Search - Hella :: There's No 666 in Outer Space (Dig)

There's No 666 in Outer Space (Dig)
Hella
There's No 666 in Outer Space (Dig)
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (11) - Disc #1

With There's No 666 in Outer Space, Hella steps up with an album that is as fiercely imaginative as any the Sacramento-based group has released before. As groundbreaking and fearless as 2002's Hold Your Horse Is or 2004's ...  more »

     
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CD Details

All Artists: Hella
Title: There's No 666 in Outer Space (Dig)
Members Wishing: 1
Total Copies: 0
Label: Ipecac Recordings
Original Release Date: 1/1/2007
Re-Release Date: 1/30/2007
Genres: Alternative Rock, Pop, Rock
Styles: Indie & Lo-Fi, Progressive, Progressive Rock
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 689230008323, 718753360219

Synopsis

Amazon.com
With There's No 666 in Outer Space, Hella steps up with an album that is as fiercely imaginative as any the Sacramento-based group has released before. As groundbreaking and fearless as 2002's Hold Your Horse Is or 2004's The Devil Isn't Red, 666 provides its audience with a multifaceted listening experience that defies musical boundaries and may, upon repeated listens, permanently alter the senses. "Friends Don't Let Friends Win," "The Hand That Rocks The Cradle," "Let Your Heavies Out" and "The Things That People Do When They Think No One's Looking" marry the sturm und drang of Red-era King Crimson with the menacing whimsy of Faith No More and Mr. Bungle. Others, including title cut "Anarchists Just Wanna Have Fun," imagine a harmonious union between the ever-theatrical Sleepytime Gorilla Museum and the heavier-than-thou System of a Down. But Hella has its own rich character and it occupies a mysterious and distinct musical universe, a territory that has yet to be named because we must first find a new vocabulary to begin to speak of it. This place requires that the listener have the heart and mind and ears of a world-class explorer, a seeker who trusts in the unknown and returns to strange sonic soil again and again to unravel its great grand mysteries, plot its progress, and bathe in its fertile soil. There's No 666 in Outer Space may be one of the most important releases of 2007. And it may be years later that we catch up with it. ??Jedd Beaudoin

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CD Reviews

One of my favorite albums of the past few years
Dr. Dude | 02/03/2007
(5 out of 5 stars)

"For recent fans of Hella and this group of musicians the vocals and more structured/coherent songwriting might take a while to get used to. For longtime fans who might have thought of Hella as 50% of Legs On Earth this is the album you have been waiting for since the year 2000. LOE member Josh Hill is back on guitar and better than ever with incredibly technical staccato lines that are the perfect contrast to an offering that could almost be considered conservative for Spencer Seim. On bass is longtime collaborator Carson McWhirter who does an impressive job of tying the band together; sometimes doubling the lead guitar part but more often than not taking to the low end to dual Zach Hill's onslaught with complex Levinian lines that show his background and interest in more straightforward prog/math rock. The new kid on the block in this group is Aaron Ross who takes on a task few people would envy: adding words to a very successful instrumental band with fans that have historically been resistant to the addition of vocals. I've come to really enjoy the work done by Ross on this album. I've already heard comparisons to Claypool, Cornell, Bowie, Plant and others, but even though I can hear them in certain areas for me the vocals as a whole are a unique element that compliment and help shape the overall sound of the album."
Minus half a star
01/31/2007
(4 out of 5 stars)

"The first release for the new 5-piece band, this is not the Hella of yore quality/consistency-wise, but still a very unique and ambitious release that grows and grows on the listener. The most insidiously listenable track "The Ungrateful Dead" may sound a LOT like Mars Volta (albeit with tighter structure and more conspicuous drumming), but most of the rest of the album is much harder to pigeonhole, often coming across as a funkier, electronics-addled take on Trout Mask Replica. The main element that old Hella fans are bound to focus on is the singing (the first to occupy an entire Hella release). Aaron Ross unfortunately is lacking in stylistic flair and even invites occasional comparisons to such established singers as Chris Cornell, Billy Corgan, and Les Claypool. That said, he does a adequate job of keeping up with Hella's hyper-rhythmic onslaught.

As this CD will divide the old fans, I recommend it to completists and the uninitiated looking for something adventurous but more traditional sounding than two-piece Hella."