I Will Take You There [From the Otto Preminger Film "Skidoo"]
Girlfriend [From "The Courtship of Eddie's Father"]
Wasting My Time
Mournin' Glory Story
Open Your Window
Maybe
Nobody Cares About the Railroads Anymore
I Guess the Lord Must Be in New York City
Vine St. - Harry Nilsson, Newman, Randy
Me and My Arrow
Think About Your Troubles
Early in the Morning - Harry Nilsson, Bartley, Dallas
Without You - Harry Nilsson, Evans, Tom [Badfing
The Moonbeam Song
Coconut
Jump into the Fire [Single Version]
Track Listings (21) - Disc #2
Gotta Get Up
Joy
Turn On Your Radio
The Most Beautiful World in the World
You're Breaking My Heart
Spaceman
Remember Christmas
It Is He Who Will Be King (Outro)/Daybreak [From the Apple Film ...] - Harry Nilsson, Buckmaster, Paul
As Time Goes By - Harry Nilsson, Hupfeld, Herman
Nevertheless (I'm in Love with You) - Harry Nilsson, Kalmar, Bert
Over the Rainbow - Harry Nilsson, Arlen, Harold
Many Rivers to Cross - Harry Nilsson, Cliff, Jimmy
Don't Forget Me
Easier for Me
Down by the Sea
Salmon Falls
Good for God
Here's Why I Did Not Go to Work Today - Harry Nilsson, Krotchmar
Sail Away - Harry Nilsson, Newman, Randy
All I Think About Is You
Perfect Day
Although Nilsson didn't select the tracks for this two-CD collection drawn from his '60s and '70s work for RCA, Personal Best generously touches on the many sides of his musical personality: the whimsical (his layered vers... more »ion of the Beatles' "You Can't Do That"), the soaring ("Without You," "Don't Leave Me"), and the flat-out oddball (a cover of the Louis Jordan-Ray Charles classic "Early in the Morning"). Holding it all together is his tremendous melodic sense and a voice that was at first gorgeous, then ravaged by the artist's excesses. When he died in 1994, the world lost one of its truest originals. --Rickey Wright« less
Although Nilsson didn't select the tracks for this two-CD collection drawn from his '60s and '70s work for RCA, Personal Best generously touches on the many sides of his musical personality: the whimsical (his layered version of the Beatles' "You Can't Do That"), the soaring ("Without You," "Don't Leave Me"), and the flat-out oddball (a cover of the Louis Jordan-Ray Charles classic "Early in the Morning"). Holding it all together is his tremendous melodic sense and a voice that was at first gorgeous, then ravaged by the artist's excesses. When he died in 1994, the world lost one of its truest originals. --Rickey Wright
Martin A Hogan | San Francisco, CA. (Hercules) | 06/20/2001
(5 out of 5 stars)
"Harry Nilsson was never one to be pegged. His choice of material was as diverse as his vocal range, and then some. Never one to stick to one genre, this Anthology is a wonderful collection.Beginning in 1964, the unknown singer/songwriter recorded his first song, "Stand Up And Holler" as performed by the Foto-Fi. It was not well recieved. However in 1967 the world took notice with the romantic "Everybody's Talkin'" from the Oscar winning film "Midnight Cowboy". His success continued with "I Guess The Lord Must Live In New York City", and the clever "Me And My Arrow". The world caught fire with the release of "Nilsson Schilsson" and the huge hits, Grammy-winning "Without You", the maddening funny "Coconut" and the hard rocker "Jump Into The Fire". Everyone now realized that Harry Nilsson was a voice to be reckoned with. As if to laugh at his serious critics, Harry released a new album titled, "Son Of Schmilsson", with tongue-in-cheeks songs like, "Joy", "You're Breakin' My Heart", "Spaceman" and "The Most Beautiful World In The World". His vocal renditions of each were nothing short of remarkable.Again, to turn the music world on it's collective ear, Harry released a 'serious' collection of standards titled, "A Little Touch Of Schilsson In The Night" with songs like, "Many Rivers To Cross", "Over The Rainbow", "As Time Goes By" and many others. People went crazy and the critics were pleasantly confused. The rest of this 2-Dics set contains nearly 50 songs. During this period, Harry became a music Industry favorite, befriending and sometimes working with the likes of 'The Monkees', 'Keith Moon', 'Albert Brooks', 'Anne Murray', 'Alice Cooper', 'John Lennon', 'Ringo Starr' and many, many others. Most of his music was meticulously produced by famed Richard Perry.Harry Nilsson released nearly 60 singles and over 30 albums and the best are represented here. If purchased only for the songs, "Everybody's Talkin'", "Without You", and "Over The Rainbow", this is a collection to cherish."
Everybody Loves Harry
Steve Vrana | Aurora, NE | 05/27/2000
(5 out of 5 stars)
"This generous 49-track collection opens with the autobiographical "1941" (the year Nilsson was born) and from there takes us on a musical journey that spanned two decades. While a gifted songwriter (the Monkees covered "Cuddly Toy" and Three Dog Night had a hit with "One"), it's surprising that his two biggest hits were written by others: the Top Ten "Everybody's Talkin'" (from "Midnight Cowboy") and the Grammy-winning "Without You" (by Pete Ham and Tom Evans of Badfinger). Here are some of my personal favorites:"You Can't Do That" - A loving tribute to the Beatles, and in Nilsson's arrangement he manages to work in snippets of no fewer than a dozen other Beatles songs. [The Beatles would return the favor when they each endorsed him as their favorite performer--Lennon would produce Pussy Cats in 1974.)"One" - I know this wasn't the hit version, but Nilsson's vocal performance on this song is perfect."I Guess the Lord Must Be in New York City" - A minor hit in late 1969. His vocals--especially when he reaches for those high notes--still gives me chills."Me and My Arrow" - Another minor hit taken from an animated film "The Point," which Nilsson wrote, narrated and sang. Simply charming."Without You" - As much as I love Badfinger's work, this is the definitive version of this song. Won a Grammy for Best Pop Vocal Performance in 1972."Jump Into the Fire" - I know I'm emphasizing his singles, but this song has a great groove and is Nilsson's greatest rock song."Joy" - A marvelous country-western sendup from arguably his best album "Nilsson Schmilsson.""You're Breakin' My Heart" - A terrific anti-love song. Best line: "You're breaking my heart / You're tearin' it apart / So #@$% you.""Remember (Christmas)" - A melancholy song, whose lyrics could serve as his epitaph: "Remember, life is just a memory/ Remember, close your eyes and you can see / Remember, think of all that life can be, remember.""Don't Forget Me" - Written in 1974, the lyrics would be prophetic: "And when we're older and full of cancer / It doesn't matter now, come on get happy / Cuz nothing lasts forever / But I will always love you." It wasn't cancer, but a heart attack that took one of popular music's most distinctive voices at the age of 52. We won't forget you, Harry. Not while your music still lives. HIGHLY RECOMMENDED."
The best from one of the best
Gordon Pfannenstiel | Russell, KS United States | 06/20/2006
(5 out of 5 stars)
"If you appreciate finely crafted pop/rock music and a one-of-a-kind knockout singer with a 4 plus octave range, it's pretty tough to go wrong with this collection. Harry Nilsson was one of the best ever, and 50 songs aren't enough, but what is here, particularly the period from 1967-1973, is incredible.
I really wanted to correct the plethora of misinformation that appears in "Marty from S.F.'s" review. First, Nilsson first recorded in 1962, not 1964, and that material (originally demos) is currently available. Also, I don't know how many singles Harry actually released (I'm thinking somewhere around 20-24), but it is nowhere near 60. Finally, from 1967 to 1981 (he didn't release anything after 1981), he released 14 albums. This does not include the soundtrack "Skidoo", for which he wrote some material, but certainly can't be considered a Nilsson album. It also does not include Son of Dracula or Aerial Pandamonium Ballet. Dracula (soundtrack to the terrible film) only included one new song (Daybreak) and A.P.B. was a remixed composite of Harry's first two LPs, released to capitalize on his new found popularity and respect after winning a Grammy for Everybody's Talking.
I love that Amazon provides this great forum for sharing POV, but I don't care for those who want to rewrite history. The facts are the facts...don't mess with 'em."
What's MISSING says it all...
Kayla Rigney | USA | 01/17/2000
(4 out of 5 stars)
"This collection of Harry's music is excellent -- for those of us who aren't consumate Nilsson junkies. Every single cut on this album is available elsewhere. And on CD to boot. I would pay good money for "... That's the Way It Is" on CD. *I* have it on vinyl. But people who don't will never have the opportunity to hear the lyrical and haunting "Moonshine Bandit" -- which is made richer by the aging and damage done to Harry's voice. The current trend in compliation albums seems to be to rerelease what SOLD in the past -- ignoring other (sometimes more important) material. I mean, where's a representation from the soundtrack to "Popeye?" or "Skidoo" (which isn't all that groovy, trust me on this) or the elusive "Flash, Harry" which was never released in the US? If you love Nilsson, buy this collection. But go on a quest for the rest. You'll be amazed -- and saddened even more by the silencing of his voice."
Terrific anthology isn't likely to please everyone.
Wayne Klein | My Little Blue Window, USA | 10/25/2001
(5 out of 5 stars)
"Really this should have been a 3 CD set but as it is Personal Best really gathers the best of Harry. Rarities are sprinkled throughout the CD although the bulk of it focuses on the previously released material. There's a derth of early material (i.e., 1962-1964) but that material probably wouldn't have quite fit in here anyway.The packaging is terrific (although the slimmed down jewel case uses an early picture of Harry. I personally perfer his bearded incarnation). This is a great one-stop shop for folks who might only be familar with Harry from the hits (although I'd have to deduct half a star for the abridged version of Jump into the Fire). The sound is very good--many of the source tapes were in less than stellar condition. Kudos to the folks who remixed and remastered many of these tracks. We have the best of both worlds; Harry's finest material and terrific sound. I would love to see a second Anthology focusing on more obscure material and unreleased stuff (such as Harry's last unreleased album). Maybe we'll get that next time."