want all that chant mixed in with your Handel or happen to dislike singers such as Kirkby and Feldman, then you won't find a better Dixit Dominus than this. In fact, real Handel fans should want both. --Matthew Westphal
CD Reviews
A Bargain
Lars Hinnum | 06/01/2000
(5 out of 5 stars)
"The french conductor and Handel-lover Marc Minkowski and his original instruments ensemble Musiciens du Louvre gives a flamboyant and delightful performance. Especially the beautiful Dixit Dominus HWV 232.The recording is so alive and spirited that this cd must be strongly recommended."
Vivid and enthralling
Mark Dirksen | Beverly Mass. United States | 12/29/2001
(5 out of 5 stars)
"Having just panned John Eliot Gardiner's recent recording of Dixit Dominus (Philips, Nov. 2001), I will only say here that this disc is eminently satisfactory for all the reasons cited in the other reviews. I'm especially taken with the solo work, and with Ms. Massis in particular - her account of Saeviat Tellus is a marvel. Minkowski gives the Dixit all of its startling, vivid color and the live performance seems to add to the lustre. Don't hesitate to invest in this recording - it will repay you with hours of listening pleasure. Stanley Sadie is right!"
A Mixed Bag - Some Good, Some Very Bad!
Romeo | nz | 04/03/2002
(3 out of 5 stars)
"Dixit, Laudate, Saeviat are some of Handel's most glorious music. Overall I would NOT recommend this disk highly, if at all. The soloists are all very nice, esp the sop Massis, but the orchestration and choir are not at all musical for the most part, with a wooden, almost military feel with little, if any, expression. This is not helped by the ridiculous tempi imposed by the conductor. Much of the music is FAR too fast, resulting in a rushed feel, with the soloists and other performers having to compensate - not a good sound! A real shame, because if the music weren't so rushed, it would be far more attractive. Having said that, the 'De Torrente' sop duet in Dixit is ravishing, and almost perfect in it's gentle, lilting pace - very odd to say the least given the furious pace of the initial Dixit chorus (FAR too fast!) Perhaps the lack of musicality evident in most of the disk is due to the excessive speed? For a better Laudate and Dixit on the one disk I'd go for Stephen Cleobury with the English Chamber Orch and Kings College Choir. Not perfect, but far more preferable to my ears!"
You Can Not Go Wrong
gobirds2 | New England | 08/29/2001
(5 out of 5 stars)
"I like this recording and the selections. It has a very pleasant feel to it. I listen to this whenever I get an opportunity to relax with it. I have never come across such a rarefied CD such as this. The orchestrations are exemplary. I highly endorse this one."
Minkowski does it again!
D. Gammelgard | Falun, Sweden | 01/16/2002
(4 out of 5 stars)
"If you want to experience some absolutely wonderful music by Handel that is rarely performed then you should check out this disc. As I have made clear in my other reviews, I am a big fan of Marc Minkowski and his brilliant orchestra. These are passionate and exciting performances like most of his productions. Though, some things disturbs me. Most of all:
Why no harsichord? Many of the pieces would strongly benefit from the use of a harpsichord. The rhytmical details are really quite lost in the more dramatic movements and the textures easily gets blurry. It might be "authentic" in some way but there are so many other things that are not so why does he bother? As usual the french choirs are not really impressive. The intonation is far from impeccable but still, compared to for example the choir of C. Rousset, good and acceptable. Overall a great disc which is by the way a live recording. Kozena and Massis are superb. Dixit Dominus is the true highlight of the cd. If you like Handel it's worth buying just for this piece!
Yet another recording that kills of the "flat-earthers" illusion that period performances are boring!!"