Coming Down - Harry Gregson-Williams, Gregson Williams, H
The Booze on the Grind
The The Jungle
The The Compound
The Jeep Rental
The Kontiki
The No Breaks
The Bar Fight
The Journey Ends
The Monkeys & Rebels
The Massacre
The The Deal
The Mutizone Attack
The Long Walk
The Little Swim
The The Gato
The Kolabos / Marianna Escapes
The Lock Down the Town
The Get It On
The The Bus
The Guns
The Whip Fight
The Hatcher's End
The It's On
Director Peter Berg's tough, fish-out-of-water (or more precisely American-bounty-hunter-on-the-wrong-side-of-the-equator) action star vehicle for The Rock confirmed the ex-wrestler's star appeal, one that held its own ... more »against even the loopy, reptilian charms of perennial bad guy Christopher Walken. English composer Harry Gregson-Williams tightens up the film's aura of action and suspense with what's becoming one of his fortes, the electronic-acoustic fusion score. But given the story's Amazon setting, Gregson-Williams also takes the opportunity to expand the oft-predictable genre in compelling new ways. Much of the first half is dominated by a Brazilian-inspired rhythmic fury, its interlocking cadences punctuated by whistle blasts and shards of electric guitar and electronic rumblings. That percussive domination slowly segues into passages informed by acoustic guitar and more traditional orchestral writing, but driven by no less urgent, nervous energy. -- Jerry McCulley« less
Director Peter Berg's tough, fish-out-of-water (or more precisely American-bounty-hunter-on-the-wrong-side-of-the-equator) action star vehicle for The Rock confirmed the ex-wrestler's star appeal, one that held its own against even the loopy, reptilian charms of perennial bad guy Christopher Walken. English composer Harry Gregson-Williams tightens up the film's aura of action and suspense with what's becoming one of his fortes, the electronic-acoustic fusion score. But given the story's Amazon setting, Gregson-Williams also takes the opportunity to expand the oft-predictable genre in compelling new ways. Much of the first half is dominated by a Brazilian-inspired rhythmic fury, its interlocking cadences punctuated by whistle blasts and shards of electric guitar and electronic rumblings. That percussive domination slowly segues into passages informed by acoustic guitar and more traditional orchestral writing, but driven by no less urgent, nervous energy. -- Jerry McCulley
"for those looking for the bar scene song look up the "zuker" remix on Limewire for "get ur freak on". Just type "zuker" under artist and it will be there eventually, I only got two hits but I finally got it after months of looking. Hope this helps anyone else still looking for it. Its the "Back in Black" remix."
Just the musical score...
boba fett 852 | 04/28/2004
(2 out of 5 stars)
"After watching The Rundown I immediately went to buy the soundtrack. I wish that I would have looked at the songs on the soundtrack first, because I got it home and felt ripped off. It was just the instrumental score, none of the actual songs were on it. Yes the score was okay, but I wanted the songs like: Run that, The boogie that be, Get your freak on, etc. But no not a one of them on it. So read the song list before you buy this soundtrack."
HIT 'EM HARD
T | MA | 04/07/2004
(5 out of 5 stars)
"A definite driving CD. Be careful! Once your windows are down and these electronic/latin rhythms are pumping, you'll find the gas pedal going down."
żDid Harry did it Again?
Mark A. Buensalida | Henderson, Nevada United States | 10/25/2003
(4 out of 5 stars)
"The Rundown is much a very different scorefrom Harry's past soundtracks. A few of the themes of fast pace tracks have a familiar effect as in Enemy of the State and Spy Game, but not too noticeable. The jungle theme was successfully introduced into the style of the movie. The score is doesn't have as much power driven in his previous works with Trevor Rabin and Hans Zimmer. But the flow and melody is necessary for the feel with the film.It is a very mellow soundtrack, most of the tracks are very easy on the ears.Dwyane Johnson followed his father, Rocky Johnson, in his footsteps into wrestling entertainment. Rocky was an mid 2nd generation wrestler in the business."
So Great
H. J. Shian | Taiwan | 08/24/2004
(5 out of 5 stars)
"Good stick dubbing in music, even if has not seen the image, also can feel the jungle the strong atmosphere, in the special edition has all kinds of strange sound effect, lets person image profound dubbing in music, no matter is the guitar, loop, the stringed instruments, the sound effect, all are such happy, with really is just right, the quick rhythm part also is lets the person be surprised. Good