Search - Rosemary Joshua, Sarah Connolly :: Handel: Duets

Handel: Duets
Rosemary Joshua, Sarah Connolly
Handel: Duets
Genre: Classical
 
  •  Track Listings (12) - Disc #1

Recordings of excerpts are things to be wary of, particularly when they come from operas, but have no fear with this release, as the idea for putting this selection on a disc is strong. Handel had a unique grasp on the dra...  more »

     

CD Details

All Artists: Rosemary Joshua, Sarah Connolly
Title: Handel: Duets
Members Wishing: 0
Total Copies: 0
Label: CHANDOS CHACONNE
Original Release Date: 1/1/2010
Re-Release Date: 3/30/2010
Genre: Classical
Style: Opera & Classical Vocal
Number of Discs: 1
SwapaCD Credits: 1
UPC: 095115076729

Synopsis

Amazon.com
Recordings of excerpts are things to be wary of, particularly when they come from operas, but have no fear with this release, as the idea for putting this selection on a disc is strong. Handel had a unique grasp on the dramatic possibilities of the duet that reached beyond theater into all aspects of his vocal writing. Look no further than his breathless, ecstatic setting of "O Death, Where is thy Sting?" from Messiah, for his command of the device. The English Concert sheds any sense of oratorio-based priggishness under the admirable direction of Harry Bicket, whose pedigree shines through in the "lead and follow" interplay between band and beautiful voices. Both Sarah Connolly and Rosemary Joshua sound wonderful, but beyond their ravishing and well-matched tones it is their ability to take what the other offers and add, without upstaging, that pulls the listener into this very fine recording. -- Hugo Munday
 

CD Reviews

"Streams of pleasure..."
Jim D. | NYC | 05/09/2010
(5 out of 5 stars)

"When two of today's Handel specialists come into the studio with a leading period instruments band, the results are likely to be special--and so it proves here. Though it's hard to tell from their booklet bios how often Rosemary Joshua and Sarah Connolly have sung together, they blend very nicely indeed, and Harry Bicket's English Consort are more than mere accompanists. Selections, alternating between English and Italian, come from operas and oratorios in a variety of moods. Joshua makes some lovely soft sounds at the top of the staff, and Connolly produces her lowest notes without a trace of "honk." Sound is excellent, and all sung texts are included, with translations. My only complaint is that there was surely room on this disc for another duet or two. (Is that being greedy?)

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